Bally’s Company and Oscar de la Hoya’s KO Leisure Type Partnership to Innovate Fight Sports activities Broadcasts and Remodel Fan Engagement

CAUTION, RI, June 9, 2021 / PRNewswire / – Bally’s Corporation (NYSE: BALY), the leading vertically integrated full-service sports betting and iGaming company in the United States, and Oscar de la Hoyas KO Entertainment, a subsidiary of the world’s most elite boxing promotion company, Golden Boy Promotions, Inc., today announced the establishment of. known a strategic relationship that aims to incorporate unprecedented innovation, objectivity and gamification into martial arts, thereby transforming fan engagement. To unveil this initiative, the companies will air a pilot of “Oscar de la Hoyas KO Entertainment Presents Bally’s Fight Night” – a reinterpretation of the boxing and mixed martial arts (“MMA”) presentation and the first evolution in 2.0 gamification of martial arts.

Ballys Fight Night features five professional MMA and four professional boxing competitions shown in a video game presentation. With the help of sensors and a custom-made data tracking dashboard, a large number of objective data points such as impact force and thrown and landed stroke combinations are recorded in real time. Using sports science, the data is transmitted in a power bar on the screen, similar to what is found in video games, which summarizes the total damage a fighter has absorbed. By collecting, analyzing and integrating this data into future broadcasts, Ballys and KO Entertainment will provide unparalleled objectivity that will provide fighters with a more rewarding and safer experience while increasing transparency. To further improve the gamification of martial arts and the viewing experience, Ballys intends to incorporate Monkey Knife Fight, its daily fantasy sports platform, into live broadcasts.

Soo Kim, Chairman of Ballys The corporation’s board of directors said, “This partnership represents an exceptional opportunity to bring gaming, media and martial arts experts together to breathe new life into boxing and mixed martial arts. By integrating our innovative technology and interactive gaming platforms into martial arts, we can will create new and transformative ways for audiences to engage with our live broadcasts. We look forward to piloting the Ballys Fight Night, which is just the beginning of this journey, invites viewers to tune in for an incredible night of entertainment. “

Oscar de la Hoya, Chairman and CEO of Golden Boy Promotions, commented, “We have the utmost respect for the history and tradition of boxing and mixed martial arts. By partnering with Ballys, and are working on the development of this innovative product and believe that we can provide data-driven real-time insights into the punch-by-punch actions, creating an unprecedented level of transparency and objectivity. We will also provide an experience that is easier to understand for the average viewer, and at the same time more rewarding and safer for fighters. “

Ballys Fight Night is presented Mike Goldberg Cover game by game, Frank Trigg as a color commentator and Holly Sonders as a social host and reporter. Special will also give fans a glimpse behind the scenes with fighters and coaches, facilitate fan interactions and present Monkey Knife Fight Fantasy competitions.

The “Ballys The pilot “Fight Night” will be broadcast on Stadium, the Sinclair Broadcast Group’s digital and over-the-air television network Wednesday June 9, 2021 at the 5:00 p.m. ET2:00 p.m. PT. Fans interested in viewing Ballys Fight Night can access the broadcast via and You can also follow the action by following #BallysFightNight on Twitter and @BallysFightNight on Instagram.

over Ballys Group

Ballys Corporation is the leading vertically integrated full-service sports betting and iGaming company in the United States with a B2B2C business model. It currently owns and operates 13 casinos in nine states, a horse racing track, and 13 authorized OTB licenses in Colorado. It also owns Bet.Works, a premier sports betting platform, Monkey Knife Fight, the fastest growing daily fantasy sports site in North America, and SportCaller, a leading global provider of free B2B games.

With more than 6,000 employees, the company’s pro forma operations for upcoming acquisitions include 15,558 slot machines, 465 table games and 5,355 hotel rooms. After the previously announced Jumer’s Casino & Hotel (Rock Island, IL) and Tropicana Las Vegas (Las Vegas, Nevada) Transactions as well as the completion of the construction of a land-based casino near Nittany Mall in State College, PA, Ballys will own and operate 16 casinos in 11 states. Ballys also has a multi-year market access partnership with Elite Casino Resorts, through which it offers mobile sports betting in Iowa, and a temporary sports betting permit to conduct online sports betting in the Commonwealth of Virginia. Its shares trade on the New York Stock Exchange under the ticker symbol “BALY”.

About KO Entertainment

KO Entertainment would like to support all employees, from athletes to creative people, under one roof with ONE common goal. That is the development of culturally meaningful new media content, marketing and branding enhancement that elevates all Latino communities worldwide through their united love for sports and entertainment.

Founded in 2021 by superstar Oscar De La Hoya, known worldwide not only as one of the best fighters of his era, but also as an elite promoter, Grammy-nominated singer, astute businessman and active philanthropist.

About Golden Boy Promotions, Inc.

The angel-based Golden Boy was founded in 2002 by Oscar De La Hoya, the first Hispanic to own a national boxing advertising company. Golden Boy is a media and entertainment brand dedicated to making combat entertainment more accessible and affordable. The company’s in-house production team develops creative original programming for and international channels around the world.

The company holds the exclusive rights to top boxers and has sponsored some of the largest, highest-grossing events in the history of the sport. Today Golden Boy is one of the most successful boxing entertainment companies in the world and, through its 2019 partnership with the streaming platform DAZN, is shaping the future of boxing for fighters and fans alike.

Cautionary Note Regarding Forward-Looking Statements

This document contains forward-looking statements within the meaning of the securities laws. Forward-looking statements are statements about matters that are not historical facts and include statements about Ballys Plans, goals, expectations and intentions.

Forward-looking statements are not guarantees and are subject to risks and uncertainties. Forward-looking statements are based on Ballys current expectations and assumptions. Although Ballys believes that his expectations and assumptions are reasonable at this point in time, they should not be construed as representations Ballys Expectations are met. Actual results could differ materially. Forward-looking statements apply only at the time this document was prepared and Ballys does not undertake to update or revise it as more information becomes available, unless required by law.

