Jean-Jacques Beineix: the French auteur who introduced type and substance | Films

During Margaret Thatcher’s reign in the 1980s, British cinema was largely dejected, scathing, political and oppositional. But across the English Channel with François Mitterrand France, the films were glitzy and flashy, with a sexy if superficial neon glow: the so-called cinéma du look. No director was more responsible for this than Jean-Jacques Beineix.

He became both famous and ridiculed for that smashing 1986 hit that launched the smoldering career of its star, Beatrice Dalle: Betty Blue, a steamy drama in which an aspiring author embarks on a passionate, destructive affair with Dalle’s boisterous siren, Betty. It has been nominated for Best Foreign Film at the Oscars, the Globes and the Baftas, and has received nine Cesar nominations. But Betty Blue actually won only one César: the awfully reasonable Best Poster award (a prize that was discontinued a few years later), the iconic image of young Dalle towering beautifully in the blue of the deepening sunset sky, with the heavily picked beach shack below on a glowing horizon. It was a poster that adorned the walls of millions of college dormitories, and soon the film, and Beinix itself, were considered the immature taste of the 1980s: the gauntlets of French cinema.

But that doesn’t do justice to its boldness, energy and exuberance and the film that made it famous in 1981: Diva, a film with a residual New Wave ethos but with a little less politics. A young postman, speeding through Paris on a moped (that key New Wave vehicle) is obsessed with an opera singer, played by Wilhelmina Wiggins Fernandez; he accidentally comes into possession of a tape of a confession incriminating a top cop being mistaken for his own pirated tape of the diva singing the impassioned soprano aria from Alfredo Catalani’s opera La Wally, Ebben? No andrò lontana, with its window-breaking high note.

Beatrice Dalle in Betty Blue. Photo: Moviestore/Rex/Shutterstock

Legix single-handedly made this breathtakingly dramatic aria as popular among non-opera fans (to the annoyance of hardcore opera fans) as a hit single from an otherwise little-known album. No doubt Diva inspired the 1987 portmanteau film Aria, in which directors such as Jean-Luc Godard, Robert Altman, Derek Jarman, Julien Temple and Nicolas Roeg each created a short piece to accompany a famous aria. Aria was garish and sassy, ​​but some felt it was a glorified art-house take on the pop videos popularized by MTV at the same time. However, Beineix was not involved.

After Diva, Beineix made what both admirers and critics considered his seminal authorial play, The Moon in the Gutter, in which Nastassja Kinski plays a wealthy, predatory woman whose fate collides with a smoldering dockworker, played by Gérard Depardieu. His fans adamantly insisted that this was Beineix’s brilliantly playful, colourful, visually creative French spin on the American noir genre. The naysayers said it was unbearably presumptuous and absurd; Legix was deeply hurt to be booed at its Cannes premiere.

But last year in Cannes I was thinking of The Moon in the Gutter as festival-goers adored Leos Carax’s film Annette, his indulgent, madly ambitious musical fantasy composed by Sparks and starring Adam Driver and Marion Cotillard . Who can doubt that Bergeix’s anti-puritan swing has influenced Carax? Both Carax and Luc Besson owed Bergeix a great deal, although it was Bergeix’s sad fate to have neither Besson’s lasting commercial influence nor Carax’s high-profile reputation.

In the ’90s, Beineix’s star waned, perhaps due to his characteristically heartfelt but unfavorable film IP5, which was coldly received by critics and in which its iconic star, Yves Montand, sadly died immediately after filming his character died.

Beinix has often been said to be style over substance. But is that fair? He had about as much substance as any working director of his time, but a lot more style, and a sensuous love of style at that. His Diva and Betty Blue deserve not only to be known as fashion accessories: they were living, living filmmakers. And amazing when you think of Altman, Godard, Jarman and others effectively bending the knee to Beinix in this aria collection.

Leisure Information Roundup: Cannes director criticises rivals for permitting Netflix films in too simply; Raffaella Carra, Italian singer and TV presenter, dies at 78 and extra

The following is a summary of the latest entertainment news.

