‘Shang-Chi and the Legend of the Ten Rings’ overview: What critics say

Simu Liu plays Shang-Chi in Marvel’s “Shang-Chi and the Legend of the Ten Rings”.

Disney

Marvel’s latest hero hits theaters on September 3rd and he’s “magnetic,” critics say.

To be seen exclusively in cinemas next Friday, Disney’s “Shang-Chi and the Legend of the Ten Rings” revolves around Shang-Chi, a servant in a posh hotel called Shaun, an Americanized version of his name. He is the son of Wenwu, a centuries-old conqueror, crime boss and bearer of the legendary 10 rings.

After his mother’s death, a teenager Shang-Chi left his ancestral home and remained estranged from his father for years. Now, as an adult, he has to face his past and his father.

With a 91% “Fresh” score on Rotten Tomatoes out of 105 reviews, those who have seen expanded screenings of Disney’s newest comic strip call it a “total crowd pleaser. Period.”

“At some point during one of the best chases in San Francisco film history, ‘Shang-Chi and the Legend of the Ten Rings’ makes at least one thing gloriously clear: Today you can get your money’s worth in the cinema,” wrote Peter Hartlaub in his review of the film for the San Francisco Chronicle.

In addition to the action-packed battle sequences and funny one-liners that have become indispensable in the Marvel Cinematic Universe, “Shang-Chi” explores the clash of East and West – tradition and modernity – on a large, explosive scale.

Critics largely praised the cast of the film, of which Tony Leung stood out as a villainous but charming wenwu. Simu Liu, the eponymous Shang-Chi, is “magnetic” during the action sequences and Awkwafina shines as his quick-talking, funny best friend Katy.

“Shang-Chi” will be the first Marvel movie to hit theaters exclusively since then Covid pandemic closed the cinema business in March 2020. Industry analysts are excited to see how the film fares on the opening weekend and whether positive reviews and word of mouth will give it staying power at the box office.

This is how critics thought of “Shang-Chi and the Legend of the Ten Rings” before its cinema debut on September 3rd:

Katie Rife, AV Club

Critics praised “Shang-Chi” for its elaborate stunt and fight sequences, which are borrowed from classic martial arts films.

“In a way, ‘Shang-Chi’ is a mixtape of martial arts film genres: an early scene pays tribute to the balletic, graceful films of Zhang Yimou, while a dramatic bus chase later mimics the daring of an early Jackie Chan vehicle,” wrote Katie Rife in her review for AV Club.

Many have pointed to an early scene in the film where Shang-Chi battles multiple enemies in a crowded bus, as a prime example of these influences.

Even so, Marvel seems to be beating, Rife wrote.

“‘Shang-Chi’ insists on either pausing or burying the stunt work – led by Chan protégé Brad Allan, who tragically died earlier this month – with mountains of blatant CGI,” she said.

Read the full review from AV Club.

Tony Leung plays Wenwu in Marvel’s “Shang-Chi and the Legend of the Ten Rings”.

Disney

Angie Han, the Hollywood reporter

“It doesn’t take long for ‘Shang-Chi’ to set its terms,” ​​Angie Han wrote in her review for The Hollywood Reporter.

The film begins in China with narration and dialogue that is entirely in Mandarin with subtitles. Only when the film jumps several minutes in its running time to San Francisco is even a single word of English spoken.

“Even in 2021, when subtitles are hardly an exotic experience for most moviegoers, the decision to use them in the opening scenes of an American blockbuster sends a message,” she wrote.

Han noted that “Shang-Chi”, with its magical forests and mysterious ancient artifacts, sometimes “hardly feels like a superhero movie.” And that’s good.

Still, the film is full of Marvel tropes, including hilarious, self-deprecating humor, which Han says brings the characters back to earth, but also takes “some of its wonders” away from the film.

Read the full review from The Hollywood Reporter.

