Marvel’s ‘Eternals’ tallies a $71 million opening at home field workplace

(LR) Lauren Ridloff, Don Lee, Angelina Jolie, Richard Madden, Salma Hayek, Gemma Chan, Lia McHugh and Brian Tyree Henry star in Marvel’s “Eternals”.


“Eternal” can be the lowest-rated film in the Marvel Cinematic Universe, but that didn’t stop moviegoers and ardent fans of the franchise from going to theaters.

The film garnered $ 71 million in ticket sales on its domestic debut, the fourth-highest opening in the pandemic. Disney’s Marvel now holds three of the top four domestic pandemic opening weekends.

Still, “Eternals” is one of the lowest in the franchise. The last film to be toasted on a lower number was “Ant-Man” in 2015, which grossed $ 57.2 million during its domestic debut.

The film was lauded for its diverse talent, but its inclusiveness wasn’t enough to counter a crowded plot and limited character development, critics said.

Globally, the new addition to the MCU reached $ 161.7 million, the second-highest global weekend a Motion Picture Association film released in 2021, just behind Universal’s “F9”.

“Review proof, calendar proof and always a fan favorite, the MCU’s films are undoubtedly some of the most appealing movie fans around the world to have shown their loyalty to this incredibly popular franchise over the past 13 years,” said Paul Dergarabedian, senior media analyst at Comscore.

“Eternals” opened in key markets such as the UK, France, Germany, South Korea and Australia, but has not yet released a release date in China – one of the top-selling international box offices.

Disclosure: Comcast is the parent company of NBCUniversal and CNBC. NBCUniversal produced and distributed “F9”.

Marvel’s What If…? Artist Explains the Present’s 100-12 months-Outdated Artwork Fashion

Marvel animator Brad Winderbaum says the animation in Marvels What If …? was inspired by the American illustrator of the 20th century, JC Leyendecker.

Brad Winderbaum, an artist for Marvel’s new animated series What if…?He explained why the show’s creative team chose an illustrative style that first hit the market more than 100 years ago.

“What happened if…? has a distinctive illustrative style, ”revealed Winderbaum in an interview with D23. “The aesthetic was developed by storyboard artist Bryan Andrews in collaboration with Ryan Meinerding, Head of Visual Development at Marvel Studios.”

CONNECTED: What if…? Prove again how wrong Tony Stark was with Steve Rogers

Winderbaum added that both Andrews and Meinerding were inspired by the art style of American illustrator JC Leyendecker, who painted more than 400 front pages between 1896 and 1950, noting, “It’s a very difficult style to achieve.”

He said, “It’s very picturesque. The light spreads in a very unique way. We worked with this style and developed our own technique at the same time because it takes a 3D technique to get that 2D look.”

While Winderbaum jokingly referred to the scenes in What If …? as “Leynerding style” he added that it was “very Ryan Meinerding”. He concluded, “With the incredible background work from our production designer, it creates a very rich, photographic feel in a 2D comic-like world.”

CONNECTED: MCU theory: what if …? Premiere sets up the Doctor Strange 2 villain

Winderbaum also recently commented on what if …? The series ties in with the larger Marvel Cinematic Universe and explains, “All Marvel Studios projects are interconnected in some way. There is always potential. “

What if…? is an animated anthology series by AC Bradley that explores what would have happened if characters switched positions at several key moments that occurred within the MCU. The first episode of season 1, “What if … Captain Carter was the first Avenger?” illustrated what would have happened if Peggy Carter – not Steve Rogers – took the super soldier serum.

New episodes of What if …? Debut Wednesdays on Disney +.

CONTINUE READING: What if…? Captain Carter improves upon Red Skull’s MCU death

Source: D23

the beehive in front of the champion of the hydra of what if

What if…? Theory: The Champion of Hydra is an agent of SHIELD Villain’s Variant

About the author

Keegan Prosser
(853 published articles)

CBR News Writer Keegan Prosser is a writer, editor, and pop culture nerd based in the Greater Seattle Area. She has contributed to publications such as The Seattle Weekly, Rolling Stone Magazine, the Alaska Airlines Blog, and Android Central. Usually they can be found by browsing record stores, revisiting The Lord of the Rings, or revisiting the Harry Potter (book) series. Follow her on Twitter @keeganprosser.

