Reader’s spoons are a of a Russian model, however not essentially Russian-made | Residence and Out of doors Residing

John Sikorski

John Sikorski


Dear John: We got the silver spoons in the attached photos from a gentleman who brought them to us from Russia as a wedding present 49 years ago. Can you tell us about their history and their worth? Thanks very much. —ZL, Beverly Hills

Dear ZL: The tablespoons were likely made in the mid to late 19th century. In your photographs I discovered an impressive little square with the number 80 inside. This indicates that they are made of very inferior silver. They are Russian in style but have no markings as one would expect if they were made in Russia. In addition, the Russians did not use the number 80 in their silver hallmarking system. The potential dollar value for the six is ​​under $ 100.

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Dear John: I have an antique display table that seems quite unique. I can’t take a picture as it’s in storage, but you might recognize it from my description. All wood paneling is black, as are the legs. The deep sides are made of glass, consisting of eight beveled sheets of glass; four are doors. The top has a tray with two handles that stands out. The table is about 30 cm high.

Was this piece made for any purpose or for general display of art objects? When would this type of piece be made? Any information that you could provide us would be greatly appreciated, especially what the value might be. – RB, internet

Dear RB: According to your description, the piece of furniture you have is a chocolate cabinet. The black finish is known as the ebonized surface, which gives the appearance of ebony, an exotic, expensive wood that was previously used in furniture.

Chocolate pots were made in silver and silver sheet as early as the 17th century. In the Victorian era, beautifully hand-painted porcelain chocolate pots with cups and saucers on matching trays were all the rage. Chocolate cabinets made from mahogany, walnut and other woods with decorative carved surfaces were created to accommodate complete sets inside, with a lift of the top tray for serving.

Chocolate cabinets generally sell between $ 150 and $ 600 depending on quality and condition. Without a photo, it is impossible to give an idea of ​​what your chocolate cabinet might be sold for.

John Sikorski has been a professional in the antique business for 30 years. Send questions to Sikorski’s Attic, PO Box 2513, Ocala, FL 34478 or

Leisure-filled Outside Fest replaces conventional banquet as Viking Sportsmen’s huge fundraiser

In place of the traditional banquet that has been going on for more than 30 years, the last Saturday in July at the Alexandria Shooting Park, the Viking Sportsmen are offering a variety of ticket packages to attend their very first outdoor festival. It’s a day of fun for people in the outdoors, and the idea came from the Viking athletes who had to cancel their annual banquet due to the 2020 pandemic.

Questions remained in the 2021 banquet season, which for outdoor organizations usually takes place in spring. Could the Viking athletes hold an indoor banquet while the pandemic continues? If so, with what capacity?

“At one point during the talks, I believe we were limited to less than 100 people, and in a typical year the banquet takes about 300 people,” said Chris Kleine, president of Viking Sportsmen. “It started as an idea when some of us were standing around after one of our board meetings. It definitely wasn’t broken, but after 35 years of banquet it was time to check out something else. We take a leap of faith and commit to thinking outside the box and putting together an event that can attract 3-4 times or more than our traditional audience, which equates to extra dollars and a much greater impact in our local communities. ”

Ticket package costs range from $ 20 for a single entry ticket to a platinum package of $ 1,000 (valued at $ 1,500) for a group of 10 people. There are several options between these prices for individuals or groups.

The money from this event will go towards projects such as the annual Youth Outdoor Activity Day (which is scheduled for August 29th this year), wild fodder plots (over 100 acres planted in 2020), pikeperch, brown and rainbow trout stocking programs and financial Support will be used for archery, traps, and fishing teams of the 206 District, along with the local Let’s Go Fishing chapter, which helps seniors get outdoors through fishing and sightseeing tours of the lakes in the area.

Outdoor Fest offers a full day of activities. It starts at 10 a.m. when the gates open. A trap shooting tournament starts at 11:00 AM. There are food stalls, a bar (Depot Express and Carlos Creek Winery), 3D archery, and raffles with over 30 weapons and other prizes.

The afternoon includes a beanbag tournament, live entertainment, a general raffle and a silent auction. Live music by the band Coyote Wild plays from 7-10 p.m.

Kleine said the committee had discussed at length how the event would be carried out with shooting sports and liquor in the park.

