Pulp Musicals Units Sights On The Moon With New Radio-Model Musical THE GREAT MOON HOAX

“Don’t be afraid of the dark … that’s where dreaming begins!” From the piano by Matt Dahan (Starry, The Babies, Music Director of Team Starkid) comes with PULP MUSICALS, a new radio-style music series that interweaves stories from science fiction, fantasy and myths into an incomparable audio adventure.

The first episode of Pulp Musicals is titled “The Great Moon Hoax” and is inspired by actual events when, in the summer of 1835, a troubled New York newspaper published a series of articles detailing the discovery of a thriving lunar civilization. 19th century readers believed the fantasies were wild and the moon never felt closer to earth.

The Great Moon Hoax features an all-star ensemble with: James Tolbert (National Tour: Mary Poppins, Black Friday) as Samuel Stratford, Mariah Rose Faith (National Tour: Mean Girls, Starry) as Rose Stratford, Curt Mega (Glee, Spies are Forever) as Benjamin Park and John Herschel, Natalie Llerena (Starry, Salvage) as Margaret Cavendish, Tony Gonzalez (Annabella, Diary of Atticus) as Chester Thomas, Amanda Walter (Starry) as preacher and choir, and Matt Dahan as a narrator.

The idea of ​​combining science fiction with musical theater came about in mid-2020 when Dahan witnessed his theater community adapt to a world without live venues. Artists and guests went digital, connecting in ways that were both brand new and strangely familiar. He could not shake the image of the early 20th century listeners, who gathered around radios and played radio plays while the imagination filled the scene. As a predilection for the science fiction genre and a longing to find a suitable arena for one’s passions, everything in the form of pulp musicals clicked.

“The Great Moon Hoax” is 94 minutes long and will have an operatic character (less than 5% of the episode spoken) and cinematic in your mind’s eye (songs mix together like scenes on stage, and sound effects play to make sense increase time and place). Future episodes will feature both original and adapted stories, with the protagonists traveling between other classic pulp genres.

The full original cast recording of “Great Moon Hoax” is scheduled to be released on iTunes on Friday, November 19 for $ 14.99 and will come with a full libretto. The album is currently available for pre-order, with the song “More Than This” (sung by Mariah Rose Faith and James Tolbert) is downloaded immediately upon purchase.

To honor the past, “The Great Moon Hoax” will “air” its three half-hour parts for free on YouTube – Part 1 on Monday November 15th, Part 2 on Wednesday November 17th and Part 3 on Friday November 19th . Each part premieres at 8 p.m. East / 5 p.m. Pacific and held live for four hours before being removed. Matt Dahan will be present on live chat when each part airs. For more, follow @pulpmusicals on Instagram, YouTube, Twitter and TikTok.

Join the cast of Pulp Musicals, here at the beginning – the sky is the limit and the stars are waiting.

As Smaller Leisure Venues Reopen, Off-Broadway’s ‘The Workplace! A Musical Parody’ Brings Musicals Again To NYC – CBS New York

NEW YORK (CBSNewYork) – The arts return in New York City.

“The office! A musical parody”, on Off-Broadway Musical, is one of the first full performances to have been on stage for over a year.

CONTINUE READING: Path to Reopening: Savion Glover, Nathan Lane Wow, frontline health workers during the pop-up show at the St. James Theater

“I’m just so excited to be back, to bring joy, to make people and entertainment happy,” said actress Emma Brock, who plays Michael Scott in the musical based on the hit television series.

The off-Broadway show is the first musical to return to New York City in over a year since the pandemic began.

It opens on Friday night at the Midtown Theater Center with a 33% capacity.

General Manager Catherine Russell installed a new ventilation system and all actors and staff are vaccinated.

“When the audience comes in, they have to be masked. We will take their temperature, ”said Russell Andrea Grymes of CBS2.

CONTINUE READING: Path to reopening: Legend Jerry Seinfeld surprises at Gotham Comedy Club

Broadway shows are not expected to reopen until September, but some of the smaller theaters that host off-Broadway shows reopened last week, with restrictions, along with other small and medium-sized entertainment venues.

This includes the Daryl Roth Theater in Union Square, which Mayor Bill de Blasio visited last Friday.

They host “blindness”, which is referred to as “socially distant sound and light experience”.

“We welcome everyone. I know that you will be comfortable. I promise you will be safe, ”said Daryl Roth.

CORONAVIRUS PANDEMIC

On Wednesday, the Mayor was present at Lincoln Center for the world premiere of “Restart Stages”. It is an outdoor venue with ten seats for performances and rehearsals.

MORE NEWS: Theater Workers Eligible For COVID Vaccine In April Says Mayor De Blasio; The shows could start as early as September

It’s all a beginning as the place known as “the city that never sleeps” finally awakens.

Welcome to ‘Cabaret’: Distinctive staging brings musical to life regardless of pandemic | Leisure

Because of the pandemic the actors put in boxes for “Cabaret”, it was thinking outside the box.