Box office: ‘F9’ rules on the 4th of July weekend as ‘Boss Baby 2’, ‘Zola’ has a strong start

It’s not going to be a weekend for the record books, but this year’s Christmas box office on July 4th is a significant improvement over the 2020 edition. The box office boost is thanks to a trio of new films, the kid-friendly “The Boss Baby: Family Business,” the gruesome thriller “The Forever Purge” and the satirical comedy “Zola”, each of which appeal to a completely different cinema audience. A number of holdovers, namely “F9: The Fast Saga” and “A Quiet Place Part II”, also support domestic revenue.

Swiss Alps, Sailboats are a magical decoration for Ibrahim Maalouf at the Montreux Jazz Festival

The French-Lebanese trumpeter Ibrahim Maalouf gave successive shows on a specially built floating stage at the Montreux Jazz Festival on Monday evening Lake Geneva for a limited number of fans with a COVID 19 free certificate. With the Swiss Alps and sailing boats as a breathtaking backdrop, he performed for the fourth time at one of the most renowned summer music festivals in Europe, which was canceled last year due to the pandemic.

Cannes director criticizes rivals for admission Netflix Movies too easily

The head of the Cannes The film festival attacked competing events on Monday, saying some were too quick to include movies from streaming giants in their main competitions without applying strict rules, thereby harming cinema. Platforms like Netflix flourished during the COVID-19 pandemic and won several top film awards while studios and cinemas struggled as coronavirus restrictions closed cinemas and pushed more viewers online.

Movie fans, vacationers mingle for COVID-conscious people Cannes come back

Movie stars will arrive armed with coronavirus tests and face masks Cannes from Tuesday for the return of the world’s largest film festival, which aims to help cinema recover from the blow of the global pandemic. Organizers and local authorities are relying on strict coronavirus protocols and testing to keep the event free of disruption as the French Government is stepping up warnings of growing cases of highly communicable COVID-19 delta Variant.

Raffaella Carra, Italian Singer and TV presenter, dies at the age of 78

Raffaella Carra, one of Italy’s most popular singers and TV presenter who became almost as famous in as a symbol of sexual liberation Spain and South America as in her own country, died on Monday at the age of 78. Italian prime minister Mario Draghi said Carra, “with her laughter and generosity she has accompanied generations of people Italian and took the name Italy around the world”.

(With contributions from agencies.)

Leisure Information Roundup: Kim Kardashian has no regrets as ‘Retaining Up’ actuality sequence ends; Actor Riz Ahmed leads bid to vary manner Muslims seen in motion pictures and extra

The following is a summary of the latest entertainment news.

Kim Kardashian doesn’t regret the end of the reality series’ Keeping Up ”

After 14 years of drama, fashion, and family, “Keeping Up with the Kardashians,” the television series that Kim Kardashian and the familiar names of their siblings, bowed on Thursday with hugs, tears and gratitude. “I regret nothing. That was the best decade and a half of my life. ” Kim Kardashian says in the final.

One minute with: Boy George turns 60, new music and biopic

Culture Club front man Boy George is looking for an actor to play him in a new music biopic set to begin filming this summer. The British Singer, who will turn 60 next week, launched the social media call for auditions in April for the film “Karma Chameleon,” based on one of the band’s 1980s hits.

Actor Riz Ahmed leads to an offer to change the path Muslims seen in movies

British actor Rice Ahmed started an effort on Thursday to improve the path Muslims are portrayed in films after a study shows they are barely seen and portrayed in a negative light when they appear. Ahmed, the “Sound of Metal” star and the first Muslim to get a best actor Oscar Nomination said the blueprint for Muslim Inclusion would provide funding and mentoring for Muslim Storyteller in the early stages of her career.

(This story was not edited by Devdiscourse staff and is automatically generated from a syndicated feed.)

25 main actors who’ve directed nice motion pictures | Leisure

With a few exceptions, Hollywood directors are often only as good as their ability to work with actors. Accordingly, actors themselves seem particularly suited to the job of director. However, it’s a transition that is much easier said than done and that tends to generate more failures than hits. In fact, one doesn’t have to look any further than “The Jesus Rolls” to understand that John Turturro are certainly no Coen brothers. On the other hand, most directors can’t really act, and few bother to try.

Yet an impressive number of actors have stepped behind the camera and proven to be skilled. Clint Eastwood, for example, has won more Academy Awards and nominations for his work as a director than as an actor. Ben Affleck and Greta Gerwig seem to be following suit, with several major directing jobs under their respective belts and more on the way. Who else made the transition and made a great movie in the process? Let’s find out.