Important factors beyond those that apply to most businesses, some of which go beyond Ballys Controls that could cause actual results to differ materially from our expectations and assumptions include, but are not limited to:

  • Uncertainties related to the COVID-19 pandemic, including restrictions Ballys Operations, increased costs, changed customer attitudes, effects on Ballys Employees and the ongoing impact of COVID-19 on general economic conditions;
  • unexpected costs, integration difficulties and other events with an impact Ballys recently completed and planned acquisitions and Ballys Ability to realize expected benefits;
  • Risks associated with Ballys rapid growth, including those that impact customer and employee retention, integration, and controls;
  • Risks related to the effects of the digitization of gambling Ballys Casino operations, Ballys Expansion in iGaming and sports betting and the highly competitive and rapidly changing aspects of Ballys new interactive business in general;
  • the very significant regulatory restrictions on Ballys, including the cost of compliance;
  • Limitations and restrictions in agreements on Ballys Debt could have a significant impact Ballys Ability to run our business and liquidity; and
  • other risks identified in Part I. Point 1A. “Risk Factors” of Ballys Annual report on Form 10 – K for the past fiscal year December 31, 2020 as filed with the SEC March 10, 2021 and other filings with the SEC.

The above list of important factors is non-exclusive and does not include matters such as changes in general economic conditions that affect essentially all gaming companies.

You should not inappropriately rely on Ballys forward-looking statements.

Investor contact

Steve Capp
Executive Vice President and Chief Financial Officer
[email protected]

Media contact

Ballys Group
Richard Goldmann / David Gil
646-847-6102 / 917-842-5384
[email protected]

KO Entertainment / Golden Boy promotions
Gabriel Rivas
Golden boy
(213) -604-7762

SOURCE Ballys Group; KO entertainment; Golden Boy Promotions, Inc.

‘My Octopus Trainer’ wins the Oscar for finest documentary | Leisure

Craig Foster interacts with an octopus in a scene from the documentary “My Octopus Teacher”.


By MARK KENNEDY AP Entertainment Writer

NEW YORK (AP) – “My Octopus Teacher,” the story of an eight-limbed creature and its human companion, won the Oscar for the best documentary.

Ten years in the making, “My Octopus Teacher” began as a personal video project of South African filmmaker Craig Foster to re-establish his connection with nature by watching a curious female mollusk freediving near Cape Town.

He filmed their interactions and became increasingly blinded to how she could make tools out of clams, roll herself in ribbons of seaweed to avoid being spotted, outsmart a pajama shark, and adapt her hunting techniques to crab, lobster, and fish. The audience even see them play.

The lifespan of a female octopus like the one Foster met is only about 18 months. But that was enough time for him and his colleagues Pippa Ehrlich and James Reed to be profoundly influenced by her.

“This is really a tiny personal story that took place in a marine forest high up in Africa. But on a more universal level, I hope there was some glimpse into a different kind of relationship between humans and the natural world, ”Ehrlich said on the TV show.

Foster has said his relationship with the octopus taught him about the fragility of life and our connection with nature, and even helped him become a better father.

Stylists Ship Oscar Fashion By way of Priyanka Chopra, Leslie Odom Jr.

When Nick Jonas announced the Oscar nominations along with his wife, Priyanka Chopra Jonas, last month, shone in a gold silk Dolce & Gabbana tuxedo.

“The awards shows, especially the Oscars, feel like a long-awaited hug we’ve all been waiting for,” says his stylist Avo Yermagyan. “It’s a glimmer of what life was like before the world screeched to a halt. That’s why I wanted to be optimistic at that moment. “

The “sunny yellow” look was his proof that the world was coming back to life. “There is a sense of hope that we are all filled with,” says Yermagyan, who tried to reflect the severity of the pandemic at the start of virtual events.

“At first we were all very careful about the tone we were doing, so we were a bit more reluctant to choose jewelry, etc. But to make up for that, we also give people a bit of escape, beauty and lightness – the we all need. I think as the awards season goes on, people are opening up to taking bigger risks and making bolder swings. “
Yermagyan was looking to One Night in Miami when he donned Leslie Odom Jr. “I had the feeling that men were such changers in their day, so I didn’t want to play it safe when it came to styling,” he says.

For the globes, Odom combined a chocolate brown Valentino Haute Couture suit made of wool with a neon green turtleneck. “I tried to nod to the ’60s with the cuts and colors of the suit, but I still wanted to pack an unexpected punch with the basics and accessories.”

The Celine Homme striped suit and ruffled shirt that Odom wore to the Critics’ Choice Awards represented Yermagyan’s “subtle nod to ‘Hamilton’.

“It could have been a little too literal or costumed, so I put those chunky chain chains on it,” he says. “The necklaces made the look less polite and more punk.”
For the SAG Awards, Odom made his debut in a green and pink Berluti suit, which Yermagyan described on Instagram as a “watermelon amuse bouche”.

“All the rules for getting dressed on the red carpet are being rewritten,” says Yermagyan, who welcomes the ability to stage photos and control the narrative of his appearance. “After a year at home there is a new kind of creativity. We all – from the actors to the stylists – are all unleashed. “

Elizabeth Stewart, who styles Oscar nominees Viola Davis and Amanda Seyfried, also appreciates the new creative freedom.

“If you take the context of an actual red carpet and actually have to leave the house, anything goes,” she says. “It was fun to see people in pajamas or fabulous headwear.”

With Davis, Stewart took a “solemn and happy” approach. “If we’re going to have an awards season let’s do it in the best possible way, especially by supporting the fashion industry and designers who have been so hard hit by the pandemic,” says Stewart.

For the globes, Davis wore a brightly patterned Lavie by CK look, which was made from fabric by the Cameroonian designer Claude Kameni.

“Viola wanted a designer who specifically addressed her as a black woman. She wanted to rethink the glamor of the red carpet in the age of more diversity and inclusivity. “

Davis followed with a turquoise dress by Greta Constantine for the Critics’ Choice Awards, an upbeat floral Duro Olowu dress for the NAACP Image Awards, and an award-winning Louis Vuitton SAG Awards look with electric lime.

