Watch Canine: Legion and Netflix’s Cash Heist group up for in-game mission

Guard dogs: Legion now has heists. Well, at least a robbery. In a new crossover event between Legion and Netflix show Money Heist, players can team up with friends to steal cryptocurrency from Clan Kelly – one of the game’s hostile factions.

Players and up to three other friends can advance to the Bank of London in Watch Dogs: Legion starting Monday. The group will take on Clan Kelly, some guards, and a powerful firewall while wearing the iconic Money Heist overalls as well as some Guy Fawkes-esque masks that cover their faces.

The trailer shows players sneaking through the bank at night and incapacitating guards with their buddies. But if getting out loud is more your style, the group will also have shotguns, pistols, and other weapons to keep the guards and Clan Kelly on the way back. Once the robbery crew has secured the crypto, it’s time to ride a drone across the Thames at night to escape.

Groups that complete the new Money Heist mission will unlock a new outfit for their recruits.

This isn’t Legion’s first major crossover event this month, with several new ones modern Assassin’s Creed missions Appears in the game last week next to update 5.5.

Netflix’s ‘Bridgerton’ is main a romance novel renaissance | Leisure

The show was a huge boon for romance lovers too.

Stacker used data from the Bureau of Labor Statistics (published January 2021) to analyze the average price of a gallon of regular unleaded gasoline from 1976 to 2020. Click for more.

But what will change and who will benefit from it is a story that has yet to be written.

Unsafe times have turned everyone into romantics

“Romance has a moment. The trend is to pass out” Tessa Dare, a bestselling historical romance authortells CNN. She says it was exciting to see Bridgerton become a worldwide phenomenon and to prove what millions of romance readers already know: these types of stories have something for everyone.

“Love, sex, and relationships are generally compelling subjects,” says Dare.

They are also profitable. A spokeswoman for Avon, the cast that publishes the “Bridgerton” novels, said CNN sales of the original eight “Bridgerton” books have “increased exponentially since the show premiered.”

It’s no surprise that such ultra-romantic, ultra-sensual stuff tops bestseller lists and breaks streaming records. In fact, it’s just business as usual.

“Last year was so difficult for everyone. Together we needed a mass infusion of joy,” says Dare. “If the world can not agree on anything else, at least 63 million households can celebrate the perfectly raised eyebrow of the Duke of Hastings.”

“Bridgerton” could attract new romantic readers

Although it is a thriving and evolving genre, outsiders often view romance novels with disdain. Every time a show like “Bridgerton” takes hold culturally, part of that stigma falls away. The effect can be a win-win situation that attracts more readers to the romance and encourages long-time fans who may have hidden their passion to talk more about the genre they love.

“Growing up we had the image of cheesy novels you pick up at the supermarket and people stuck to that idea,” he says Roni Loren, a bestselling contemporary romantic writer. “Seeing the popularity of ‘Bridgerton’ legitimizes the genre for some people. It gives people permission to check things out in the romance section.”

Exactly why novelists and readers continue to struggle with these assumptions is a sensitive question.

“Sexism,” says Tessa Dare simply. “Society is prepared to regard everything produced by women for women as inferior, and there has always been an assumption that romance is frivolous, poorly written, and unattractive to men. Bridgerton’s success proves that all of these assumptions are wrong. “

Just like in the books, there are parts of the “Bridgerton” show that are spicy to say the least. (Episode 6. It’s episode 6. You’re welcome.) There are even some real tears in the bodice. And a lot has been written about how the series, like most romance novels, is purely structured from the female gaze: The women are best friends, family, rivals and sharp schemers. The men are complex in their own way, but everything you could want from a partner: caring, funny, respectful and good, very hot.

“I watch ‘Bridgerton’ for the act” another popular meme says, followed by several photos of the sexy male leading characters labeled: “The plot”.

That kind of value can’t be tagged with a dollar sign, and having people joking and sharing their naughty romantic opinions on social media doesn’t only add to the bottom line. It reveals the true impact of the genre and invites others to bask in the softly lit glow.

New eyes for romance put inclusivity in the spotlight

Success! An email was sent to with a link to confirm the list registration.

Error! An error occurred while processing your request.

However, this glow does not seem uniform in all experiences, and when it comes to inclusivity, “Bridgerton” occupies a strange place. From the start, the show attracted attention due to its diverse cast, including a black lead, a black queen, and people of color in all sorts of roles, big and small. This is a departure from Quinn’s novels, which make no reference to race and, like so many Regency-era novels, are set against the very white backdrop of 19th century London high society.

While “Bridgerton”, the TV series, offers its fans a comprehensive experience, this level of representation does not carry over to the romantic world in its current form. While there are sparks of new interest in the industry, the writers hope that the show’s success will lead readers to explore a wider range of love stories.

“We welcome new readers to Bridgerton with open arms,” says Suliekha Snyder. “But the crux of the ‘rising tide lifts all boats’ philosophy is that sometimes it only lifts certain boats.”

