NY’s Broadway, Metropolitan Opera, Carnegie Corridor to require vaccines

If you want to attend a live performance in New York, prepare to show proof that you received your Covid shots.

The Broadway League announced Friday that the owners and operators of all 41 Broadway theaters in New York City will require viewers, performers, backstage crew and theater staff to be fully vaccinated by October.

Young children or people with medical conditions or religious beliefs that prevent vaccinations can still attend shows if they have a negative Covid-19 test. You will need a PCR test within 72 hours of the start of the performance or a negative antigen test that will be performed within 6 hours of the start of the performance in order to be admitted.

“A uniform policy in all New York Broadway theaters makes it easy for our audiences and should give our guests even more confidence how seriously Broadway takes the safety of the audience,” said Charlotte St. Martin, President of the Broadway League.

An exterior view of the Palace Theater at the premiere of “West Side Story” on Broadway at the Palace Theater on March 19, 2009 in New York City.

Neilson Barnard | Getty Images Entertainment | Getty Images

Audiences in the theater must also wear masks, except when eating or drinking in designated areas.

In September, the league will review these guidelines for November performances.

The Metropolitan Opera also requires guests, performers, orchestras, choirs, and staff to provide proof of vaccination, but face masks are optional. The opera will prohibit children under 12 from attending performances.

“The Met policy states that masks will be optional, this could change depending on prevailing health conditions. Also, unlike Broadway, we will have absolutely no exceptions to the vaccination-only policy, ”a Metropolitan Opera spokeswoman said in an email.

Guests must present proof of vaccination upon entering the theater and be fully vaccinated with an FDA or WHO approved vaccine. This means that guests have to wait at least two weeks after their last recordings to attend a performance.

Carnegie Hall will also require proof of vaccination from all guests, artists, staff and visitors and will ban children under the age of 12 from attending performances, a statement said.

Younger children are not yet entitled to the Covid vaccine.

The new requirements result from the rapid spread of the Delta variant across the country, especially in areas with low vaccination rates. On Tuesday the Centers for Disease Control and Prevention announced new instructions Encouraging people to wear masks in again Areas of the country where cases have increasedeven if they are vaccinated. This was a reversal of the Agency’s previous policy.

The CDC warns that the Delta variant is as contagious as chickenpox and could make people sicker than the original Covid.

Broadway begins will reopen its doors to the public at full capacity on September 14th, after switching off since March 2020. New York City has Billions lost in tourism dollars when live performances on Broadway, Lincoln Center, and Carnegie Hall were interrupted.

The industry received government support through a program called Grant for operators of shuttered venues, which provided $ 16.2 billion to keep the entertainment industry alive across the country until performances could be safely returned to normal.

The surge in Covid cases due to the Delta variant comes at a precarious time for the industry, which has invested in reinstating artists and other workers in preparation for the resumption of performances.

Summer season leisure on the opera home

Camden Opera House

CAMDEN – Camden Opera House, 29 Elm St., welcomes larger audiences and uses ticketing software to choose from that inserts a few seats on either side of each party’s reservation for a comfortable distance. Tickets are now available for three shows in July and beyond.

The popular SoundCheck series of small / one-piece / low-priced shows will continue on Friday evening, July 9th, with Gintaré, an internationally known singer, pianist and recording artist based in the Midcoast. Former midcoast resident Mehuman Ernst, a singer / songwriter and guitarist, returns on Friday, July 16. And New England comedian Juston McKinney will be presenting his popular multimedia show, Parentally Challenged, on Friday, July 23, which is PG-13 fun for everyone.

The SoundCheck shows resume every Friday in August, and Camden Opera House is excited to wrap up Labor Day weekend with the highly anticipated evening starring Tom Rush, accompanied by Matt Nakoa. Originally planned for last year, the concert is scheduled for Saturday, September 4th. All performances start at 7:30 p.m. More information and tickets can be found at camdenoperahouse.com or call 236-3154.

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Charleston Mild Opera Guild returns after 18 months away | Arts & Leisure

After a year and a half since their last show, the Charleston Light Opera Guild returns to the Clay Center this week with “Putting it Together”.

The outdoor show offers a small cast, no costume or set changes, few props and music from 13 of the musical catalog of the Broadway titan Stephen Sondheim.

“It’s a revue, but it spells ‘review’,” said Guild Director Nina Pasinetti.

Putting it Together takes songs from this baker’s dozen shows and dramatically mixes them into a new story.

“If you know the other musicals, you might see the songs in a different light,” she said. “With the plot and theme, the songs in ‘Putting it Together’ may have a different meaning.”

Pasinetti was thrilled not only with the guild’s return to performance, but also with “Putting it Together” as the show presented different challenges for both them and the theater company.

“Putting it Together” was aired off-Broadway in 1993 and featured the return of Julie Andrews to the New York stage. It ran again on Broadway with Carol Burnett in 1999, but Pasinetti said she hadn’t seen any of those shows, which was a little unusual.

“I’ve seen so many shows on Broadway,” she explained.

Prior to COVID-19, Pasinetti made regular trips to New York and to the theaters. Not only is she a lifelong theater fan, the director scouts these shows as potential future guild productions. She pays attention to the Broadway style and look.

“We don’t copy,” she said. “But we definitely respect the original intent.”

With “Putting it Together”, Pasinetti was simply not that exposed. Her research was largely limited to a few YouTube videos and a broad knowledge of Sondheim’s work.

“Sondheim changed the way Broadway ran, and it’s not an easy job to learn,” she said.