When dressing Seyfried, Stewart took her surroundings into account. “Amanda’s Globes look was influenced by the fact that she was in Savannah, Georgia,” says Stewart of the coral Oscar de la Renta gown. “We imagined the floral dress in this setting of cobblestone streets and moss trees.”

While staying true to Seyfried’s personal style, Stewart felt inspired by “the high bar of” Mank “costume design” “.

“It’s fun to think, ‘Would Marion Davies wear this if she were still alive today?'”

Film-inspired stylist Law Roach intended Anya Taylor-Joy’s shimmering green Globes dress as “a tiny nod to Anya’s character Beth from” The Queen’s Gambit “.”

“I wanted it to feel like it could have been one of her costumes,” says Roach of the retro cloak look that was custom designed by Dior. “When you think of glamor and sophistication, Dior is probably one of the first couturiers you think of.”

Taylor-Joy wore another berry-colored tulle Dior dress to the Critics’ Choice Awards, and Roach’s client Zendaya wore an orange-hot Valentino number.

“The gigantic ball skirt with this white tank top was just so modern and young and had a really cool girl’s vibe,” says Roach, who has styled the “Malcolm & Marie” star for 10 years and also designed costumes for the film.

Roach strives for “breathtaking moments”. For the SAG Awards he designed Kerry Washington in an Etro patterned dress with a matching cap and Aldis Hodge in a three-piece Dolce & Gabbana jacquard suit.

“It’s all about how I feel through the clothes, and I pass that emotion on to the customers,” he says.

Stylist Jason Bolden hopes his awards look with Cynthia Erivo uplift. “We really wanted to have fun and bring back some joy and imagination in the middle of everything we’ve been through,” he says.

When Bolden saw Valentino’s Spring 2021 couture collection with piercing hues and towering metal platforms, he thought, “This is a Cynthia collection.” He secured two dresses – a beaded hood design for her “A Grammy Salute” performance and their neon green futuristic globes look. Erivo thought the latter was “divine” – and immediately tried the shoes on and exclaimed: “They feel like sneakers!”

“It was the full view from the runway,” says Bolden. “It was fun, it was fantasy. It was now also a kind of ode to her to be a fairy in ‘Pinocchio’. “

For the Grammys, Bolden was inspired by Erivo’s role as Aretha Franklin in NatGeo’s “Genius”.

“What Aretha and Cynthia have in common is their love of fashion and that they are very open about how they want to do things and being very brave.

The Grammy-nominated star really wanted to dress up, so Bolden worked with Louis Vuitton on the “magical” showstopper made of gold and silver with sequins. “That was an ode to Aretha and this Nubian princess’s game too.”

With Yara Shahidi, Bolden is always looking for “the hardest to wear dress in a collection”. The embroidered Dior Couture look she wore to the Critics’ Choice Awards was the only option
they considered.

“It was super playful, it had that Cirque du Soleil vibe and it was also an ode to the fact that she was Tinkerbell,” he says. “Again, it all comes down to bringing a bit of calm into the chaos, which gives a little bit of imagination, and that’s exactly what this look was for Yara.”

Bolden believes that this season of the awards shows people are “taking fashion to the extreme”.

“Everyone is ready to celebrate themselves and have fun and sit in the chair and laugh with their glamorous teams,” says Bolden, who is looking forward to an iconic glamor at the Oscars.

“For me, I hope people really create this Hollywood moment – what we yearn for and that makes us excited and gives us hope and opportunity.”

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Oscar predictions: Can something beat “Nomadland”? | Leisure

Ahead of Sunday’s 93rd Academy Awards, Associated Press Film Writers Jake Coyle and Lindsey Bahr share their predictions for a ceremony that is forging on in the midst of the pandemic.

Oscar Predictions best picture

This combination photo shows poster art for best picture Oscar nominees, top row from left, “The Father,” “Judas and the Black Messiah,” “Mank,” “Minari,” bottom row from left, “Nomadland,” “Promising Young Woman,” Sound of Metal,” and The Trial of the Chicago 7.”


The Nominees: “The Father,” “Judas and the Black Messiah,””Mank,” “Minari,” “Nomadland,””Promising Young Woman,””Sound of Metal,” “The Trial of the Chicago 7.”

COYLE: A contemplative character study made for $5 million and populated by non-professional actors, Chloé Zhao’s “Nomadland” is not your typical Oscar heavyweight. And yet it’s overwhelming the favorite, a roundly acclaimed movie from an exciting auteur that has already ruled at the Golden Globes, the BAFTAs and, most crucially, the producers and directors’ guilds. The weirdness of this unending pandemic awards season adds a drop of uncertainty to everything. But as much as I’d like to see “Sound of Metal,” “Promising Young Woman” or “Minari” sneak in for an upset, “Nomadland” is a near-lock, and an eminently worthy winner. But it’s udder madness that Kelly Reichardt’s lyrical “First Cow” never contended here. And how much better would the season have been if Steve McQueen’s explosive “Small Axe” film anthology (which instead will vie at the Emmys) had somehow been in the mix? Old Oscar traditions are eroding, but not quickly enough.

BAHR: You had to bring up “Small Axe,” didn’t you? I would have liked to see “Never Rarely Sometimes Always” go the distance too, but I guess this year there was only room for one contemplative character study made for under $5 million — and the one about the rural Pennsylvania teens on a bleak road trip wasn’t it. But it would still be “Nomadland’s” year and that’s only cause for celebration.

Oscar Predictions actress

This combination photo shows Oscar nominees for best actress, from left, Viola Davis in “Ma Rainey’s Black Bottom,” Andra Day in “The United States vs Billie Holiday,” Vanessa Kirby in “Pieces of a Woman,” Frances McDormand in “Nomadland and Carey Mulligan in Promising Young Woman.” 


The Nominees: Carey Mulligan, “Promising Young Woman”; Frances McDormand, “Nomadland”; Viola Davis, “Ma Rainey’s Black Bottom”; Vanessa Kirby, “Pieces of a Woman”; Andra Day, “The United States vs. Billie Holiday.”