Forklift researched several hyphens and selected 25 actors who have directed a great movie. In at least one film, the actor had to feature a IMDb User rating above 6.5 and a Metascore over 65.

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Blindspotting TV Collection Trailer Expands the Film’s Narrative, Retains the Identical Model and Power – /Movie

Blind spotting was one of the celebrated premieres Coming out of the 2018 Sundance Film Festival. Featuring the Hamilton Star Daveed Diggs In the lead role, the film dealt with some serious issues, including systemic racism and police brutality, but with sharp satirical humor and hip-hop musical sequences. The film had a style all of its own, and now a Blindspotting TV series will continue in the same way, but now the main character will be one of the supporting cast of the original film.

Check out the Blindspotting TV series trailer below for an accurate look.

Blindspotting TV series trailer

The theatrical version of Blindspotting followed Collin Hoskins (Daveed Diggs) as he tried to get through his last three days of parole without getting into trouble. He’s hoping for a fresh start, but his troubled best friend Miles (Rafael couple) doesn’t make it easy. However, the real test for Hoskins comes when he witnesses a police shot that tests his sanity and patience as the neighborhood around him gets better every day.

The Blindspotting TV series acts as a spin-off focused on Miles’ girlfriend Ashley (Jasmine Cephas-Jones(Repetition of her role from the film). When Miles is suddenly arrested on New Year’s Eve, she and her son have to move in with Miles’ mother Rainey (Helen Hunt) and his half-sister Trish (Jaylen Barron). Combine that with a job that gets her nowhere and a society that marginalizes her, and Ashley has a lot on her plate.

As you can see in the trailer above, the show features many of the same flourishes that made the movie stand out. Characters speak to the camera, and hip-hop musical sequences add moments of electricity and liveliness, almost like a musical version of Do the Right Thing. And the serious thematic elements are still there too. As Daveed Diggs said, the series is about “how a broken prison system affects us all, and like in the film, we use comedy to talk about very real systemic effects in the country with the largest prison population in the world. ”

Although Diggs is nowhere to be seen in the trailer, he is a writer on the series, and there’s a chance he’ll show up at some point. He is also executive producer at Rafael Casal, who not only starred in the series, but also directed at least one of the episodes. Jess Wu Calder and Keith Calder will also produce the series in addition to Executive Emily Gerson Saines, Ken Lee, and Tim Palen.

The Blindspotting TV series comes from Starz June 13, 2021.

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100 finest 90s motion pictures | Leisure

The 1990s represented a magical decade in pop culture history. The OJ Simpson Trial, gangster rap, Must See TV, grunge music, and “Friends” dominated conversation over water coolers while the internet was just beginning to grab the world’s attention and hit the college’s computer labs. While all of this was happening, incredible movies from big budget blockbusters to silent love stories were released in cinemas around the world almost every weekend. Advances in computer-generated imagery gave audiences both the scariest dinosaurs they’d ever seen (“Jurassic Park”) and a heartwarming story of a cowboy and astronaut who discovered life outside the toy box (“Toy Story”).

To celebrate the decade’s incredible cinematic hits, Forklift Data was compiled on all films from the 1990s to produce a stacker score – a weighted index that is evenly divided between films IMDb and Metacritical Scores. To qualify, the film had to premier between 1990 and 1999, have a Metascore, and have at least 1,000 votes. The ties were broken by Metascore and other ties were broken by voices.

Read on to find out which movie contained one of the most disturbing scenes in cinema and which big movie star made the list multiple times.

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Sienna Miller cares what folks consider her motion pictures | Leisure

Sienna Miller would tell a “total lie” if she said she didn’t care what people think of her work.

The 39-year-old actress insisted that she shouldn’t be “driven” by positive reviews and nominations, but she would be devastated if her performance in the new movie “Wander Darkly” were criticized.

She said, “It would be a total lie to say that I don’t want people to respond positively.

“I had to dig extremely deep so it would break my heart if everyone said, ‘She’s damned.’

“Any positive answer is very much appreciated. It just cannot be the driving force behind why you do something.”

In the film, Sienna plays a new mother Adrienne, who wakes up and stands over her own body after being pronounced dead and having to go back through her life to see where it all went wrong, and she admitted it didn’t Always easy to switch off at the end of a day of shooting.

