Journey to the Kentucky River in model with the Bluegrass Railroad Museum

The Versailles Bluegrass Railroad Museum has offered year-round train travel since 1986. The summer cruise is currently underway, taking passengers on a cruise to the Kentucky River and back.

This activity is family friendly and fun for people of all ages. The river cruise is now possible every Saturday at 11 a.m. and 2 p.m. until the end of September

“It was great! We saw the horses and all the beautiful farms, it was just beautiful,” says Morgan Clark, a rail passenger.

For more information on getting started this summer or another seasonal ride, please visit

New Lincoln Museum Podcast Explores Illinois Music Legends | Leisure

Springfield, Illinois – A new podcast from the Abraham Lincoln Presidential Library and Museum features conversations with legendary Illinois musicians and bands, and sometimes with the artists themselves.

Sound State Podcast The exhibition opened at a museum in Springfield earlier this year and accompanies the exhibition The World of Music in Illinois: The State of Sound. From Muddy Waters to Earth, Wind & Fire and Chance the Rapper, we share the work and contributions of artists from Illinois. Podcasts are another way for people to explore the history of Illinois music, museum officials said. Episodes currently available include discussions with REO Speedwagon’s Kevin Cronin, Rise Against’s Tim McIlrath, and singer-songwriter Steve Goodman’s daughter, Rosana Goodman.

The new official gallery guide features dozens of photos of artifacts, including the Miles Davis red trumpet and the souvenir that John Prine brought to the stage to resolve concerns about the performance.

“This exhibit is full of sounds, photos, and stories that we want to share with as many people as possible,” said Christina Shut, executive director of the Abraham Lincoln Presidential Library and Museum. “Podcasts give people around the world the opportunity to hear them, but guides provide details that visitors cannot pick up on a single walk through the exhibition.”

The State of Sound exhibition runs until January 23, 2022.

Copyright 2021 AP Communication. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed in any way without permission.

Lincoln Museum’s New Podcast Explores Illinois Music Legends | entertainment

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Cash Museum to public sale off numismatic assortment duplicates | Arts & Leisure

The public has the opportunity to team up with numismatic experts to add to or start coin collections during special monthly eBay auctions of duplicate Money Museum items.

Officially, museums are calling this a deactivation, and from June it will include world coins, paper money, tokens and medals, as well as some American coins and coin sets.

Nothing from the money museum’s permanent collection is sold in the auctions, which have around 50 lots each, said Deborah Muehleisen, marketing and communications director. Starting bids are being kept low to make them available to everyone, she said.

The Money Museum, 818 N. Cascade Ave., is operated by the non-profit American Numismatic Association.

The association’s collection, founded in 1928, was in the Smithsonian Institution until 1966 when the ANA’s permanent headquarters moved to Colorado Springs and the Money Museum was established.

Since then, the collection has grown to hundreds of thousands of objects, “many of which are multiple duplicates of those needed to fulfill the museum’s educational mission,” said museum curator and director Doug Mudd. The sale will allow ANA to make room for future properties, while the proceeds generated will help support our ongoing mission to promote and advance the hobby of numismatics. We believe the fairest way to sell our duplicates is through open auctions. “

The approximately 28,000 ANA members receive sales discounts.

Sales are later expanded to duplicate books and catalogs from the ANA library, as well as items from the Money Museum store.

According to Mudd, the deactivation auctions “will be in the works for the next few years”.

Information about the auctions or the ANA: 632-2646,

Transportation museum reopens Could 16 | Leisure

WEST HENRIETTA – The New York Transportation Museum, 6393 East River Rd., Will reopen May 16 with a new schedule of events and trolley rides.

To comply with COVID-19 regulations, trolley ride days and special event days are limited and reservations are required. Masks are required in the museum and on the drive. Special event dates and days on which trolley rides take place are listed on the museum’s website.

The museum is home to a collection of 14 trolley cars, several highway and horse-drawn vehicles, three model trains, the Midtown Plaza Monorail, and numerous exhibits celebrating the region’s transportation history. In the gallery, a video showcases the Rochester Underground in color, and a gift shop caters to the needs of all ages and interests.

On days with trolley rides and special events, visitors experience the interurban era a century ago as their trolley winds its way through the scenic landscape on a 20-minute round trip. The air whistle and the click of the rails are reminiscent of a time when trolley cars provided fast and clean service to cities in New York State.