BAHR: The best actress race is perhaps the biggest wild card of the night. Viola Davis won the Screen Actors Guild Award, Andra Day won the Golden Globe and Frances McDormand won the BAFTA. It’s chaos! Day still seems like a long shot and McDormand’s last win still seems fresh enough that it might push voters who would’ve otherwise went for her Fern elsewhere. This year I’m inclined to believe that Davis will walk away with the trophy for her raw portrayal of blues singer Ma Rainey, but I can’t help but think that perhaps Mulligan should win for “Promising Young Woman.” As for who should’ve been a contender, there are so many but two of my favorites include Aubrey Plaza in the criminally underseen “Black Bear” and Han Ye-ri, who gave my favorite performance in “Minari” as the long-suffering, steadfast mother Monica.

COYLE: Chaos indeed! I think this is a toss up between Davis and Mulligan, with the edge going to Davis after her SAG win. Davis has won before, for her titanic performance in “Fences.” But that came (somewhat debatably) as supporting actress. And there is justice in Davis — very possibly the greatest actor alive — taking the top award, especially when you factor in the category’s history. Just once before has a Black woman (Halle Berry in 2002 for “Monster’s Ball”) won best actress. Still, the race would have been all the more interesting if it hadn’t overlooked two of the year’s best performances: Radha Blank (“The Forty-Year-Old Version”) and Carrie Coon (“The Nest”).

Oscar Predictions actors

This combination of photos shows the Oscar nominees for best actor, from left, Riz Ahmed, “Sound of Metal”; Chadwick Boseman, “Ma Rainey’s Black Bottom”; Anthony Hopkins, “The Father”; Gary Oldman, “Mank”; and Steven Yeun, “Minari.”


The nominees: Riz Ahmed, “Sound of Metal”; Chadwick Boseman, “Ma Rainey’s Black Bottom”; Anthony Hopkins, “The Father”; Gary Oldman, “Mank”; Steven Yeun, “Minari.”

COYLE: After some ho-hum years, the best actor category is really strong this time around. I loved all of these performances. Still, this award has — rightly — belonged to Boseman throughout an award season that has doubled as tribute and wake for the late “Ma Rainey” actor. His greatest performance was his last. Some see a chance of Hopkins (who won at the BAFTAs) pulling off an upset for his devastating portrait of a man stricken with dementia. But I don’t. Expect Boseman to become the third actor to win an Oscar posthumously, following Heath Ledger (“The Dark Knight”) and Peter Finch (“Network”). I wouldn’t swap any of these nominees out, but Sacha Baron Cohen’s high-wire guerilla performance in “Borat Subsequent Moviefilm” is in a category by itself.

BAHR: Could you imagine if Boseman didn’t win? The grit and commitment in all these performances are worth singing about, though. There were so many others that could have fit in here too, like Delroy Lindo for “Da 5 Bloods,” Mads Mikkelsen for “Another Round” or, while we’re bending categories, even Hugh Jackman for “Bad Education.”

Oscar Predictions supporting actress

This combination photo shows Oscar nominees for best supporting actress, from left, Maria Bakalova in “Borat Subsequent Moviefilm,” Glenn Close in “Hillbilly Elegy,” Olivia Colman in “The Father,” Amanda Seyfried in “Mank,” and Yuh-Jung Youn in “Minari.” 


The Nominees: Maria Bakalova, “Borat Subsequent Moviefilm”; Glenn Close, “Hillbilly Elegy”; Olivia Colman, “The Father”; Amanda Seyfried, “Mank”; Yuh-Jung Youn, “Minari.”

BAHR: In a category where Amanda Seyfried started out seeming like a lock, it certainly seems like the tide has shifted toward Yuh-Jung Youn for her performance as the unconventional grandmother Soonja in “Minari.” It’s a difficult task to be both the comic relief and the heart of a film, but she pulls it off effortlessly which is why she probably will and should win (although Maria Bakalova could sweep in with a possible upset). Both women elevated their respective films and deserve all the attention they’re getting. And Seyfried will absolutely get her Oscar somewhere down the line. I would have also liked to see Talia Ryder advance to this stage for “Never Rarely Sometimes Always.”

COYLE: This has been a shape-shifting race but Youn is definitely in the lead. I’d like to see more love all around for “Minari,” but it’s kind of fitting that Lee Isaac Chung’s film be celebrated through the minari-growing matriarch of the movie. Two other names that I wish were here, both for disarmingly funny, natural performances: Cristin Milioti, MVP of “Palm Springs,” and Dylan Gelula of the indie college romance “S—-house.

Oscar Predictions supporting actor

This combination photo shows Oscar nominees for best supporting actor, from left, Sacha Baron Cohen in “The Trial of the Chicago 7,” Daniel Kaluuya in “Judas and the Black Messiah,” Leslie Odom Jr. in “One Night in Miami,” Paul Raci in “Sound of Metal” and Lakeith Stanfield in “Judas and the Black Messiah.” (Netflix/Warner Bros./Amazon Studios/Amazon Studios/Warner Bros. via AP Photo


The Nominees: Sacha Baron Cohen, “The Trial of the Chicago 7”; Daniel Kaluuya, “Judas and the Black Messiah”; Leslie Odom Jr., “One Night in Miami”; Paul Raci, “Sound of Metal”; LaKeith Stanfield, “Judas and the Black Messiah.”

COYLE: This seems certain to go to Daniel Kaluuya. For his mighty performance as Black Panther leader Fred Hampton, Kaluuya (a nominee for “Get Out”) has racked up wins at the SAGs, Globes and BAFTAs. A little wrinkle came when Stanfield was unexpectedly nominated here despite being campaigned for as a leading actor — and that could split some of the vote between the two “Judas and the Black Messiah” stars. Stanfield, for me, is the best actor in this bunch. But this is Kaluuya’s year. Stanfield will be back, as will some of the performers who missed out, like Kingsley Ben-Adir, terrific as Malcolm X in “One Night in Miami.”

BAHR: Oh, Kingsley Ben-Adir! If I’m being perfectly honest, I would have been happy if the supporting slate was simply the cast of “One Night in Miami,” plus Kaluuya. I do think Paul Raci has a shot as the Cinderella story of awards season, but it also feels like it’s time to get Kaluuya up on that stage.