She said, “This can be a painful experience. I never feel like I want to completely bury the person I play.

“But I’m pretty good at breaking up when I need to be around, like with my daughter or when I’m making dinner.

“You just have to be able to divide yourself.

“This is really specific to women; So much has been asked of me as a person other than my job, you know? Women are good at multitasking. “

Sienna is her biggest critic and she never watches her films again.

She told Grazia magazine, “I’ve never gone back and seen movies I’ve been in.

“I haven’t even seen all of them!

“There’s a director’s cut of ‘Factory Girl’ that seems to be a better version.

“When I was younger I had moments when some of the first films I made were shown and I looked at each other in total fear and wished I had worked harder.

“I was very, very critical.”

Jason Clarke watches different films on set | Leisure

Jason Clarke enjoys watching other movies to prepare for his own acting roles.

The “Terminator Genisys” star likes to go back and reference “other films and characters when he’s on the set to prepare for his own role as that’s what” inspires “him.

When asked what he always takes to set, he said, “An iPad. I like to watch movies just to get myself in the mood. I think it’s a good thing to go back and reference. It could be the.” its same type of film that you are making, or it could be the same type of film that you are making, or it could be something completely different just to remind you of great actors and great work to inspire you. “

And the 51-year-old actor feels “lost” on set when he can’t give the director what he wants.

He added, “My darkest moments are when I don’t seem to understand what I’m trying to give the director. Those are the ones where you turn yourself upside down. I remember Chappaquiddick [‘The Senator’]There was one day when John [Curran, the director] just didn’t have what he wanted there. I was ready for anything, but still couldn’t process it. You feel lost “

Jason has made many friends on the various movie sets he has appeared in.

Speaking to Total Film magazine, he said, “Definitely. Gary Oldman was a huge fan for me. When we started filming Dawn Of The Planet Of The Apes, I said, ‘I was in drama school … Age I ‘I have to say I’m so happy.’ I couldn’t believe I was there, across from Gary Oldman. Sometimes you’re scared that they will say, “I’m not here to be your boyfriend, too “But you connect. You shared something. Like ‘Apes’ with Andy Serkis. You went through it all and they were a part of your life.”

Pattern our newest podcasts: Crime, motion pictures, cash and ethics | Nationwide Information

A podcast about movies hosted by Bruce Miller, editor of the Sioux City Journal, Jared McNett, a reporter for the Globe-Gazette in Mason City, Iowa, and Chris Lay, the Madison, Wisconsin-based podcast operations manager for Lee Enterprises.

Subscribe to “Just to Be Nominated” on Apple, Google, Spotifyor wherever podcasts can be found.

Explore the intersection of ethics and modern life with Richard Kyte, Director of the Ethics Institute at Viterbo University, and Scott Rada, Social Media Manager at Lee Enterprises.

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50 finest films from the 1970s | Leisure

The 1970s was a magical time for moviesFrom a whole new group of stars and directors who are becoming household names, from Robert Redford and Al Pacino to Steven Spielberg and Woody Allen. After the tumultuous 1960s, which included the civil rights movement, the sexual revolution and the Vietnam War, America was a different place, and Hollywood reflected the changing culture like a cinematic mirror. Films began to break new ground with changing gender roles, political distrust, and more subversive forms of comedy. The result was a new era, both in American cinema and all over the world.

To celebrate the cinematic heyday of the 1970s, this list was compiled to evaluate the best films of the decade. Forklift Data was compiled on all 1970s films to produce a stacker score – a weighted index evenly divided between films IMDb and Metacritical Scores. To qualify, the film had to premier between 1970 and 1979, have a Metascore, and have at least 1,000 votes. The ties have been broken by Metascore and additional ties have been broken by IMDb user rating and votes. All data was updated on January 12, 2020.

This decade, part of the “New Hollywood” era of film, was led by the generation of film schools. These filmmakers challenged the traditional, stagnant perspective of Hollywood while promoting academic study of film and the distribution of international films. These latter initiatives really gave birth to the field of film criticism as we know it today. This, in turn, changed the way films are made and made, leading to the demise of the New Hollywood age in the late 1970s.

Read on to discover the Italian-American series that got cleaned up at the Oscars and to find out which controversial director made the list three times.

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