“We follow instructions from Tom (Townsend), the owner of Alexandria Shooting Park,” said Kleine. “He said: ‘We have already been served alcohol at events like this, and there is a zero tolerance policy.’ If you consume alcohol, do not take part in the (shooting) events. This also included scheduling. The trap tournament starts at 11 a.m. The food stalls, the bar, they don’t open until noon. That was the idea of ​​getting it going in the morning so that people don’t sit around until 3 or 4 in the afternoon. ”

Hosting such an event as the primary fundraiser for the year took a lot of work and taking some risk with the amount of money the group invested in the day. Kleine said Alomere Health and Bell Bank both came to Viking Sportsmen to help sponsor the event.

The board members of the Viking Sportsmen hope that the Outdoor Fest will be well attended and that the group will continue to serve the community in the future. Kleine said they haven’t seen a large number of ticket sales yet, but he hopes that will change in the past few weeks as the group marketed the outdoor festival in more avenues.

“We have devoted significant resources to making sure we are putting together a good product,” said Kleine. “Our committee members are in rags, have reached out to the vendors, made sure we have entertainment and a stage, organized trap and beanbag tournaments, and procured rubbish and toilet bins.

“All of this is happening as we also prepare for Youth Outdoor Activity Day less than a month later, which draws around 4,000 people to the same place. We would be very happy to continue this event and hope that it will be a success and grow from year to year. We have received a lot of positive feedback from people who are burned out through traditional fundraising mechanisms. Now is the time to see what kind of reaction we get. “

Information about the outdoor festival

For ticket packages, as well as a full schedule and additional information on the Viking Sportsmen’s very first outdoor festival, please visit Contact Chris Kleine at (320) 491-4135 or Tim Olson at (320) 766-2650 with questions.

As outside leisure ramps up this summer season, indoors venues slower to reopen | Information

Late on Friday afternoon at Century Cinema 16 in Mountain View, fewer than 30 seats were occupied in one of the nearly 200-seat cinemas, but for moviegoers who saw “The Boss Baby: Family Business” it was a piece of prepandemic normality – without Masking, proof of vaccination, or physical distancing. Children giggled in the dark; greasy fingers dipped in bucket with popcorn.

The cinema complex looked pretty much as it always did, with the water fountains turned off, stickers on the toilet floors still telling guests to “play your part; keep your distance” and workers wearing face-covers.

Two weeks after the state officially reopened and many shutdown regulations lifted, major venues along the Midpeninsula are taking time to get back online. Some, like Century 16, have resumed business largely normally, leaving the decisions about masking and physical distancing entirely up to customers.

Others, like the Shoreline Amphitheater, haven’t welcomed the public yet. The parking lot, which is famous for its post-concert collapse, is almost deserted. Within the metal entrance gates, yellow “caution tape” remains lined up between trees and poles. Above the ticket window, the marquee does not have the names of upcoming attractions, but rather “wishes you were here”.

The venue’s website has the first show this summer on August 21: Country singer / songwriter Dierks Bentley’s “Beers on Me” tour. The health and safety regulations posted on the website cite the CDC’s recommendation that unvaccinated individuals wear face covers. However, there is no policy requiring attendees at the 22,500-seat venue to verify their full vaccination status or show a negative COVID-19 test, despite the California Department of Health’s “strong recommendation” that anyone with more than 10,000 people do so.

Live Nation, which operates the amphitheater, did not respond to multiple requests for an interview for this article.

Elsewhere on the Midpeninsula, other venues are gradually rolling out outdoor events this summer, with clear plans for indoor performances to resume soon.

The Mountain View Center for the Performing Arts (MVCPA) in Castro St. 500 has reopened. Live shows recently reopened in its ParkStage outdoor space, which can seat up to 300 people with lawn seating, and in the small SecondStage space that has a capacity of 200.

As of June 25, the Mountain View venue was not yet offering tickets to productions on its 600-seat MainStage, which features cultural companies like TheatreWorks, but Marketing and Public Relations Manager Shonda Ranson said she hoped the MainStage events in August to be resumed. She directed the public to check the internet for updates Center website.

June all employees and volunteers of MVCPA wear masks and keep a physical distance if possible. No masks or distancing are required for fully vaccinated participants, the website states, while unvaccinated participants must keep masks and distance.

At Stanford University, the Frost Amphitheater outdoor concert hall reopened on April 29 with less than 5% capacity and 400 visitors per event to show films. Stanford Live will start on Wednesday Concert and ballet performances added to its line-up at Frost and increased the audience capacity to 20% or 1,660 people for July, with a larger audience allowed in August.