Oscar Predictions directors

This combination photo shows Oscar nominees for best director, from left, Lee Isaac Chung for “Minari,” Emerald Fennell for “Promising Young Woman,” David Fincher for “Mank,” Thomas Vinterberg for “Another Round” and Chloé Zhao for “Nomadland.” 


The Nominees: Chloé Zhao, “Nomadland”; Lee Isaac Chung, “Minari”; David Fincher, “Mank”; Emerald Fennell, “Promising Young Woman”; Thomas Vinterberg, “Another Round.”

BAHR: The directing category is Chloé Zhao’s to lose and I think she both will win and should win for the transcendent “Nomadland,” even if it’s become a forgone conclusion at this point. In an awards season as endless as this one it’s hard not to be skeptical of any film and filmmaker that has thus far swept most awards. But that this tiny movie has had such an ascent is something of a miracle and well deserved. The bonus is that (hopefully) we’ll finally have more than one best director-winner who is a woman. That said, it would have been nice had Miranda July (“Kajillionaire”) been among the contenders as well.

COYLE: I like imaging the Dynes of “Kajillionaire” getting all dressed up and taking multiple bus transfers to the Oscars. But Zhao will win, and it should be a great moment. Not just because she’ll be only the second woman to ever win the award but because she’s an exceptional — and exceptionally humble — filmmaker with a lot of movies ahead of her. More often this award goes to someone who’s been around a while. Pretty soon, we’ll be wondering how it’s possible that David Fincher — maybe the very best Hollywood director of his era — hasn’t ever won.

Oscar Nominations documentary feature

This combination of photos shows poster art for Oscar nominees for the documentary feature category, from left, “Collective,” “Crip Camp,” “The Mole Agent,” “My Octopus Teacher,” and “Time.”


The Nominees: “Collective,” “Crip Camp,” “The Mole Agent,” “My Octopus Teacher,” “Time”

COYLE: With increasing frequency, this is the best Oscar category, and it’s the one with the most snubs. Some of the very best movies of the year — including “Dick Johnson Is Dead” and “The Truffle Hunters” — didn’t make it through the crowded shortlist stage. And still the films that did get nominated are sensational. Probably the only one that I wouldn’t pick — “My Octopus Teacher” — is going to win. Little noticed at its debut last fall, the film’s audience swelled on Netflix, turning it into an out-of-the-blue Academy Awards contender. I would cheer loudest, though, if “Crip Camp” were to win. It would be a triumph for a warm-hearted film, and for the disability community.

BAHR: Even the shortlist itself was brutal, leaving out “The Dissident” and “Acasa, My Home” but the documentary category has long left out some of the medium’s best work (hi “Hoop Dreams”). It is odd that a late-game Netflix sensation like “My Octopus Teacher” somehow became the frontrunner, but I’m trying not to judge what people connect to this year even if I would prefer an urgent piece like “Collective” take the prize.


The Nominees: “Quo Vadis, Aida?”, Bosnia and Herzegovina; “Another Round,” Denmark; “Better Days,” Hong Kong; “Collective,” Romania; “The Man Who Sold His Skin,” Tunisia.

BAHR: This category seems to be a race between Denmark’s “Another Round” and Romania’s “Collective,” both of which were nominated in other prominent categories (director and documentary, respectively). I think this one will veer towards “Another Round” simply because its directing nod gave it a brighter spotlight and a bigger audience and voters have a chance to honor “Collective” in another category. Another film that would have been a worthy contender here is Italy’s “Martin Eden.”

COYLE: “Another Round” is a lock. But “Quo Vadis, Aida?” is really good, too. Jasmila Žbanić dramatizes the lead-up to the 1995 massacre of Bosnian Muslim men and boys by the Bosnian Serb army in Srebrenica. Following a fictional translator (Jasna Đuričić) working for the United Nations, the film devastatingly probes a human rights tragedy.

Oscar Nominations documentary feature

This combination of photos shows poster art for Oscar nominees for the documentary feature category, from left, “Collective,” “Crip Camp,” “The Mole Agent,” “My Octopus Teacher,” and “Time.”


The Nominees: “Onward,” “Over the Moon,” “A Shaun the Sheep Movie: Farmageddon,” “Soul,” “Wolfwalkers.”

COYLE: Pixar, like always, seems to have this in the bag. The studio’s “Soul” is the clear favorite. There’s so much that’s wondrous in Pete Docter’s film that its Oscar victory is hardly something to lament. But you couldn’t find a better underdog than the plucky Irish animation studio Cartoon Saloon, which last year released their most enchanting and ambitious film yet. Tomm Moore and Ross Stewart’s “Wolfwalkers,” the culmination of a triptych of Irish folklore, is impossibly stunning. Every hand-drawn frame is a work of art. It’s the Kilkenny-based studio’s fifth Oscar nomination, and it’s time they won one.

BAHR: Disney and Pixar are so hard to beat. Since 2010, they’ve won eight times and the other two were not exactly indie underdogs (“Rango” and “Spider-Verse”). I’m rooting for “Wolfwalkers” but I’m betting on “Soul.”

Take a look at your Oscar genius with this trivia problem | Arts & Leisure

In the weirdest awards season ever, the Oscars are only a week away. Here are some trivia to help you impress your vaccinated guests at your Oscar watch party. Pay attention to the questions; There may be clues in it.

1. Who has the most career nominations among black actresses? It would be foolish to try to fence them in.

2. Which two of this year’s best picture nominees appear at the same time and even relate to each other’s events?

3. Who holds the record for the most Oscar nominations a woman has received in a year? After that, she may find a home in the academy.

4. Two women are nominated as directors (Emerald Fennell for “Promising Young Woman” and Chloe Zhao for “Nomadland”), most of them in one year. In 92 years earlier, only five more women were nominated. Can you name more than one? Tip: You won, so you didn’t need a special place to relieve the pain of losing.

5. What is the only X-rated film that wins the best picture? Don’t yell all at once; I don’t want everyone to talk to me.

