Professor and gang bow out in style- The New Indian Specific

Express message service

A series like Money Heist has to bow in style. There are no two options. The stake is sky high and everyone is locked on their screens to see how the Red Gangs make of this dazzling bank robbery organized over the past two seasons. The creators managed to pass this test and produce some surprising performances. While the final will satisfy most fans, the path to get there isn’t perfect either.

The first volume of last season ended with Tokyo’s (Ursula Corbero) death, and the second volume ties in directly – it shows how Professor (Alvaro Morte) and the team deal with the disaster. It’s great how the writing in these scenes, especially the dialogues, even though we have plenty of time to process the tragedy and move on, pulls us right back into the tension that the fifth episode left us with.

At the same time, Alicia Sierra (played by a brilliant Najwa Nimri) in Professor’s hiding place uses this opportunity to escape. A chase ensues, and again the writers have used a well-known creative tool to keep the tension going. Just as Alicia is racing out of hiding, we cut to a flashback with Berlin (Pedro Alonso) – a continuation of the subplot from the first volume. At the end of the scene we see the professor and Marsella (Luka Peros) leaving the hiding place to catch Alicia. The juxtaposition of the sequence is intended to convey the psychological feeling that a lot of time has passed since Alicia’s departure. However, we know this is not the case. The chase, supplemented with scenes from the bank, keeps the tension going.

Tokyo’s voice-over now begins, but how does a dead character continue the story? The makers don’t explain it through their voice-over. However, there is a scene where Rio (Miguel Herran) visits the place where Tokyo died, and the voice-over suggests that when a person dies, their mind lingers in place for some time. In fact, it suggests that even Rio can sense their presence. So maybe you can assume that there is a cosmic reason for the voiceover?

The first three episodes of the second volume move at a hectic pace and focus on three big narratives: A soldier from the special troop becomes a “Trojan horse”, the gang has to concentrate on extracting the gold, while Colonel Tamayo and his troops do it are on high alert, and the third concerns the Professor Alicia situation. Amidst all of this, we also get flashback sequences – however, unlike those in previous seasons, each flashback scene seems too important to the narrative. This also extends to the scenes that concretize the interpersonal dynamics between team members.

For example, the scenes with Manila (Belén Cuesta), Denver (Jaime Lorente), and Monicas (Esther Acebo) don’t interfere with the narrative as we are aware that these scenes lead to the end of their character arcs. In addition, the second volume continues to explore the mental and emotional makeup of Manila and Monica. The writers also seem to be aware of when to get us back in the middle of the action – something the previous band couldn’t.

Meanwhile, the Berlin conspiracy is throwing one revelation after another and is already increasing expectations of the upcoming Berlin spin-off series. In a bar in particular, there was a brilliant scene when Berlin discovered that his son had betrayed him. He’s losing the cool demeanor he’s popularly known for, and actor Pedro Alonso comes out of the park with his brilliant performance.

As expected, the Berlin subplot merges with the main narrative in the most amazing way. This scene happens when Tamayo’s squad reaches a location where the team has planned to extract the gold. That feels like the final checkmate. Just as you’re wondering what’s going to happen, we’re being hurled from one subversion after another.

The most impressive sequence of the season, however, does not include any of the action. Eventually, the creators reveal the professor’s original story. While not original, these sequences pull the strings of the heart.

The final episode of the series is, as expected, a thoroughly professorial show. It has some great scenes for the fan-favorite character, but I would like other members of the gang to get signed in style too. There isn’t one big action set piece with bullets raining down and grenades flying down the aisle of the bank. The twists and turns are gripping nonetheless. While I can’t think of a better way to end the show, a sense of incompleteness is also strongly felt. Perhaps it is the overwhelming disappointment to know that this will be the last time we will see the gang sing “Bella Ciao” or because nothing can satisfy the extraordinary hype the series has generated. Or maybe, as Professor says about the gold in the bank, it’s just an illusion.