Citing the latest state, county, and university guidelines dated July 2, audiences at the Frost Amphitheater are not required to provide evidence of a negative COVID-19 test or full vaccination. Masks are optional for vaccinated guests and required for unvaccinated guests.

Stanford Live has a August also planned its first indoor performance of the year at the Bing Concert Hall: the premiere of “The No One’s Rose,” a co-production by Stanford Live, the Philharmonia Baroque Orchestra (PBO) and the American Modern Opera company.

The show combines music, dance, and theater with the work of Paul Celan, a poet and Holocaust survivor. In the run-up to the premiere, the artists will take part in a two-week residency at Stanford Live.

Masks are required for all visitors to indoor shows Stanford Live website.

An indoor venue that’s already back and 100% busy: the Cantor Arts Center in Stanford, which can accommodate 2,000 visitors a day between Wednesday and Sunday. It began to reopen gradually in April when it invited students and museum members to its first visitors and then launched a “Welcome Back” advertising campaign. The museum had a capacity of 25% at the time and required visitors to follow a time-controlled reservation system.

Since reopening on June 15, Cantor has switched from a time-controlled reservation system to all-day reservations, which are free of charge. The museum continues to require all visitors to wear masks, in line with the university’s recommendations. The website continues to encourage people to maintain social distance from others in the museum.

“It was important for Cantor staff to open with limited capacity when it was considered safe in April because we know the museum is a place of community, even from a distance,” said Elizabeth Kathleen Mitchell, interim Co-director and the Burton and Deedee McMurtry curator at Cantor Arts Center, said in a statement. “Since then we have increased the capacity to 100% and we look forward to welcoming even more visitors to the galleries and the museum grounds in summer and autumn when we Paper Chase: Ten years of collecting prints, drawings and photographs around the cantor . “

For sports fans, cheering for the Cardinal should feel familiar this fall: Stanford Athletics plans to welcome fans to its indoor and outdoor competition venues with no capacity restrictions, and soccer tailgating is expected to be allowed as well, the university shared Week with.

The first home football game will be against UCLA on September 25th.

“We’re excited to be back at Stanford Stadium this season, playing in front of our students, fans and alumni,” said David Shaw, Bradford M. Freeman director of football, in a press release. “We have one of the toughest, most exciting schedules in the nation.”

All home sports events are conducted in accordance with state health guidelines, as well as county and campus guidelines, the university said. Specific protocols will be announced at the beginning of the season. Further information is published at

Neptune Township rescinds outside eating, leisure permits given out throughout pandemic

News 12 employees

06/02/2021, 10:23 PM EDT

Updated on:06/02/2021, 10:23 PM EDT

A Monmouth County pizza shop owner was able to keep his business open during the pandemic. But he’s now struggling to stay in business.

Many companies across New Jersey were forced to change their business plans when the COVID-19 home stay regulation was implemented. Restaurants have been forced to switch from food services to take-away and al fresco dining.

“We put every dollar we had into this outdoor area. It was literally something that was just a last hope, ”says Vinny Ferrara, owner of Delvetto Pizzeria & Pub.

Ferrara’s restaurant opened just before the pandemic broke out, crippling businesses across New Jersey.

“We were able to make takeout, but that’s not enough to pay the bills. We literally crawled, tried to pay the bills and earned absolutely nothing, ”says Ferrara.

Ferrara says the restaurant got something of a lifeline in June when both Neptune Township and the state approved outdoor dining and entertainment through November 2022. Delvetto has shifted again and added outdoor performances.

“I’ve probably reached out to all of these – probably over 100 different bands, local bands. ‘Hey, do you want to play in my parking lot?’ “Says Ferrara.

The “Tiki Lot” was born. But Ferrara says Neptune Township will lift all outdoor entertainment permeans from June 6th. Outdoor dining permits will be revoked until Labor Day. The permits were all temporarily granted during the pandemic to help businesses stay afloat.

“It’s the only thing that keeps us alive and together,” says Ferrara. “We fight and fight every day just to pay the bills.”

Some customers say they prefer to eat outdoors, especially since COVID-19 is still a threat in the state.

“I’m not going to feel comfortable being inside at this point,” says Red Bank’s Sarah White. “It seems like a real step backwards.”

Other customers say the open air concerts brought the community together.

“A lot of our neighbors from all over the area would meet here and the kids would eat pizza, they would have live entertainment,” says Jill Tramontano of Neptune. “I am very disappointed. I think it was a bad decision on Neptune’s part. “

Ferrara says that if the permits are revoked, he may have to fire some employees as they expect smaller crowds to eat.