Admission is $ 5 for adults ($ 10 on trolley ride days) and $ 4 for teenagers ages 3 to 12 ($ 6 on trolley ride days). Admission for seniors is $ 9 on trolley ride days. Admission prices vary on special event days.

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Huntington Museum of Artwork presents Portfolio 2021 | Options/Leisure

HUNTINGTON – The Huntington Museum of Art is showcasing the work of high school art students in the Portfolio 2021 exhibit, now on display through Sunday May 16.

Because of the pandemic, HMA had to cancel its portfolio last year. To avoid the exhibition being canceled two years in a row, HMA has narrowed the focus of this year’s exhibition to highlight the work of high school graduates, according to a press release.

“We wanted to push this year’s student art show to give senior art students the opportunity to display their work in a museum while building a portfolio for advanced study,” said Cindy Dearborn, HMA’s director of education. “We hope that health conditions will have improved over the next year so that we can again exhibit the work of middle and high school students and hold a reception for the young artists and their families.”

Despite the pandemic, regional art teachers worked to help their students participate in the Portfolio 2021 exhibition.

“We are extremely impressed with the dedication of art teachers in our area who have gone out of their way to bring their high school graduates’ artwork to the Huntington Museum of Art for this exhibition,” said HMA educator George Lanham.

About a dozen student papers are presented. John Farley, Senior Curator of the HMA, selected Brealynn Harper’s “Strike Down Stereotypes” as the winner of the 2021 Janet Bromley Excellence in the Arts Award. Harper attends Cabell Midland High School, where Jennifer Stephens is her art teacher. All student artists participating in the exhibition received a small cash prize.

Participating high schools include Paul G. Blazer of Ashland, Dawson-Bryant, Cabell Midland, Huntington, and Russell.

For more information, visit or call 304-529-2701. HMA is fully accessible.

Why is the Science Museum nonetheless being contaminated by Shell’s soiled cash? | Local weather change

T.Getting money from fossil fuel companies is like taking money from tobacco companies in the 1990s. The damage that public institutions cause themselves by receiving this sponsorship exceeds all benefits. Just as their hands were once stained with nicotine, they are now stained with oil. The tobacco experience suggests that it can take many years to get rid of these damned spots and restore their reputation.

This is where the Science Museum is now. It does not seem to have learned anything from the reputational damage it has suffered from accepting money from the self Oil companies BP and Equinor. Last week it announced that Shell is funding – wait for it – it’s new Exhibition on climate change.

Though many have other large institutions – like the National Galleries in London and Scotland, the Tate Galleries, the National Theater, the Royal Shakespeare Company, the Southbank Center, the American Museum of Natural History, and the Van Gogh Museum in Amsterdam cut ties with the fossil fuel industryThe science museum seems determined to balance and bounce itself. Its director, Sir Ian Blatchford, said journalists: “Even if the science museum was given ample public funding, I would still want sponsorship from the oil companies.” Something tells me this is not going to age well.

The exhibition is called Our future planetEmphasizes the technologies that can capture the carbon dioxide from burning fossil fuels or extract it from the air once it is released. The science museum tells me that Shell had no influence on its design or content. I think so, but in my opinion the exhibition fits in well with the agendas of the oil companies. For years, oil companies have tried to delay the closure of their reserves for as long as possible by emphasizing technofixes. If carbon dioxide can be captured, it could cost time in which its discovery and drilling, land grave and spills, pollution and profits can take longer than society would otherwise allow.

As Culture Unstained (aiming to end oil sponsorship) points out, most of the technologies the exhibit advertises are either speculative, extremely expensive, or despite numerous possibilities just don’t happen. For example, carbon capture and storage (CCS), in which carbon is extracted from power plant exhaust gases and then directed into geological formations, has been vigorously promoted as the leading solution for the last 20 years. But so far only 26 plants of all kinds use it, and 22 of them are oil rigs that use the CO2 they pump underground to drive more oil out of the rocks (a process known as improved oil recovery).

The Obligations to CCS in Shell’s most recent annual report are vague and general. However, many of its promises to reduce net emissions are based on a combination of this technology and offsets. While capture technologies generally don’t come to fruition, the magnitude of the carbon savings required means that Offset emissions is no longer viable. We need to both maximize fossil fuel shutdowns and maximize carbon uptake, preferably through that Reconstruction of ecosystems. One is no substitute for the other.