6. The pandemic made the 2020 box office numbers all but irrelevant, but only twice in the last 50 years has the world’s biggest winner won the best picture. Name one of the winners. Bonus: Two animated films were the top greats of their year during this period and won the animated film Oscar. If you can name one, don’t hold him back anymore.

7. Billie Eilish’s James Bond film theme, “No Time to Die,” became the first Grammy-winning visual media song from an unreleased film. Two Bond themes have won an Oscar. Do you even have a chance to name it? The first was not sung by Chicken Little.

8. There are two cases where two actors won Oscars for playing the same role (in different films). What two character roles earned Oscars for four different actors? Nobody will laugh if you don’t understand.

9. According to Martin Scorsese and a few others, superhero films are “not cinema”. That must have come as a terrible shock to the three Academy Award nominees who directed Marvel Cinematic Universe films. The MCU debut is scheduled for November. Who are you?

And finally, if you get this without Googling the answer, things really go your way:

10. LaKeith Stanfield’s nomination that year for supporting actor in “Jude and the Black Messiah” raised old questions about how voters decide which performances to make or support. Decades ago an actor was nominated in both the minor and main categories in the same year – for the same performance. WHO? What the? How?


1. Viola Davis received her fourth this year for “Ma Rainey’s Black Bottom”. She won for “Fences”.

2. “Jude and the Black Messiah” and “The Trial of Chicago 7.”

3. Chloe Zhao, with four for “Nomadland” – for adapted script, best picture (she is a producer), director and editor.

4. Kathryn Bigelow (“The Hurt Locker” – the only winner so far), Jane Campion (“The Piano”), Sofia Coppola (“Lost in Translation”), Greta Gerwig (“Lady Bird”) and Lina Wertmuller (“Seven Beauties ”).

5. “Midnight Cowboy” (1969); it has since been re-rated by R.

6. “Titanic” and “The Lord of the Rings: Return of the King”. Bonus: “Toy Story 3” and “Frozen”.

7. “Skyfall” (Adele) and “Writing’s on the Wall” (Sam Smith, from “Specter”).

8. Vito Corleone (Marlon Brando in “The Godfather” and Robert De Niro in “The Godfather Part II”) and the Joker (Heath Ledger in “The Dark Knight” and Joaquin Phoenix in “Joker”).

9. Kenneth Branagh (“Thor”) has four nominations. Taika Waititi (“Thor: Ragnarok”) is a winner of the writing. Chloe Zhao (the upcoming “Eternals”) has four nominations for “Nomad Land”.

10. Barry Fitzgerald for “Going My Way” (1944). The academy later changed its rules so that a performance could only be nominated in one of the acting categories.

Tv: Movie star chef Liberato transferring to area; Oscar nominations coming Monday | Leisure

Nick Liberato hatte während der COVID-Pandemie eine andere Erfahrung als die meisten Leute im Restaurantgeschäft.

Anstatt sich zu verlangsamen, sagt der Küchenchef, der den Eigentümern Tipps gibt, wie sie ihr Geschäft in Shows wie „Bar Rescue“ und „Restaurants on the Edge“ wiederbeleben können, dass er wie immer beschäftigt war, drei Unternehmen gründete und seine Familie von Kalifornien nach Yardley verlegte und planen, in diesem Frühjahr ein neues Restaurant zu eröffnen, ein jüdisches Delikatessengeschäft namens The Borscht Belt in Stockton, New Jersey.

“Es ist sehr wichtig, mit Ihrer Kreativität Schritt zu halten und über neue Dinge nachzudenken, die zu tun und zu erfinden sind, Liberato, der sowohl vom Surfen als auch vom Essen begeistert ist”, sagte er während eines Telefongesprächs aus dem Büro, in dem sich der Borschtgürtel weiterhin befindet gebildet.

„Ich war genauso beschäftigt und habe in seinem letzten Jahr genauso hart gearbeitet. Ich hatte Dinge, die ich produzieren wollte. Dringlichkeit ist wichtig. Ich war mir der Pandemie und ihrer Auswirkungen auf die Gastronomie bewusst, aber ich arbeite immer daran, etwas zu erreichen. Ich habe immer eine Zeitleiste im Kopf und dränge vorwärts, um meine Ziele zu erreichen. Einige Leute saßen still. Ich war das Gegenteil. Für mich war das Jahr wie ein Samstagabend mit 150 Reservierungen. Es wird schwierig sein, damit umzugehen, aber eine härtere Mentalität wird Sie durchbringen. So bin ich auf COVID zugegangen. “

Zu den wichtigsten Schritten gehörte, dass Liberato seine Frau und drei Töchter im Alter von 2, 5 und 6 Jahren aus Venice, Kalifornien, verlegte, wo er direkt von der High School abzog, um surfen zu können. In Südkalifornien lernte er auch das Lebensmittelgeschäft, indem er zunächst alles tat, was ihn jemand fragte, und dann das, was er über Essen gelernt hatte, mit Dingen in Einklang brachte, an die er sich erinnerte, indem er mit seinem Vater kochte, um die Art von Koch zu werden, von der andere Rat suchten.

„Venedig war großartig für mich als junger Mann. Ich wurde Kalifornier und liebte. Jetzt habe ich eine Familie. Ich bin in Bucks County aufgewachsen und meine Frau und ich dachten, das wäre eine bessere Gemeinschaft für unsere Töchter. Wir haben uns als richtig herausgestellt. Es gibt keine Obdachlosen in jeder Tür und niemand injiziert Drogen auf der Straße. “

Liberato kocht, konzipiert und entwirft Restaurants, daher wurde es wichtig, eines in der Nähe seines Wohnortes zu eröffnen.

“Stockton ist vielleicht nicht der Ort, an dem man ein jüdisches Delikatessengeschäft erwarten würde, aber ich habe viele Hausaufgaben gemacht und mir viele Fragen gestellt, bevor ich mit dem Borschtgürtel fortfuhr”, sagte Liberato.