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Judy Garland’s film profession was brief however full of marvels | Leisure

Judy Garland plays a huge role in the history of films, despite the fact that she only thrived on the big screen for a decade.

She cameo with a movie cameo on Broadway Melody of 1938 and she is great on Love Finds Andy Hardy, but it is “The Wizard of Oz” from 1939 that earned Garland’s place in cinema history. Frances Gumm, who was born in Minnesotan, would make 20 feature films in the next ten years, culminating with “In the Good Old Summertime”. But because of the behavior that emerged from the top and bottom of the studio manager, she was a persona non grata in Hollywood by then. She would live another 20 years but only complete seven more films.

Garland’s filmography seems bigger because she was so productive in the 1940s and because she became such a young star (she was 14 or 15 on “Broadway Melody”). All chronologies are skewed for Garland, whose death in 1969 at the age of 47 seems to transport her to an earlier era in film history, though if she were alive today she would still be a bit younger than Betty White.

Renee Zellweger’s Oscar-winning 2019 performance in “Judy” reveals two ways to look at Garland’s legacy. It’s a tragedy because she was in such bad shape at such a young age that we’ll never know how many opportunities she missed, with tantalizing stories about her as an opportunity in Valley of the Dolls and the video Proof from “Annie Get Your Gun,” which she was fired from in 1949. But we don’t know what films she might have made.

The downside is that her decade at the top is one of the best in film history. There are a number of musical all-timers best remembered for their iconic songs: “On the Atchison, Topeka and the Santa Fe” in “The Harvey Girls”, “Get Happy” in “Summer Stock”, ” I Got Rhythm “in” Crazy Girl. “

There were also dramas and comedies that showed the indelible timing that would dazzle audiences as she turned to the concert stage. And even in the last few decades of her life, the Minnesota native, whose story is told at the Judy Garland Museum there, received some excellent screenings.

“The Wizard of Oz” (1939)

Garland’s training in the studio system helped her achieve greatness in her first lead role. In fact, she got there within minutes of starting “Over the Rainbow,” the signature song that meant many things throughout her career. The classic status of “Oz” feels predetermined, but its production has been chaotic, actors have been replaced and five men cycled through the director’s chair. Garland was surrounded by beloved performers, but their naturalness and warmth make it so unforgettable.

“A star is born” (1954)

After her run in the 40s, Garland would only do three musicals, this is undisputedly the best (surprisingly, it’s her first competitive Oscar nomination). Garland had lived through enough Hollywood scare to know this story of one career on the way up and another on the way down in her bones. She was fortunate enough to have director George Cukor guide her, especially when singing “The Man That Got Away,” which he lets her play in a single take, knowing that she is damned the woman who it was would behave like that again through the mill. “

“Meet me in St. Louis” (1944)

Hard to find the best number in this jam-packed musical: the theme song? “The trolley song?” I would go with a sad Christmas carol “Have a Merry Christmas”. I can never see the scene where Garland’s character comforts her younger sister without wondering what Garland, barely from her own childhood, thought of young co-star Margaret O’Brien.

“Judgment in Nuremberg” (1961)

Garland’s second and final Oscar nomination was for a drama about trying to bring prominent Nazis to justice. Declamorized, song-free and fascinating, she plays a German woman who is forced to testify about her friendship with a Jewish man.

“In the good old summer time” (1949)

When we meet Garland’s Veronica, she is wearing a hat with fake birds on it, attracting the attention of co-star Van Johnson, who is fooling around with the birds that suddenly turn out to be real birds. Buster Keaton himself invented the surreal piece, which is funny but also shows why the romantic lead roles in this remake “Shop Around the Corner” hate each other. Garland’s hilarious / exasperated execution of the physical comedy is just as perfect as her delivery of a handful of melodies.

“The Clock” (1945)

Nobody understood Garland’s attraction better than Vincente Minnelli, who staged her several times (“St. Louis” belongs to him too), she married and had daughter Liza Minnelli. He showed Garland’s humor and vulnerability in her first big, non-singing role as the quirky woman who meets and marries a soldier on leave.

“The Harvey Girls” (1946)

The story of the “girls” who helped colonize the American West is extremely old-fashioned, but I don’t care because it’s so fun to see Garland with Ray Bolger, the co-star of “Oz”, and the song ” Atchison ”again. with a literal cast of thousands is such a show stopper.

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