But the show suited the guild’s needs, even if it wasn’t exactly what the guild preferred – especially in the summer.

Summer shows can focus on larger casts, with the guild resorting to high school actors and students coming home from college for the summer.

In addition, the light opera guild has not done an outdoor show or revue for decades.

“We did them in the 80s and 70s,” said Pasinetti.

Even so, new circumstances call for new solutions, so the guild chose a musical with just a handful of players that eschewed extras, including dialogue.

Cedrick Farmer, one of the five actors in the musical, said, “It was basically an opera.”

A little trust was involved.

Understudies were not filled. If something happened, if someone got sick, the whole show could have derailed, but Pasinetti said their cast was very conscientious. They followed safety protocols, monitored their health, and wore special masks that made it easier for players to sing until health guidelines said it was okay for them to take the masks off.

Rudi Arrowood said the strict protocols were worth it.

Arrowood played in the guild’s only production in 2020 with “Maria” in “The Sound of Music”.

While Arrowood said she usually takes breaks between shows, it hit her hard not to have a show on the horizon.

“I developed a lot of hobbies in my free time,” she laughs.

When the guild announced that it would be resuming a production in June, Arrowood said it doesn’t care what role she gets as long as she gets a role.

She said, “Sign me up. I play a hay bale whatever. I am super happy to be back. “

Arrowood got the role of Woman # 1.

None of the characters in the musical have names. Arrowood is woman # 1. Chris Terpening plays Man # 1. Christa Navy is woman # 2. Bauer is Man # 2 and Jacob Fleck is Man # 3.

Farmer said it was good to be back too. Last year he graduated from West Virginia State University with a degree in singing. Along with worries about getting sick, the pandemic clouded his musical future.

“It scared me,” he said. “I didn’t know what was going to happen.”

Pasinetti said the guild didn’t get huge castings, but did attract some of the best talent the area has to offer.

Everyone was careful and took the job seriously.

“Nobody canceled. Nobody got sick. I don’t think anyone was late for rehearsals, ”she said. “It just went very smoothly.”

The entire cast was vaccinated as early as possible, Pasinetti said.

“It wasn’t because of the show,” she added. “Everyone was nervous about COVID. Everyone knew someone who had it. “

To display the show outdoors, the guild has enlisted the Clay Center’s Susan Runyan Maier Sculpture Garden, which the arts and science center developed as an outdoor venue.

The sculpture garden also seemed to serve the aesthetics of the piece.

“The characters wear evening attire,” said Pasinetti. “The men are dressed in tuxedos.”

There were concerns about the rain, she said. June weather in West Virginia is routinely fickle. Rain showers, unusual winds, or scorching heat are all possible and nearly impossible to predict weeks or months.

Pasinetti said they have rainy dates for missed shows and, thanks to changes in health guidelines, the ability to move production in-house if necessary.

As the show neared opening night, she said it finally felt like things were getting easier, as if things were getting better, if not entirely normal, than they had been.

The restrictions relaxed and there was a sense of relief.

“The most important thing is that we get back to what we should,” she said. “We’re here to entertain and provide an outlet for artists.”

Leisure scheduled for Sumter Opera Home

SUMTER, SC – After a hiatus due to COVID-19, summer events at the Sumter Opera House are back starting with theirs Cinema series.

“We call them our dollar films,” said Seth Reimer, Sumter Cultural Manager. “In the past few years we have had an average of over 250 students or patrons per film. So we hope that these numbers will keep increasing when people visit the Sumter Opera House to see a movie, escape the heat of the outside and just enjoy a different environment. “

CONNECTED: Youth summer camps and programs returning to the Midlands

From Aladdin to Toy Story, family-friendly films are shown every Tuesday from June 15 to August 10 from 10 a.m. to 1 p.m. The films cost $ 1.50 and are available at a discount.

“We also have kind of the crème de la crème of our season and that’s our main stage series,” said Reimer. “These are artists who are regional or national performing artists.”

The first Performance on the main stage scheduled starts in July, others are scheduled through October, including dance, rock, and theater performances.

CONNECTED: Sumter art scene among those hard hit by the pandemic

“We will continue to expand this from week to week,” said Reimer. “The floodgates have opened and now that we can book performances and people feel safer with the vaccinations and things they have, we are very happy to be able to entertain our state again.”

To learn more, visit SumterOperHouse.com or visit the Opera House at 21 N. Main Street in Sumter.

Pittsburgh Opera to current “Semele” for stay audiences Might 8-20 | Leisure

The Pittsburgh Opera will present the first Pittsburgh performances of George Frideric Handel’s “Semele” at its headquarters in the Strip District from May 8-20.

“Semele” is a story from ancient Greece about the pitfalls of ambition, vanity and open promises. Director Kristine McIntyre, whose most recent collaboration with Pittsburgh Opera was the acclaimed “Film Noir” production of Mozart’s “Don Giovanni” in October 2019, gives “Semele” an Art Deco treatment of the twenties.

The Pittsburgh Opera is working with Chatham Baroque on “Semele” and will have an audience that is far away, socially distant, for all six performances. The company’s COVID-19 safety protocols include reduced seating capacity, mandatory mask wear, health and temperature checks for everyone entering the building, and more.

All six performances are sold out, but there is room on the waiting list. The performance on May 14th at 7:30 pm will be streamed live free of charge on both the Pittsburgh Opera’s YouTube channel and Facebook page.

The performance will be sung in English, with English surtitles projected both over the stage and on the screen during the live stream.