Fourteen boxes, to be precise, in a two-story building on the stage.

Each box has its own color-changing LED lights that flood the actor inside. Coupled with the dynamic music and story, this will create a one-of-a-kind spectacle when Cabaret comes to life for eight performances at the Robinson Theater in the Moss Performing Arts Center at Colorado Mesa University in March.

It was a challenge figuring out how to get “cabaret” on stage in interesting and spectacular ways with actors you couldn’t touch, said Jessica Jackson, visiting professor of theater at CMU and director of “cabaret”.

The box structure, which was configured by Matt Schlief, set designer for “Cabaret” and assistant professor for set design at CMU, is open to the audience, but places walls between the actors.

Fortunately, the musical “lends itself to doing something theatrical or unrealistic because those wild cabarets are woven into the story,” Jackson said.

“Cabaret” plays in the party, Berlin’s cabaret culture in the 1930s, said Jackson.

The story takes place through the eyes of an American writer named Clifford Bradshaw, who is drawn into Berlin’s nightlife with drama, flash and music in the Kit Kat Club. The figure also encounters the creeping rise of the NSDAP and fascism in Germany, she said.

“Cabaret” is very entertaining, but tempered for the audience, who knows that the Holocaust and World War II are in the future for the characters in the musical, she said.

Some of the characters refuse to see what’s coming, others can’t see anything they can do about it, she said.

The integration of the story, sound, and movement of the musical into the set’s 14 boxes creates an image that is really intense and beautiful, Jackson said.

A simple kiss or a bad blow had to be choreographed differently, and what she – Amanda Gasoline, assistant professor of dance, was the choreographer for “Cabaret” – invented added even more drama to the production, Jackson said.

For a kiss, they turned to the vocabulary of dance. Two people, foreheads together but on either side of a thin wall, “create some kind of beautiful image that is intimate but separate,” Jackson said.

For a fight scene, the actors punch forward and the actor who receives the beating “can throw his body into the walls of the box he’s in,” Jackson said. “It’s choreographed to be as terrible as it is.”

None of the energy “Cabaret” produces will be suppressed by this staging, but not the full energy produced by an audience will be different, Jackson said.

The limited number of tickets available for each show is far less than the 550-plus seats in the theater – social distancing and masks are required.

The feeling won’t be quite as loud, but the energy and fun will still be there, she said.

“I think people are going to be incredibly impressed,” said Jackson. “Without COVID, I would never have thought to do it that way.”

Jonesborough Repertory Theatre presents romantic musical showcase | Leisure

Grab your lover, boyfriend, spouse, or someone else – or come alone – and celebrate Valentine’s Day weekend with an outdoor display case at the Jonesborough Repertory Theater. Curl up in the International Storytelling Plaza on Saturday, February 13th at 3pm, 5pm and 7pm and on Sunday, February 14th at 3pm and 5pm

“We want our community to have a fun season festival,” said Jennifer Bernhardt, JRT Artistic Director. “I think it’s really important that love is at the forefront of our focus – not just romantic love, but showing love and kindness to everyone.”

Performers will be performing both romantic and less romantic songs from shows the theater plans to open later this year. Details will be announced at the event. There will also be a non-perishable food collection bin for the Jonesborough Food Pantry and a donation jar for the JRT. Concessions are also being sold.

“A Little Romance” is related to the Chocolate Festival in downtown Jonesborough. So dress warmly, wear your mask and take part in Valentine’s Day. You can bring a chair or just find a place to stand (please distance yourself socially) and enjoy the JRT entertainment.

Most profitable musical artists of all time | Leisure

No matter how they get into music or what genre they fall into, almost every recording artist shares the same dream privately: to become an icon in the industry and change the face of music in the process. And while there are hundreds of talented and successful artists, very few will do all of these. Most will have a hit or two, and many may even hit a string of successful albums, but few will change the course of pop music or pave a new path for those who follow.

But of course there have been a handful of modern musicians who have done that. Stacker has summarized the 50 most successful musicians of all time. These people were pioneers and icons. They have sold millions of albums and singles, performed countless live shows, and even invented new genres.

To create this list, Forklift looked at dates from both Association of the Recording Industry of America (RIAA) and the Grammy Awards. The RIAA awards certifications based on the number of albums and singles sold by an artist. Gold albums were sold 500,000 times; Platinum albums sold 1,000,000 copies; Multi-platinum has sold 2,000,000 (with increments of 1,000,000 thereafter) and diamond albums have sold 10,000,000 copies. Stacker then built an index to rate each artist that took into account the total number of RIAA certified units (70%), Grammy wins (20%), and Grammy nominations (10%). To be considered for this story, artists must have sold 10 million RIAA certified units.

Some artists on the list are predictable, like Michael Jackson and The Beatles, while others might be more surprising, like Eminem and Kenny G. Read on to find out if your favorite musicians made the cut.

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