News 12 New Jersey reached out to the ward and business administrator for comment but received no response.

Outside leisure occasions return to Portland in a giant approach

PORTLAND, Ore – Now that the weather is warmer, outdoor events are making a big comeback in Portland.

There are several to choose from this weekend alone, including an outdoor projection and a performance experience at the Portland Art Museum.

“Everything is starting to spin a little when it comes to outdoor programming and virtual programming,” said Jaleesa Johnston, program director for the Portland Art Museum.

Although COVID restrictions are easing, people at the PAM event on Saturday night had to wear masks and follow social distancing guidelines.

Zidell Yards along the South Waterfront hosted an outdoor concert Saturday night. It was one of a series of events scheduled for the venue this summer.

“Oh my god, it’s so amazing, it’s amazing to come back out, and it’s almost like that big welcome party that everyone has on the same weekend,” said Michelle Shaffer as she settled in for the concert.

Multnomah County is now in the lower risk category in Oregon. That means more capacity for restaurants and retail stores. It also means more people will be encouraged to get off.

“I’m ready to see people and just get out in the sun and just be around other people,” said Megan Holmes.

Portage park’s drive-in model viewing of ‘The Goonies’ kicks off out of doors film sequence

KALAMAZOO, MI – This week in Portage, you have the opportunity to take a drive-in tour of the 1980s classic, The Goonies, for an easy ride.

Portage Parks & Recreation’s “Movies in the Park” program kicks off its 2021 season with a screening of “The Goonies” on Friday May 28th. The 1985 adventure comedy film follows a group of children on an adventure to find a pirate’s lost fortune.

According to a press release from the City of Portage, guests can enjoy the drive-in-style movie experience from 9 p.m. at Ramona Park, 8600 S. Sprinkle Road.

The “Films in the Park” series will be continued on four additional Fridays, which will be spread over the summer:

  • Friday June 25th: “Jumanji: The Next Level”
  • Friday, July 23rd: “Trolls World Tour”
  • Friday, August 6th: “Raya and the last dragon”
  • Friday. August 27: “ET the Extra-Terrestrial”

Entry to the cinema is free. Parking at Ramona Park opens at 7 p.m. and is limited, city officials said.

The audio for the films will be available on each vehicle’s FM radio, the press release said. Discounts are available for purchase, but families are invited to bring their own snacks and sodas, the press release says.

For more information on this and other events in Portage, see You can also contact the parking department at 269-329-4522.

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Colorado Springs dance firm to carry out second out of doors present | Arts & Leisure

Your attitude towards crowds is likely to be different these days.

“Sometimes I feel like being part of a crowd now is wrong, like getting caught and getting into trouble.”

“I feel like a danger that you have to come by quickly. I think everyone is a danger that I need to get past quickly. “

These are the thoughts of dancers in the new outdoor show “Out of the Crowd 2.0” by the Ormao Dance Company. The first version of the company’s show took place in October. The new version runs on Friday and Saturday as well as from May 21-22 in front of the Ormao studio in the city center. Reservations are recommended.

The show will consist of five works of six to seven minutes, preceded by pre-show solo appearances. Each work takes place in a different location around the front of the building. A site leader leads five groups of 20-25 viewers to each mini-performance.

“It’s very different from sitting in a theater with a large group of people,” said Jan Johnson, Ormao’s founder and CEO. “You can stand wherever you want in the crowd. You have the agency to shape the experience for yourself. And wherever our culture is, it’s short bites. We will address this idea and let your imagination run wild. “

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For “Emerging,” the pre-show work, Johnson asked the five dancers on the piece to record and record their feelings about the pre-pandemic and now crowds. These recordings have been synchronized via a sound score and are played back while they play solo pieces in the audience.

Johnson will also appear with partner David Red Owl Sherman in a piece by choreographer Patrizia Herminjard, who took inspiration from Sherman over the years.

“He’s always there at our shows, and he’s always moving things and taking care of things,” said Johnson. “He never says a word, just cares about things.”

The play in the alley south of the Ormao parking lot will cast a glimpse into a scene from their life together. It’s gestural, funny and flavored with Hawaiian music and a kind of vocal recording about relaxation.

“It has beautiful universal images about relationships that everyone will relate to,” said Johnson.