Yes, we should study any technology that could help prevent climate collapse. However, we should not allow them to be used as greenwash. Unless fossil fuel companies shut down their reserves at a rate commensurate with preventing more than 1.5 ° C of warming, they will remain a deadly threat to human well-being and the survival of other life forms. So far, none of them have any plans, not even on paper, to prevent warming above 2 ° C. let alone 1.5 ° C.. Shell’s program was criticized by environmental groups last week as hazy and half-hearted.

The Company arguesrightly so that its goals depend on being “in harmony with society”. Otherwise, it is “trying to sell products that our customers don’t want”. But by producing ads that exaggerate his commitment In order to reduce emissions, public opinion should be calmed down and, in my opinion, the demand for a transition from fossil fuels should be delayed. From my point of view, the exhibition in the Science Museum has the same effect.

Worse, while Shell has severed ties with some lobby groups, it is still a member of several, like that Consumer Energy Alliance and the Australian Petroleum Production & Exploration Associationwho have searched Hinder climate policy. She hopes that much of her future profits will come from increasing production of plastics. Last year the American Chemistry Council, which also includes Shell, campaigned for trade rules that would tear down Kenya’s strict measures on single-use plastic and force the country to continue accepting plastic waste from other nations. It wanted to make Kenya a “hub for the supply of chemicals and plastics made in the USA to other markets in Africa”.

When I challenged the museum, it referred me to an article by Blatchford in which he argued, “We believe the right approach is to engage, debate and challenge companies … do more to make the world economy less carbon intensive do. ”Me too. But how does it help to accept their funding? It doesn’t exactly improve your strength, does it? “Do what we say or we won’t take your money anymore.”

I think this is a zero sum game. The credibility Shell might gain by associating with the Science Museum is the credibility that the Science Museum loses. What Shell is looking foras the CEO admits, is “a strong corporate license”. By sponsoring cultural institutions in August, the oil companies hope to normalize an ecocidal business model. In this way, they contaminate anyone foolish enough to take their money.

Orlando automobile museum and leisure middle nonetheless want some work | Options

ORLANDO – Miami-based developer Michael Dezer and his partner, second-generation Argentine arcade mogul Sebastian Mochkovsky, are confident that Dezerland, a 450,000-square-foot entertainment hub in a twice-quirky mall on the north end of Orlando, is promised International Drive.

Although they kicked off a gentle opening in December, the interior of Dezerland is still swirling with more construction and staff than visitors. Its extensive car museum lacks important elements such as information about the cars and the right works of art in the exhibits.

The attraction includes bowling alleys, an arcade, a pinball arcade, a trampoline park, go-karts, and the Dezer Prize, a car collection that has consisted of the Orlando Auto Museum for the past half century.

Dezerland is located on the former site of the Festival Bay-Artegon Shopping Center at 5250 International Drive, Orlando. Artegon closed in 2017, and Dezer bought the 104-acre property the following year for $ 23.7 million. This comes from a report by Growthspotter.

The deal didn’t include two anchors: Bass Pro Shops and a Cinemark cinema. Both are still in operation, even though Bass has closed its entrance from the mall.

As a billionaire, real estate developer, and longtime employee of Donald Trump, Dezer sees value in the two anchors and outlet stores across the street, all of which have drawn customers through the mall’s various incarnations.

Dezer is building three apartment buildings with a total of more than 1,000 units on site. The first is scheduled to open in January.

In the first two years after the purchase, the project was fraught with production delays. In February 2019, the city issued a work stop order due to a lack of permits. “That wasn’t a big deal,” said Mochkovsky. “We cleared everything up with the city.”

In the next year, several opening dates were announced, but these were repeatedly pushed back due to construction delays. Then hit COVID-19.

“We couldn’t go on working,” said Dezer. “We were all very concerned because no one was going anywhere.”

In the summer, construction work began again in earnest. In December, when the US COVID deaths soared to their highest peaks, Dezerland was opened to the public.

“We wanted to open at Christmas time,” said Mochkovsky. “We didn’t want to miss the holidays.”