Shirley Li, The Atlantic

The most prominent part of almost every Rotten Tomatoes review is Tony Leung. As one of Asia’s biggest movie stars, this is Leung’s first Hollywood film – and he’s stealing the show.

Wenwu is the antagonist of “Shang-Chi”, but he is more of an antihero than a villain. The 10 rings made him immortal and love led him to give up his powers. The loss of his wife, however, leads him into a deep spiral of grief.

“To root Wenwu’s motives in heartbreak rather than domination, destruction or vengeance feels unique for a Marvel film: Shang-Chi’s central conflict goes beyond the classic of good versus evil and far beyond that of a son who deals with it argues with his father, ”wrote Shirley Li in her review for The Atlantic.

The film may be called “Shang-Chi,” but for Li, as other critics argue, this is Wenwu’s and Leungs’ film.

“Not only is he the star of the movie’s opening – in his hands, Wenwu’s havoc catalyzes the action and permeates every frame, making the film a tragedy,” she wrote. “He becomes the character everyone else revolves around, whether he’s on the scene or not. After all, that’s how grief works, it shines.

Read the full review from The Atlantic.

Meng’er Zhang, Simu Liu and Awkwafina star in Marvel’s “Shang-Chi and the Legend of the Ten Rings”.

Disney

Brian Truitt, USA today

However, the main role of “Shang-Chi” is not without its own charm.

Simu Liu, best known for his portrayal of Jung on the Canadian sitcom “Kim’s Convenience,” may be relatively unknown in America, but he “is just a joy to watch,” wrote Brian Truitt in his review of “Shang-Chi”. “

“He’s the MCU’s most significant and contagious rookie since the late Chadwick Boseman with the same face-of-the-franchise appeal as Chris Evans,” he wrote.

Truitt said Liu has a “subtle charm” that draws audiences into the film, even when magical creatures and supernatural artifacts bring him to the realm of the fantastic.

“Robert Downey Jr. and his lead actor Tony Stark have now disappeared from the Marvel films,” wrote Truitt. “Fortunately, they have found a suitable successor in the unjustifiably charismatic Simu Liu and his dragon-riding, powerful alter ego.”

Read the full USA Today review.

Disclosure: Comcast is the parent company of NBCUniversal and CNBC. NBCUniversal owns Rotten Tomatoes.

Leisure Information Roundup: Joyful ‘Within the Heights’ is love letter to Latinos in U.S.; Warner Bros. plans anime film in ‘Lord of the Rings’ collection and extra

The following is a summary of the latest entertainment news.

Joyful ‘In the Heights’ is a love letter to Latinos in U.S

It took 13 years to get from the stage to the big screen, but In the Heights is throwing a party and wants everyone to join in. Opening in theaters on Thursday and streaming on HBO max, Hollywood’s greatest Latino film in decades, tells the stories of the dreams and challenges of the largely immigrant community in Manhattan’s Washington Heights neighborhood.

Warner Bros. plans anime film in ‘Lord of the Rings’ series

The Warner bros. The film studio will produce an anime feature film set in the world of JRR Tolkien’s popular “Lord of the Rings” books, officials said Thursday. “The Lord of the Rings: The War of the Rohirrim” tells the story of a legendary battle that Middle earth in the years leading up to the events in the 2001 film “The Lord of the Rings”, a statement from the studio said. The new film will explore the fortress of Helms Deep and show the king of Rohan, helmet Hammer hand.

Kim Kardashian doesn’t regret the end of the reality series’ Keeping Up ”

After 14 years of drama, fashion, and family, “Keeping Up with the Kardashians,” the television series that Kim Kardashian and the familiar names of their siblings, bowed on Thursday with hugs, tears and gratitude. “I regret nothing. That was the best decade and a half of my life. ” Kim Kardashian says in the final.