„Als ich in Bucks County aufgewachsen bin, habe ich viel Zeit in New Hope verbracht und es geliebt. Ich mache immernoch. Bei meinen Recherchen habe ich einige Dinge gesehen, die mir geholfen haben, Entscheidungen zu treffen. Ich habe viele junge Leute gesehen, die aus New York nach Bucks und Hunterdon Counties gezogen sind. Wie ich kennen diese Leute Katz’s, das 2nd Ave. Deli und Harold’s in Edison. In Stockton sah ich eine kleine Stadt mit Möglichkeiten und Plänen für sich. Obwohl ich Italienerin bin, ist meine Frau Jüdin, unsere Freunde sind Jüdin, viele Leute um mich herum, die aufwachsen, sind Jüdinnen. Ich kenne die Küche und ich weiß, dass die Leute ein gut durchdachtes, authentisches Delikatessenessen lieben.

“Es geht mehr darum”, fährt Liberato fort. “Ich bin um die Welt gereist, habe probiert und Essen gemacht. Ich liebe es zu reisen, bin neugierig auf die lokale Küche und habe in den Tagen ‘Bar Rescue’ und ‘Restaurants on the Edge’ aus den Fehlern anderer gelernt.

„Jeder macht Fehler, ich eingeschlossen. Auf das, was Sie lernen, kommt es an. Es geht auch umgekehrt. Ich habe viel Positives von Küchenchefs und Restaurantbesitzern auf der ganzen Welt gelernt.

„Ich mache alles sorgfältig. Ich glaube an Daten und treffe viele Entscheidungen. Ich vertraue auch meinen Instinkten. Ich habe einen starken Sinn für Menschen, die in Bezug auf Essen und in Bezug auf ein Paket mögen werden. Ein Restaurant muss komplett sein. Das Dekor und die Stimmung müssen stimmen. Sie müssen die richtige Ware haben. Das Leben besteht aus Erinnerungen. Das sind Essen und Reisen, Erinnerungen. Das ist es, was Sonntagsessen ist, wenn Sie das Essen Ihrer Großmutter oder in meinem Fall das Essen meines Vaters und meiner Großmutter essen. Ich weiß nicht nur kulinarisch, sondern kaufe auch in jedem Restaurant, das ich besuche, ein T-Shirt. Das richtige T-Shirt ist also Teil meines Geschäftsplans. Die richtige Matzo-Ballsuppe und gehackte Leber sowie Blinis und Bagels sind natürlich das Herzstück des Borschtgürtels. “

Liberato sagte, er eröffne nie ein Restaurant, bis es fertig ist, also habe er keinen Starttermin. Er wird auch am 6. April damit beschäftigt sein, mit dem Arts Council in Princeton über Essen zu sprechen. Reservierungen für diese Veranstaltung sind schnell ausverkauft. Liberato ist ein Unentschieden.

„Meine ersten Lektionen über Essen waren zu Hause. Mein Vater und seine Mutter waren wundervolle Köche, und sie ließen mich zuschauen, helfen und lernen. Meine andere Großmutter kochte italienische Spezialitäten, Pasta immer von Grund auf neu. Als ich zum Surfen nach Venedig ging, schien es mir selbstverständlich, mich durch die Arbeit in Restaurants zu ernähren. Es war eine Erleichterung, einen Job zu bekommen, nachdem ich drei Monate in meinem Auto geschlafen hatte.

„Mit allem, was ich mache, mit all meiner Erfahrung, vom Kochen zu Hause über das Besuchen von Restaurants auf der ganzen Welt bis hin zum Wissen um die Probleme und zur Lösung der Probleme und dem Wissen, was die Leute wollen, bewege ich mich schnell, aber auch mit Vorsicht . Ich möchte alles richtig machen, bevor ich öffne. “

Der Borschtgürtel ist Liberatos erster Ausflug in dieses Gebiet. Die Energie und positive Einstellung, die Sie in seinen Zitaten und seiner Stimme hören. Nick Liberato ist ein Mann, der das Leben liebt und es genießt, es großartig zu leben, mit Anspielungen auf die Tradition.

Ein bisschen Shakespeare

Ein Geschichtenerzähler, der noch besser als Oprah Winfrey war, hatte einen Titel, der meinen Eindrücken aus dem Interview der letzten Woche mit Oprah und dem Herzog und der Herzogin von Sussex, Prinz Harry und Meghan Markle entsprach.

Ich beziehe mich auf Shakespeare und “Viel Lärm um nichts”.

Amerikaner können Zuneigung zur britischen Monarchie und zur königlichen Familie haben, die die Institution zu Fleisch und Knochen macht. Ich mache.

Im Allgemeinen werden wir jedoch von dieser Monarchie als Macht über uns befreit und das schon seit 245 Jahren. Wir müssen auch eine Sache über die Sussexen verstehen, während wir überlegen, wie sie betrachtet werden können.

Sie sind nicht der nächste König und die nächste Königin von England. Prinz Charles ist, dann Prinz William und dann Prinz George. Harry ist Sechster nach diesen drei und Williams anderen Kindern, Charlotte und Louis.

Auch dies bedeutet uns auf dieser Seite des Teiches wenig.

Wir können also mit einer jungen Frau sympathisieren, die sich so „ungeschützt“, unerwünscht und unbeachtet fühlt, dass sie es für besser hält, wenn sie nicht lebt. Wir können auch verächtlich sein, wenn wir glauben, dass ein tiefer Rassismus zu ihrer Traurigkeit geführt hat.

Nichts in der Sendung hat mich auch nur ein wenig bewegt. Ehrlich gesagt sah ich, dass Oprah Melodram oder Drama jeglicher Art aus einem im Wesentlichen langweiligen, belanglosen Interview erzwingen musste.

Sicher, das Innenleben der königlichen Familie hat einen gewissen Reiz, selbst in einer Gesellschaft wie unserer, die keine offiziellen Ränge oder eine feste Tradition des Klassensnobismus hat. Wenn Sie die königliche Familie aus der Gleichung herausnehmen, habe ich eine ziemlich häufige Geschichte über ein Paar gehört, das mit seinen Verwandten nicht zurechtkommt und sich so missverstanden fühlt, dass sie es vorziehen, sich zu entfremden, und sich daher auf die Suche nach ihren eigenen machen Vermögen.