Hillside Gardens heralds the opening day for a series of concerts, a magical summer tradition

In the piece “3 Windows and a Door” by the choreographer Ila Conoley, four dancers perform in the Ormao studio while the audience watches from outside. The dancers received a movement and assigned another room in a house: living room, kitchen, entrance and bathroom. You have to decide how to move in these rooms while they are still moving. Part of the piece also includes enlarging the dancers so that the audience can see the dancers in person in the studio and also on the screen.

“We’ve been dancing at home for a year and have this rich environment, whether we like it or not, whether we wanted to improve on that sink or not,” said Conoley. “I wanted to play with the idea of ​​what things we work with at home, and now that we’re getting personal again, what else works? What else can we take with us? Can we use zoom in live performances as a technique that the audience can see in a different way? “

The choreographer David Foster designed the sound piece “Listen” with two tap dancers. One will dance on a platform in Foster’s van while the other will dance outside the truck. A wall between them will negate their ability to see each other and force them to listen.

“I’ve been thinking about what the last year has meant to me and listening has been a big part of it,” said Foster.

“How do we listen to each other? And this relationship that people have to listen to themselves, as well as the communication process that gives and takes between two people and how that is also reflected in ourselves. “

Julian Barnett, who teaches at the University of Vermont and had to include Zoom and Facetime in the rehearsals, choreographed the duet “Beacon”, which depicts the relationship between brother and sister with the loving connection and also the fighting. And Laura Hymers Treglia’s “Mothership” will use her Subaru as a stage, with the moon roof, doors and hatchback open. The dancers, both mothers, will embody what the life of a busy mother is like.

“There are moments that are funny, with props and too many things,” said Johnson. “They try to handle too many things, like life as a mother. It’s moving. “

Contact the author: 636-0270

Contact the author: 636-0270

Weston’s Rosenberg kicks off outside season in report fashion

A solid work ethic, strong leadership role, and natural skills have helped place Weston Girls’ Outdoor Race Track Julia Rosenberg into one of the top female runners in the state.

Being academically strong didn’t hurt either, and helped Rosenberg become a student of the sport.

“Julia is a great leader on and off the track,” said Weston trainer Matt Medve. “She’s one of the best students in Weston and she has a great attitude towards that when it comes to improving as a runner.

“She already set the school record this season in the mile in 5: 03.14. I’m sure she will continue to improve in both the mile and the 800, where she hopes to perform at a high level too. “

Rosenberg, selected as the GameTimeCT Top 25 Player To Watch for the outdoor season, showed off her skills before the pandemic. During the 2019-2020 indoor season she finished third in the 1000 (2: 56.10) at the New England Meetings, at the State Open she won the 1000 (2: 59.69), in the M class she won the 1000 (2: 58.99)) and ran one stage of the 4 × 200 relay (1: 49.48) and one stage of the 4 × 400 relay (4: 06.45). In the same season she won the 1000 (3: 00.22) at the SWC meeting.

“It was definitely difficult to miss last year’s outdoor season and most of this year’s indoor seasons,” said Rosenberg. “But with everything that has happened, this season is much more special and important for all of us.

“We have big goals as a team and I hope that I can end my final high school season with a good result, both individually and as a team.”

Rosenberg committed to running in Vanderbilt.

RH Out of doors Kicks Off Summer time in Model with Curated Assortment of Out of doors Furnishings

Photos provided by RH

Creative partnerships, including with Ann Marie Vering and Mario Ruiz, have resulted in a new, highly curated collection of outdoor furniture offered by RH (formerly Restoration Hardware). What is remarkable this season is a global perspective with a strong sensitivity to mid-century modernism, which is reflected in inspiration, materials and much more.

suspension Pavona Collectionderives its shape from the hand folding fan, for example. Chaises and chairs have a hand-woven frame that envelops tall waterfall cushions with curved organic curves, reminiscent of the movement of an unfolding fan. The barred embrace of the arms contrasts with the solid elegance of the travertine dining tables in the collection.

The designers of Los Angeles Laurel collectionIn contrast, there is a clear line that is inspired by classic modern architecture. The sculptural silhouettes of the chairs, sofas as well as coffee and dining tables in this collection are refined and restrained, and these lines taper to points that believe their robustness – whether made of aluminum or teak.

The designer Ruiz from Barcelona delivers the Miramar Collection Made of weathered teak and slate aluminum. Entire outdoor spaces come alive with the comfort and class offered by these nifty pieces, from sofas and loungers to dining sets.

Other collections feature new work by artists and artisans Ronald Sasson, Claudio Bellini, Gommaire Cleybergh, and Brad Ascalon.