One minute with: Boy George turns 60, new music and biopic

Culture Club front man Boy George is looking for an actor to play him in a new music biopic set to begin filming this summer. The British Singer, who will turn 60 next week, launched the social media call for auditions in April for the film “Karma Chameleon,” based on one of the band’s 1980s hits.

Actor Riz Ahmed leads to an offer to change the path Muslims seen in movies

British actor Rice Ahmed Thursday started an effort to improve the path Muslims are portrayed in films after a study shows they are barely seen and portrayed in a negative light when they appear. Ahmed, the “Sound of Metal” star and the first Muslim to get a best actor Oscar Nomination said the blueprint for Muslim Inclusion would provide funding and mentoring for Muslim Storyteller in the early stages of her career.

Placido Domingo honored in Spain after harassment allegations

Spanish opera star Placido Domingo was honored with an award at Madrid’s Teatro Real on Thursday, the day after receiving a standing ovation for his first performance in his home country since a union said he routinely molested women. Spain last year, Domingo’s planned performances in publicly funded theaters were canceled while the singer withdrew from shows after an investigation by the American Guild of Musical Artists found he had behaved inappropriately towards female performers.

(This story was not edited by Devdiscourse staff and is automatically generated from a syndicated feed.)

Bitcoin’s skid rings alarm bells as cash supervisor says retreat to $20,000 forward

Bitcoin prices are falling again on Thursday and the drop could set off some short-term bearish alarm bells as the asset is already technically in a bear market after hitting record highs in early January.

Values ​​for the world’s most famous cryptocurrency fell about 10% from Thursday’s lows at around $ 31,000, with the crypto losing 12% over the week, according to FactSet data.

A single bitcoin
BTCUSD, -7.81%
Trading with CoinDesk was valued at $ 32,357 at the last check, a decrease of 7.5%.

However, investors did comment on recent comments from financial market participants, which may also help lower prices.

Scott Minerd, Chief Investment Officer of Guggenheim Partners, a new proselyte from traditional Wall Street instruments to cryptos. said CNBC on Wednesday According to CoinDesk, he believed bitcoins could cause a retreat to $ 20,000 after hitting a record $ 41,962.36 on Jan. 7.

“For now, we’ve probably set a top for Bitcoin for the next year or so,” Minerd told the corporate network.

Minerd told Bloomberg News weeks ago that its price outlook for Bitcoin was $ 400,000.

Since its most recent peak, Bitcoin has declined by at least 20% and is the widely accepted definition of a bear market in an asset.

The slump in bitcoins has also fallen below a short-term moving average, the 20-day exponential moving average (EMA) of $ 32,544, according to FactSet data.

EMAs, like simple moving averages, are sometimes used by technical analysts to measure short-term bearish and bullish trends in assets. They can be useful for bitcoins that are subject to large fluctuations on a daily basis.

Hodlers – a popular misspelling of the word “hold” or “holder” in the crypto community – typically don’t focus on the short-term moves in crypto and hold the asset for the long term. And it’s often difficult to tie a specific step in virtual assets to a related message.

However, the markets have been processing the dramatic moves of virtual assets over the past few weeks and months and assessing the outlook for bitcoins and other assets in the Biden administration.

Earlier this week, Janet Yellen, President Biden’s candidate for Treasury Secretary, said she was considering restricting digital assets, fearing using them for money laundering and other ills.

Additionally, some proponents fear that Gary Gensler, former head of the Commodity Futures Trading Commission and professor of cryptocurrencies at the Massachusetts Institute of Technology, can question Bitcoin Regulation, as Biden’s choice for the chairman of the Securities and Exchange Commission.

Still, a number of investors often see Bitcoin’s withdrawals as an opportunity to increase their stake in the speculative market, which is often described as one that mirrors many of the markets Features of an asset bubble.

Minerds Guggenheim is among a number of institutional investors who have taken note of the price recovery in Bitcoin and sought to get exposure to the blockchain-backed asset.