“Will these new people just be interested in the romance of the white Regency era? Or, by opening a book by Julia Quinn and realizing that the Duke is indeed white, will they look for more diverse and comprehensive books and thus expand the web ? “

When South Asian Snyder got into novel writing, she noticed many books in the genre fetishized and other South Asian people. This led her to write stories with characters of South Asian heritage.

Snyder cautions against viewing this level of “variety” in publishing as some sort of option, or as a way to fill a specialized bookcase in the store. She indicates that it’s just a reality.

“Diversity and inclusivity are not just a teaching tool. It’s our life. That’s how we love,” she says. “And that’s part of the struggle we’ve had over the past few decades. We just have to remind people of that [authors of color] exist and are real, and our books have just as much mass appeal as those of a white author. “

Speaking of mass appeal: Bridgerton, the TV show, has also raised exciting questions about the popularity of inclusive media.

“I don’t think the show is helping to fuel the conversation about diversity in romance,” says writer Alyssa Cole. “But was it not the other way around?”

Cole, a contemporary, historical, and science fiction novelist, has received multiple awards for her books with black, disabled and LGBTQ heroes and heroines. Historically romantic fiction by and with people outside the white, heterosexual, able population was avoided by large publishers. In recent years, even the Romance Writers Association, the top organization in the genre was torn apart by accusations of prejudice.

In short, it was a common belief that such stories don’t sell.

But Cole notes that the truth that Bridgerton’s success and future he might invite has set out looks more promising.

“At this point, we’ve seen several romantic adaptations with black and colored characters – would these shows have been as successful without a diverse cast?” She asks. “And if diversity is a major factor in the success of an adaptation, why not adapt more books by color authors?”

In romance, everyone deserves a happy ending

If there is really to be a “Bridgerton Effect” in the romance industry, it is clear that it has to be one that encourages writers and readers of all backgrounds. After all, the unifying theme of romance – whether you’re into werewolves, cybersex, Scots in kilts, or women in residence – is that everyone deserves a happy ending.

“I think here is the importance of inclusion, having this space to safely navigate our identities while we know it will end in a happy ending,” says Snyder. “Queer readers, readers of colors … when we reflect on the pages, we see our happy aftermath normalize. And that’s radical. It shouldn’t be. It should be commonplace. Unfortunately, we are not yet there. “

These are the things to remember the next time someone dismisses romance as frivolous. Yes there is sex. Yes there is fun and escape. And these things don’t justify an apology.

But romance means more to people.

“It’s very feminist. In many romances, women save themselves. It’s so consenting – it’s our fantasy that we want to be treated with respect,” says Roni Loren.

Cole says another big win is trust. “Characters are often protected because of past trauma. Part of their story is learning to trust someone, and that trust isn’t a mistake,” she says.

“One of the greatest fantasies is that you can show yourself – all of yourself, including the bad things – to a partner or friend and trust that they will still love you. In a romance, that trust will always be rewarded in the end.”

When readers open a romance novel, they trust that something of themselves will be reflected on these pages, no matter who they are, who they love or how they live.

And if a very sexy, very profitable Netflix show can pave the way for more of those stories, then bring on the love.

Jennifer Lopez to play lethal murderer in Netflix’s The Mom | Leisure

Jennifer Lopez will play a deadly assassin in the upcoming Netflix thriller “The Mother”.

The 51-year-old actress and singer has joined the cast of Niki Caro’s next film, Deadline reports.

Jennifer, who also co-produced the film for the streaming giant, plays an assassin who comes out of hiding to protect her daughter, whom she gave up years ago.

Misha Green is in charge of the script, with changes by Andrea Berloff.

The film is said to be in the style of Luc Besson’s 1994 classic “The Professional”.

In the meantime, the ‘In The Morning’ singer will also star in Netflix’s adaptation of ‘The Cipher’.

Jennifer, who previously played Detective Harlee Santos on the TV series “Shades of Blue”, will portray FBI agent Nina Guerrera in the film based on Isabella Malondo’s bestseller.

Nina becomes involved in a serial killer case after posting strategically complex codes and puzzles online. The codes correspond to the most recent murders aimed at luring them into a cat-and-mouse chase.

The “Second Act” star has a number of other films on the way, including “Marry Me” and “The Godmother”.

In the earlier film, hitmaker “On The Floor” will team up with Owen Wilson.

Jennifer will play a pop star who marries a stranger (Owen) after finding out that her fiancé cheated on her.

The couple meet after the singer holds a sign reading “Marry me” at one of her concerts.

The upcoming flick has been compared to the rom-com classics ‘Notting Hill’ and ‘The Proposal’.

It’s not the first time Jennifer and Owen, also 51, have played side by side.

The couple appeared together with Ice Cube and Jon Voight in the horror ‘Anaconda’ in 1997.

Jennifer also produces ‘Marry Me’ alongside Elaine Goldsmith Thomas and Benny Media.

The trio also worked on the 2018 ‘Second Act’.