Mochkovsky, whose family has been building entertainment centers in his home country since 1957, runs the Dezerland Front with activities such as bowling and video games.

Mochkovsky opened the pinball arcade in March and is soon planning to set up a 6,000-square-meter augmented reality center where visitors can play virtual games without goggles or headsets.

Plans like this can feel far away depending on where you’re looking in Dezerland. Most of the old shop windows are shuttered, although Mochkovsky claims to have found tenants for all but three.

Cars are at the heart of Dezerland even before they even enter the museum. A model of Tow Mater from the film “Cars” greets the guests in front of the main entrance. Through the doors, one of the first sights you see is a replica of the city car from “The League of Extraordinary Gentlemen,” the film that made Sean Connery stop acting.

Dezer’s car collection is extensive, including the world’s largest private collection of Vespas and the world’s first selection of James Bond vehicles on display in an upcoming Bond museum within the attraction.

Dezerland has more than 2,000 Dezer cars that he has been buying for over 50 years.

This collection was gathered in two locations in South Florida before Dezer bought the mall. He also maintains the Hollywood Cars Museum in Las Vegas. Another Dezerland in Miami has games and entertainment, but no cars.

Some of the cars in the open part of Dezerland are interesting, such as the tribute to Marilyn Monroe and the Rolls Royce built for the classic British puppet action show Thunderbirds.

Goldeneye’s Russian tank is in a Bond-themed restaurant.

Finally, Dezerland plans to open a car dealership. “I don’t really want to sell that much because I love her,” said Dezer.

The app, which is supposed to give guests information about the cars, contains entries that are missing information or that are complete for the wrong vehicles. “The guy who did it got corona (virus),” said Dezer. “So I’m waiting for him to come and finish.”

In the Hollywood section, only some of the cars have been used in movies while the others are replicas, but poor signage makes it impossible to tell which is which.

Prize money is given to a sedan that Trump made in the 1980s, one of two ever made. There’s a flag next to the car, but the eagle on the flagpole has a broken wing.

Dezer, who turned 80 on April 1, admits that the museum needs work.

“It’s my hobby, but I’m very, very busy in Miami right now,” he said.

However, these problems do not appear to be limited to work under construction. Negative reviews on TripAdvisor for the Hollywood Cars Museum and its previous locations in South Florida complain about “poorly executed” displays, dirty cars and an “unappealing” layout.

Copyright 2021 Tribune Content Agency.

Prehistoric dinosaur exhibit returns to Santa Barbara Museum of Pure Historical past | Leisure

The Parasaurolophus is one of many prehistoric creatures on display at the Santa Barbara Natural History Museum.

Photo contributed courtesy of Gary Robinson

The “Prehistoric Forest” outdoor dinosaur animatronic exhibition has returned Santa Barbara Natural History Museumand take visitors back in time millions of years ago.

The big dinosaurs made their first debut in the summer of 2019 with a record number of guests who met them “in the wild” up close, a spokeswoman for the museum said.

At the end of summer, the creators of the dinosaurs – animatronic artisans Kokoro exhibits – sent her on her next engagement, which, according to the spokeswoman, was immediately noticed by visitors asking for her return.

Exhibition and Education Director Frank Hein started negotiations with Kokoro to finally bring back the great dinosaurs after several inquiries and a remarkable postcard of artwork and a message from a 2.5-year-old future paleontologist named Rosie. He said, “Dinosaurs, come back! ”

According to the spokeswoman, the dinosaurs returned to the museum on Jan. 18 when both exhibits and facilities staff were tasked with installing the heavy animatronics while following the new health and safety guidelines.

Tyrannosaurus rex 2019.jpg

A little visitor looks astonished at the exhibition “Prehistoric Forest” in 2019.

Contributed photo courtesy of Juan Minera

Thanks to careful planning by Francisco Lopez’s exhibits, the process went smoothly and now Tyrannosaurus Rex, Stegosaurus, Triceratops, Parasaurolopus, and Euoplocephalus are settling well in their old digs in the wooded area above Mission Creek, she said.

For a short time the museum is showing “Dinorama: Miniatures through the Mesozoic Era in the Sprague Pavilion”, a curated landscape of mini dioramas populated by painted and posed figures of ancient creatures and lasting until April 25th.