Harry und Meghan haben aufgrund des Erbes von Diana, der Mutter von Harry, ein Kopfgeld, auf das er in Oprahs Werk Bezug genommen hat, einen Vorsprung auf ein Vermögen.

Es gab viel Gefühl, mehr Sentimentalität und nicht viel, um die Aufmerksamkeit zu bewerten, die Oprahs Programm erhält.

Ah, der Unterschied in der Aufmerksamkeit, die Oprahs Show bekommt, könnte einer der Faktoren sein, die so viel über die Geschichte der Sussexes und so viele von Meghan Markles Beschwerden informieren. Ich spreche von der Boulevardpresse, die in England ziemlich virulent ist. Die meisten Briten haben Spaß daran, sich über die Tabs lustig zu machen, während sie ihren Klatsch genießen. Die königliche Familie ist besonders neugierig und ihre Mitglieder sind in jeder Ausgabe vertreten. Prinz Andrew und Meghan liefern heutzutage viel Munition.

Tabs interessieren sich weniger für Fakten als vielmehr für das Keuchen. Ein Leckerbissen, das jemanden schlecht aussehen lässt, ist Gold für ihn. Sie leben, um aus alltäglichen Ereignissen einen Skandal zu schaffen. Ein Artikel, der die Öffentlichkeit dazu bringt, in seine kollektiven Sprachen zu klicken, bringt Leserschaft und Einnahmen.

Die Tabs sind Teil von England, und Meghan hat sicher ein schönes Thema für sie gemacht.

Ist es wirklich neu, wenn eine Schwägerin vor einer Hochzeit eine andere zum Weinen bringt? Oder ist das in der Welt so? Wenn Sie Oprah sind und ein Gesicht des Schocks ziehen und sich über einen bestimmten Leckerbissen wundern – oder über vier – sollte sich nicht eine Frage auf den Kontext einer Bemerkung beziehen? Müßige, vielleicht unschuldige Neugier könnte dazu führen, dass jemand etwas fragt, das nicht so empörend ist, außer wenn Oprah, Meghan und Harry es so aufbauen, und die Öffentlichkeit, die von Boulevardzeitungen und Fernsehsendungen wie „TMZ“ angeheizt wird, springt direkt auf die Aufruhr ‘Zug.

Gähnen. Gähnen. Gähnen.

Im Wesentlichen dachte ich, Meghan Markle habe sich gut verhalten. Es ist mir egal, ob sie jede Geschichte treu erzählt hat oder nicht. Nichts davon war so erderschütternd, wie die Leute es sich vorstellen. Es schien mir alles ziemlich gewöhnlich zu sein, zumal sie immer wieder alle entlastete und über den Saft jammerte, anstatt ihn zu verschütten.

Abgesehen von dem Teil, in dem sie sich das Leben nehmen wollte, wurden meine Schultern müde von all dem Achselzucken. Und dann war Meghan was, 35, 36 Jahre alt und hatte ihr halbes Leben allein gelebt? Schieben Sie den Diener beiseite, fliehen Sie dem Funktionär ins Gesicht, schnappen Sie sich ein Telefon und rufen Sie einen Psychiater an. Es sieht für mich so aus, als hätten die Sussexes auf lange Sicht das Richtige für alle Beteiligten getan, indem sie gegangen sind und sich selbstständig gemacht haben.

Wenn Meghan es gut machte, sah Harry wie ein Wrack aus und war nicht so artikuliert, wie ich es erwartet hätte. Na ja, wie ich schon sagte. Das Spiel und der Thron gehören William. Es ist nicht so, dass Harry keine Rolle spielt oder dass er nicht beliebt bleibt. Es ist so, dass er nicht wichtig sein kann als der Bruder, der König sein wird. Angesichts der Filmabkommen, Angebote für Vermerke und Gebühren für Auftritte, die die Sussexes verdienen, würde ich nicht zu viel für sie weinen. Ich hörte immer wieder, wie Steve Allens alte Registrierkasse „ka-ching“ wurde, während sie über ihr zukünftiges Leben sprachen.

Oprah ist diejenige, für die ich mich am traurigsten fühle. Die “Donahue” Tage, leider und Halleluja, haben ihre Zeit gesehen. Ja, die Beschwerde einer Person, die uns alle zu einfühlsamer Raserei anregen soll, hatte angesichts aller Probleme mit der Meghan-Harry-Saga den gewünschten Effekt. Dennoch sah es für mich so aus, als hätte Oprah, fast verzweifelt, den größten Teil des Dramas erzwungen. Sie wurde ernst und sprach sich aus, wie es eine Schauspielerin tun würde. Ich mag Oprah und denke, sie ist eine der besten Interviewerinnen und Fernsehmoderatoren aller Zeiten, aber das Sussex-Interview war mehr brutzelnd als substanziell und sprudelnder als lustig.

Ehrlich gesagt würde ich lieber “The Crown” sehen. Und wird.

Imelda Staunton nach Olivia Colman, Claire Foy und Helen Mirren? Gott schütze die Königin.

Hier kommen Oscar-Nomen

Die jährliche Ankündigung, auf die ich gespannt bin, wird am 15. März erfolgen.

Es sind die Oscar-Nominierungen, die die Vorstellung der Mitglieder der Academy of Motion Picture Arts and Sciences von dem zeigen, was im Kino des letzten Jahres am besten war.

Wikipedia, Facebook und andere Verkaufsstellen werden darauf bestehen, die heutigen Oscar-Anwärter als Nominierten für 2021 zu bezeichnen.

Das ist nicht wahr. Obwohl sie ihre Nominierungen und vielleicht die Auszeichnung im Jahr 2021 erhalten haben, stammen die Menschen, die heute geehrt werden, aus Filmen, die im Jahr 2020 herauskamen. In meinem Buch sind sie also die Nominierten im Jahr 2020.

Historisch gesehen unterbrechen die Morgenshows in jedem Netzwerk ihre normalen Interviews und Formate, um die angekündigten Entscheidungen der Akademie zu zeigen. Ich gehe davon aus, dass dies auch in diesem Jahr der Fall sein wird.

Neal Zorens Fernsehkolumne erscheint jeden Montag.