Money Heist Season 5 Vol 2

Throw: Alvaro Morte, Ursula Corbero, Itziar Ituno, Pedro Alonso
Direction: Alex Pina

Valuation: 3.5 / 5

ECSU Professor Douglas Jackson Debuts World Music Venture “In Fashion”

“In Style” is a global music project with trumpeter Douglas A. Jackson. The project was funded in part by an Artist Support Grant from the North Carolina Arts Council administered by Laurie Edwards and The Art of the Albemarle in Elizabeth City, North Carolina.

Would you like to preview In Style? listen Here.

Listen to the full album:

Douglas Jackson, a Elizabeth City State University Professor and long-time trumpeter, began his artistic journey in an orchestral class at elementary school and took him around the world musically.

Now he hopes to share parts of that journey with the listeners through his global music project “In Style”.

“The ‘In Style’ project is my idea of ​​music as different sounds and colors from around the world,” said Jackson. “You will hear an Asian theme, some Spanish themes, some R&B and some technical stuff. You will also hear some traditional live sessions with musicians. “

“In Style” started in 2001 as a thesis. Now, 20 years later, was “In Style” digitized and made available for everyone to enjoy.

The overall goal of the album is to introduce listeners to the wide range of music that is out there in the world, Jackson said. After researching all of the music on his own, he found that much of world music was missing from traditional music education.

“When I teach music, I always tell students to remember that even in Mozart’s or Beethoven’s time, people in Asia, East Africa, the Polynesian Islands, etc. were making music,” said Jackson.

Jackson’s own musical education began at the age of eight when he enrolled in an orchestral class taught by a traveling music teacher. The trumpet immediately caught Jackson’s attention, and in middle and high school he played in the jazz ensemble.

While the trumpet was his first love, Jackson’s interests began to grow early in his career. His desire to explore came from his family – his older sister played the cello, his younger brother played drums, and his mother played the piano.

“I was already surrounded by music and was allowed to study music primarily as an intellectual exercise,” said Jackson.

He sat in big band jazz ensembles and heard jazz trumpeters like Miles Davis and Clifford Brown. In college he read about musicians like Charlie Parker and producers like Quincy Jones.

Despite the years he has spent playing and studying jazz music, Jackson does not identify as a jazz musician.

“I’m trying to call myself more of a world musician,” said Jackson.

When Jackson made progress in his life Music careerhe found new styles and genres to explore. During his studies he played as part of a reggae band. In graduate school, he explored Los Angeles and discovered Latin Jazz due to its vast Afro-Cuban, Puerto Rican, Cuban, Mexican, and El Salvadoran cultures.

He decided to merge these cultures – and many more – into one album. By using his network of close friends and fellow musicians, he was able to bring together all of their musical expertise. After nine months of writing, playing and producing music, “In Style” was done.

Jackson hopes “In Style” will widen listeners’ attention to a variety of instruments, musical styles and world beats. With the diversity of the album, Jackson is confident that everyone will find something that resonates with them.

“To borrow a term from Quincy Jones, it’s gumbo. Everything goes in the pot and comes out well, ”said Jackson. “If you play it you will find out that something is there for you!”

Professor Inexperienced on ‘private mission’ to kind himself out | Leisure

Professor Green is on a “personal mission” to “sort” [his] s *** out ”now he’s a father.

The 37-year-old rapper, who has spoken about his mental health issues in the past, gave up drinking during lockdown because he wanted to be at his best for his partner Karima McAdams and their newborn son Slimane Ray.

kAmw6 D2: 5i “x 2> @? 2 A6CD @? 2 =>: DD: @? E @ D @ CE> J DYYY @FE]k ^ Am

kAm “x ECJ E @ DE2J @? E @ A @ 7 DEF77 2? 5 2 = @ E @ 7 A6 @ A = 6 =:<6 E@ 564@>AC6DD 3J 92G:? 8 2 5C :?[ 3FE :7 x H2<6 FA H:E9 2 92?8@G6C E96? x’> ?@E 8@:?8 E@ 86E 2?JE9:?8 5@?6 2?5 E96? E9:?8D 364@>6 >@C6 F?>2?28623=6 2?5 E92E =625D E@ 2?I:6EJ 2?5 DEC6DD]k ^ am

kAm “% 96 D6 = 7 = @ 2E9:? 8: D? ‘E E92E 962 = E9J 6: E96C]$ @? @H x 5 @: E 72C = 6DD -: 7 2E 2 ==]” k ^ On