Neighborhood: Montgomery Museum presents artwork by Auburn Center Faculty college students | Leisure

Collage by Trent H., eighth grade

Painting by Alexandra J., 7th grade

The young artists at Auburn Middle School faced numerous challenges in the 2020-2021 school year. And art has become a way for these students to step away from their screens and express themselves in a year of uncertainty and countless changes. Virtual working has been a burden for many students, but they have learned to thrive through art in this new environment.

In March, the Montgomery Museum of Art & History will host an exhibition of works by Auburn students in grades 6 through 8. This exhibition consists of self-portraits, self-reflective landscapes, perspective explorations, scratch art, and many other pieces created throughout the year. The courses these students take range from exploratory arts and 2D / 3D design to advanced arts courses. While most of the works were created during art class, some were created outside of school.

This is the first time an Auburn Middle School student has had the honor of displaying his work at the Montgomery Museum. The museum kindly approached us and offered to house and judge our art. Although many of the students featured have shown their art at exhibitions, the opportunity to be showcased in such a professional setting is a new and exciting opportunity. In a year of uncertainty, this show was a huge step up and encouraged many students to do more work outside of class than in previous years. We are happy to have the opportunity to exhibit our art in a museum room.

New Nashville museum traces historical past of Black music throughout genres | Leisure

NASHVILLE – A new museum in the works for two decades tells the interconnected history of black music genres through the lens of American history.

The National Museum of African American Music, which opened with a virtual band cut on Martin Luther King Jr. Day, is located in the heart of Nashville’s music tourism district, next to Honky Tonks and the famous Ryman Auditorium and just blocks from the Country Music Hall of Fame and Museum.

Although Nashville has long celebrated its role in music history, the new museum fills a void by telling an important and often overlooked story about the roots of American popular music, including gospel, blues, jazz, R&B, and hip-hop.

“When we think of the history of African American music and the important role it has played in our country, it was long overdue to honor it in this way,” said the great gospel CeCe Winans, who is the national chairman for the music functions as a museum.

The idea for the museum came in 1998 from two heads of economy and state from Nashville, Francis Guess and TB Boyd, who wanted a museum for black art and culture. And while there are museums across the country that focus on certain aspects of black music, this museum is considered the first of its kind to include it all.

“Most music museums deal with a label, a genre or an artist,” said H. Beecher Hicks III, president and CEO of the museum. “So it’s one thing to say that I’m a hip hop fan or a blues fan, but why? What was going on in our country and our lived experience and our political environment made this music so moving, so inspiring, so the soundtrack for this part of our lives? “

The museum tells a chronological history of black music spanning from the 17th century to the present day and centering around major cultural movements including music and instruments used by African slaves, the emergence of the blues through the great migration, the Harlem Renaissance, and the civil rights movement .

When Winans recently toured the museum, she saw her own family of gospel singers, The Winans, who were featured in the Museum of Spiritual Music exhibit alongside the artists who influenced her own musical careers.

“You never start doing what you do to be part of history or even part of a museum,” said the 12-time Grammy winner.

She noted that the museum placed gospel music in a context of social change, especially during the civil rights era.

“If you look at all the different movements that have happened over the years and Martin Luther King Jr., it has always been with the church behind it,” Winans said. “It was gospel music that inspired us to love one another, to build bridges.”

The museum has 1,600 artifacts in its collection, including clothing and a Grammy Award from Ella Fitzgerald, a guitar from BB King, and a trumpet from Louis Armstrong. In order to make optimal use of the space, the exhibits are equipped with interactive functions, including 25 stations where visitors can explore the music virtually.

Visitors can learn choreographed dance moves with a virtual teacher, sing “Oh Happy Day” with a choir led by gospel legend Bobby Jones, and make their own hip-hop beats. Visitors can take their recordings home to share using a personal RFID wristband.

There will be a rotating exhibition gallery with the first subject being the Fisk Jubilee Singers, an a cappella group originally formed in 1871 to raise funds for Fisk University. The group sang slave spirituals at their concerts. The tradition continues to this day.

After a year of racist reckoning by the Black Lives Matter movement, Hicks said the timing couldn’t be more perfect to highlight black music’s contributions to our shared American experience.

“(It) is no accident that at this moment when we need to be reminded, perhaps more than others, or more than the recent past, we can close and open the museum that we are brothers and we share more each other as we make our differences, ”said Hicks.