Most recently public submissions revealed that BlackRockThe world’s largest money manager will dip his toes into the world of crypto assets and buy bitcoin futures
BTC.1, -7.89%.

An Historic Type of European Cash: Bronze Rings, Ribs and Blades

The modern world thrives on a constant flow of money that has its roots in simpler protocurrencies developed at the regional level by ancient peoples.

Two archaeologists believe they have identified a very early example of commodity money in Europe that was used in the Bronze Age about 3,500 years ago, with designations in the form of bronze rings, ribs and ax blades. At that time, people often buried collections of these ubiquitous objects, leaving an abundance of scattered “hoards” across the European continent.

in the a study published Wednesday In PLOS ONE, Maikel Kuijpers, Assistant Professor of European Prehistory at the University of Leiden in the Netherlands, and Catalin N. Popa, a postdoctoral fellow there, compared the weights of more than 5,000 rings, ribs and blades from the Bronze Age to over 100 hoards, the five or more Items contained.

The results showed that 70 percent of the rings were so tight in mass – about 7 ounces on average – that if they had been weighted by hand, they would have been indistinguishable. While the ribs and ax blades are not quite as uniform, the study concludes that the artifacts are similar enough to collectively demonstrate “the earliest evolution of commodity money in prehistoric Central Europe”.

“It’s a very clear standardization,” said Dr. Kuijpers.

While other researchers questioned some of their conclusions, they agreed that the study expanded our knowledge of the economic activities of ancient peoples.

As bronze smiths spread across Europe, these rings, ribs, and ax blades were cast for functional uses – like jewelry and tools – that might not have anything to do with money. Some of the items in the data set likely retained strictly functional or decorative roles as their weights were well above the calculated average.

The comparable weight of a large part of the artifacts leaves “no doubt that at least the rings and ribs meet the definition of commodity money,” the authors wrote. The bronze items reflect forms of currency based on tools known as paraphernalia that were discovered elsewhere, such as: Knife and spade money found in China and Aztec chopping and ax money found in Mesoamerica.

“We have examples in other regions of the world where you seem to be developing in a similar way,” where “a practical tool is being converted into this parcel money and then into this commodity money,” said Dr. Kuijpers.

A key innovation in bronze is the ability to create duplicates by pouring the metal into molds. The study speculates that over time these nearly identical copies led to an abstract concept of weight that laid the mental foundations for the invention of weighing tools and technologies that emerged centuries later in Europe during the Bronze and Iron Ages.

Nicola Ialongo, a prehistoric archaeologist at the Georg August University of Göttingen in Germany, said the study “made an important contribution to understanding how early funds work,” but that there was a less complicated explanation for how these standardized objects came about.

“As the authors acknowledge, the regularity of their samples could be explained simply by imagining that the objects in their records were cast with a limited number of shapes, or that the shapes themselves were of a standardized shape,” said Dr. Ialongo.

In addition, ancient peoples might have counted this currency the way we count coins today instead of focusing on weight.

“Put simply, you don’t need a weight system to be able to use metals – or any other commodity – as money,” he said, adding that many other less durable things may have been used as money before these bronze items.

The authors counter that “weight is important” because “there is evidence that certain types of objects have intentionally attempted to reach a certain weight interval”.

Barry Molloy, Associate Professor of Archeology at University College Dublin, who was not involved in the study, noted that “there has long been suspicion that systems of weights and measures were used in Europe during the Bronze Age”.

“The search was for an accurate metric such as that found in Southwest Asia and the Mediterranean,” said Dr. Molloy. ‘While this paper does not show that such a coherent system existed, it does provide important insights into how ancient people in Europe themselves approached these problems pragmatically before formal weight systems were developed in the Iron Age. “

While Dr. Ialongo disagreed with some of the researchers’ methods, he also praised the study as “a remarkable attempt to break one of the oldest and most enduring taboos in prehistoric archeology that“ primitive ”societies do not have proper commercial economies. ”