Sandlot Georgetown Outside Bar Leisure Area Black Cooks Opens DC

Sandlot Georgetown, a large outdoor dining, drinking and entertainment venue showcasing black-owned businesses, opens May 6th. Photo courtesy of Sandlot Georgetown

Sandlot southeastSandlot Georgetown, a huge outdoor culture, entertainment and food and beverage garden owned by black-owned companies, will open a second location in DC Georgetown on May 6th. Weekly live entertainment – recently allowed under DC’s revised Covid regulations – and a rotating line-up of food and drink providers.

Shipping containers act as portable bars and food destinations in Sandlot Southeast. Photo by George Tarrant GT Studios

DC-American co-founder and owner of the event design firm Suite Nation, was a groundbreaking force in the Washington arts and entertainment scene. He is on a mission too Transform empty or unused spaces like the gas station area in Georgetown into lively meeting places that draw on diverse cultural resources. Nearly a decade ago, Callender was behind the redesign of the Friendship Baptist Church in southwest DC. The historic property, which stood empty for over 20 years, was reinvented Blind Whino (now Culture House DC), a gallery and event space.

A previous photo of the demolished gas station site that stood empty until Sandlot Georgetown was built. Photo courtesy of Sandlot Georgetown

In 2018, callender and business partner Kevin Hallums of creative events agency Rock Creek Social Club launched the first sandlot in southwest DC, which was later relocated to Navy Yard to make way for development at Buzzard Point. This current iteration, called Sandlot Southeast, was designed with versatility and mobility in mind. Food and beverage retailers have set up shop in portable shipping containers, a mobile art gallery houses exhibits, and a rotating cast of go-go and other musicians perform. Callender, who is also the commissioner of the Mayor’s Office of Nightlife & Culture, continues to work with developers to activate empty lots before their projects begin (EastBanc plans to build on the Georgetown site). Future Sandlot locations are also in the works for Anacostia and Tysons.

“They have empty locations that can be converted into gallery space or other uses, even if they’re temporary. But that’s often a fear, “says Callender. “You have a space that can be beautified and the neighborhood upgraded, but then you have real estate groups that don’t think in that capacity and it’s just a tough no. Others understand, they are more willing to be creative. “

Grub Rockstar Catering, which serves dishes like wings, mac n ‘cheese and crab cakes, is on-site. Photo by Anela Malik

Programming is still in progress for Sandlot Georgetown. Callender hopes to book outdoor jazz musicians and DJs on weekends, but stresses that they work within the confines of the neighborhood’s noise regulations. One thing is for sure, Callender will expand Sandlot Southeast’s exposure to black-owned companies. Earlier this year, Uber Eats launched a social impact program at its Navy Yard site that gave black chefs and business owners free access to a commercial kitchen and food truck on the premises. According to Callender, they currently work with a pool of 60 black chefs, restaurateurs, and caterers – limited by a huge list of more than 370 applicants spanning from New York to Richmond. Georgetown will also have a special food truck for Black vendors, starting with Grub Rockstar Catering from DC on the opening weekend. Beer, wine, and cold-pressed juice cocktails from black producers are poured in at a bar, and Callender says he sources dog food for the puppy-friendly space from a black company in St. Louis.

Black-owned companies are getting free space for food trucks through a share program sponsored by Uber Eats. Photo by Feed the Malik

In addition to the food truck sponsored by Uber, head chef Spike Mendelsohn appears with his health-conscious fast food concept. Plnt burger, for the month of July (it will be the first location for the burgeoning chain outside of Whole Foods). Sandlot visitors can book reservations with Tock – all groups of up to 10 people must be seated by order of the Mayor, although Callender envisions the seating format will be maintained in the long run. What else does Sandlot bring to Georgetown? It’s because of the neighborhood.

“You try to fit in with the neighborhood and see what is needed. I hear people say that Georgetown is no longer what it used to be since other parts of the city have gone online, but I definitely have a feeling that Georgetown will always have its unique character. ” says Callender. “This is what makes Sandlot unique – we create something new and refreshing. It’s a different way of delivering entertainment and culture. “

Sandlot Georgetown. Photo by Ian Callender

Sandlot Georgetown. 2715 Pennsylvania Avenue, northwest.

Food editor

Anna Spiegel reports on the dining and drinking scene in her hometown DC. Prior to joining Washingtonian in 2010, she attended the French Culinary Institute and the MFA program at Columbia University in New York, and held various cooking and writing positions in NYC and St. John, US Virgin Islands.