kAm% 96 ‘v @ E xE p ==’ 9: E> 2 <6C =:<6D E@ DH:E49 @77 7C@> E96 H @ C = 5 2? 5 “6D42A6” 7C @> E96 AF3 =: 4 6J6 H96? 96 42?]K ^ Am

kAmw6 D2: 5i “xE’D 2 == 23 @ FE A: 4 <:? 8 J @ FC 32EE = 6D[ 36:?8 7@4FD65[ 92G:?8 2 4=62C@FE 2?5 DE2J:?8 @? E@A @7 E9:?8D 2D >F49 2D A @ DD: 3 = 6]k ^ am

kAm “(96? 6G6C x 42?[ x EFC? @77 >J A9@?6 E@ 6D42A6]k ^ am

kAm x 92G6 8 @ E C6DA @? D: 3: =: E: 6D 2? 5 x =: <6 E @ H2 =< >J 5 @ 8D[ 3FE x =625 2 G6CJ >F?52?6[ 52JE@52J =:76]k ^ am

kAm “u @ C> 6[ :E’D 86EE:?8 @FE @7 365 6G6CJ 52J 2?5 86EE:?8 @? H:E9 :E 2?5 E92E 😀 4@>>6?523=6]”K ^ Am

kAmp? 5 E96 C2AA6C – H9 @ D6 C62 =? 2> 6: D $ E6A96? | 2? 56CD @? – 92D 2 = D @ 7 @ F? 5 E96C2AJ G6CJ 96 = A7F =]k ^ Am

kAmw6 E @ = 5 r = @ D6C> 282K:? 6i “% 96 @ & Dgr; = J H2J E @ 6G6C = 62C? E @ 364 @> 6> @ C6> 6? E2 == J C6D: =: 6? E: DE @ 2446DD E96C2AJ H96? J @ F’C6? @E 2E 2 A @ 😕 E @ 7 4C: D: D]k ^ Am

kAm $ @> J 25G: 46 E @ 2? J @? 6 H @ F = 5 36 E @ 4 @? D: 56C E96C2AJ[ H96E96C J@F E9:?< J@F ?665 :E @C ?@E]k ^ am

kAm “xE’D 2 3C: ==: 2? E H2J @ 7 EC2:?:? 8 E96>:? 5 2? 5 96 = AD J @ F 4 @ A6 H: E9 H92E6G6C J @ F 6? 4 @F? E6C]”k ^ Am

QU professor has paintings chosen for 4 exhibitions | Arts & Leisure

QUINCY – Various works of art created by a Quincy University professor find their way into exhibitions across the country.

Robert Lee Mejer has selected five pieces he created for inclusion in exhibits from California to Georgia.

“Variant: The Dance Around” was selected by Californian artist Katherine Chang Liu for inclusion in the 12th annual Signature American Watermedia International Exhibition World of Watercolor 2021 at the Fallbrook Art Center in California. This piece also won the Ed and Carol Thomason $ 500 Cash Award for Abstract. The exhibition at the Fallbrook Art Center runs until April 11th and is also available online at fallbrookartcenter.org.

Jo Banister, program manager for exhibitions at the Indianapolis Art Center, selected “Shuffle Dance” and “Variant 1 – PC # 26” for the exhibition “New Editions: A Printmaking Exhibition”, both monotypes combine graph prints. This exhibition runs until April 7th.

International watercolorist John Salminen selected Mejer’s watercolor “Variant: Newborn” as part of the Georgia Watercolor Society’s National Exhibition in 2021 at the Carrollton Center for the Arts. This Carrollton, Georgia exhibit opens April 5th and runs through May 14th.

Mark Mehaffey and Brenda Swenson, international judges for the 45th Transparent Watercolor Society of American Juried exhibition at the Kenosha Public Museum, selected “Variant: Equilibrium” for its upcoming exhibition in Kenosha, Wisconsin. This exhibition runs from May 1st to May 1st. August 1st.

Mejer has been a distinguished professor of art since 1968, curator of the Gray Gallery, and coordinator of the arts program at Quincy University. He is an artist, painter, printmaker, juror, and visiting artist from Illinois.