Godzilla vs. Kong tops $60 million, the very best pandemic field workplace haul

Godzilla and King Kong fight in Warner Bros.’s “Godzilla vs. Kong.”

Source: Warner Bros.

“Godzilla vs. Kong” hits pandemic box office records.

On Saturday Warner Bros., who co-produced the film with Legendary, revealed that his kaiju-filled film had exceeded $ 60 million at the domestic box office, making it the highest-grossing film to be released during the ongoing coronavirus pandemic.

Previously, Tenet, another Warner Bros. film, held the record for $ 58.5 million, which it secured during its 2020 theatrical release.

As it stands, Warner Bros. ‘films currently represent four of the five highest-grossing films released during the pandemic. Tenet is the second highest, Wonder Woman 1984 is fourth at $ 46.2 million, and Tom and Jerry is fifth at $ 40.3 million.

The third highest grossing film in the pandemic is Universal “Croods: A New Age,” which grossed $ 56.5 million while in theater.

“It’s starting to look like the summer of April as ‘Godzilla vs. Kong’ surpasses box office milestones that would have been unthinkable just a few weeks ago,” said Paul Dergarabedian, senior media analyst at Comscore. “Warner Bros. ‘ The release strategy has paid off, proving that cinema is still king when it comes to creating the most impactful, immersive cinematic experience. “

“Godzilla vs. Kong” has broken a number of records since it opened on March 31st. The film saw the biggest opening weekend since the coronavirus pandemic began $ 32.2 million in theaters on its first Friday, Saturday, and Sunday.

It opened in more than 3,000 theaters across North America over the weekend, most of the films being made during the pandemic. had the biggest opening day on Wednesday at $ 9.6 million and the biggest single day on Saturday at $ 12.5 million.

“Godzilla vs. Kong” signals that Consumers really want to go to the cinema for new blockbuster features, suggesting the summer slate could have similar success.

Disclosure: Comcast is the parent company of NBCUniversal and CNBC.

‘Godzilla vs. Kong’ stomps to pandemic-best $48.5M opening | Leisure



This image, published by Warner Bros. Entertainment, shows a scene from “Godzilla vs. Kong”.


Warner Bros. Entertainment, via AP

JAKE COYLE Associated Press

NEW YORK – With the help of some old friends, the box office rekindled some of its old power over the weekend. “Godzilla vs. Kong” hit by far the best opening of the pandemic at an estimated $ 48.5 million since it opened on Wednesday, despite being streamed at home at the same time.

Warner Bros. and Legendary Entertainment’s Monster Porridge was the largest domestic release in the past year, playing in more than 3,000 theaters. Many theaters have reopened in the past few weeks; According to the data firm Comscore, around 60% of the theaters were open that weekend. Most operate at 50% or less capacity.

“Godzilla vs. Kong” was estimated by the studio on Sunday from Friday to Sunday at $ 32.2 million. The five-day total exceeded expectations by far and even surpassed the three-day debut ($ 47.8 million) of the last franchise entry “Godzilla: King of the Monsters” from 2019. “Godzilla vs. Kong” scored worldwide on Weekend sales of $ 120.1 million, bringing the two-week total worldwide to $ 285.4 million.

“Godzilla vs. Kong” was made for approximately $ 160 million and is one of the few big budget films to see in theaters. However, WarnerMedia, which owns Warner Bros. and HBO Max, secured its bet by simultaneously streaming the film to subscribers in North America – a strategy that will be followed for all 2021 releases.

The studio didn’t offer ad dates on Sunday, but said that “Godzilla vs. Kong” had a larger audience on HBO Max than any movie or TV show since the service launched in 2020.

‘Godzilla vs. Kong’ units pandemic-best home opening document | Arts & Leisure

One week after Warner Bros. ‘Godzilla vs. Kong’ international launch set a new pandemic record for a Hollywood movie. The North American release continued to hint at an imminent return to the box office, with a pandemic-best opening of $ 48.5 million in five days since its debut on Wednesday and $ 32.2 million this weekend, according to estimates by the measurement company Comscore.

The previous benchmark for an opening in the pandemic was the debut of “Wonder Woman 1984” in December for 16.7 million US dollars on the three-day Christmas weekend. “Godzilla vs. Kong,” which debuted domestically and on HBO Max simultaneously, played in 3,064 locations, the most since the pandemic began more than a year ago. It currently has worldwide revenues of $ 285.4 million.

“The resounding success of Godzilla vs. Kong is an incredibly important and positive milestone both financially and symbolically for the film industry,” said Paul Dergarabedian, senior media analyst at Comscore. “We see that as consumer confidence increases, so does the ability of cinemas to generate stronger box office over time.”

Elsewhere at the box office this weekend, “The Unholy” by Sony Screen Gems opened in 1,850 locations for $ 3.2 million, and “The Girl Who Believes in Miracles” by Atlas Distribution was opened in 680 locations for US $ 580,068 -Dollars premiered.

Although American theaters are slowly returning after a year of tough reopenings and closings, large theaters like Regal and AMC, as well as smaller chains, have not yet reopened.

© 2021 Los Angeles Times. Visit at latimes.com. Distributed by Tribune Content Agency, LLC.

Copyright 2021 Tribune Content Agency.

Evaluation: As soon as extra unto the breach in ‘Godzilla vs. Kong’ | Leisure

This time the price war in the ultra-heavyweight between Coke and Pepsi of MonsterVerse is not breaking new ground. That could be his salvation. Wingard (“You’re Next”, “The Guest”) gives us some solid supporting characters (Brian Tyree Henry as a podcasting conspiracy theorist on the right track is the best of people) and a chic sound design. But mostly “Godzilla vs. Kong” delivers appropriately silly science fiction antics and a few good rounds of monster mayhem, including a ballet of battleships on the open ocean when they first met.

One difference: you can instantly see the movie either on a Godzilla-sized screen or on a salamander-sized screen. “Godzilla vs. Kong,” which debuts on Wednesday, is in theaters and streaming on HBO Max at the same time. I saw it at home when a five-year-old in the next room asked why the big ape was so angry. It’s a new, more humble home for the mighty climber of the Empire State Building.

And it’s his home that he’s looking for in “Godzilla vs. Kong”. As it turns out, this sunny morning waterfall is an enclosed habitat for the caged monkey that Dr. Ilene Andrews (Rebecca Hall) and her deaf daughter Jia (Kaylee Hottle) are guarded. When Godzilla carries out a seemingly unsolicited attack on Apex, a high-tech cybernetics company ruled by Walter Simmons (Demián Bichir), plans to use Kong to lure Godzilla to the surface and then track Godzilla’s power source – an undiscovered one Center of the world center believed to exist from Nathan Lind (Alexander Skarsgård), the proponent of the “hollow earth”. It’s a plan so obviously designed to come into conflict and turn a metropolis into ruins that you can almost hear Hong Kong pleading, “Please, no.”

Field workplace: ‘Godzilla vs. Kong’ units international pandemic report | Arts & Leisure

The international launch of Warner Bros. this weekend. “Godzilla vs. Kong” set a new pandemic record for a Hollywood movie, a hopeful sign of an imminent return to the cinema.

The film, which opens in North American theaters and on HBO Max on Wednesday, debuted in 38 overseas markets for an impressive $ 121.8 million, including $ 70.3 million in Chinese revenue. This is the biggest debut for a Hollywood film in China since 2019. The monster smackdown grossed $ 12.4 million on 891 IMAX screens, also Hollywood’s biggest IMAX weekend since December 2019.

The debut “Godzilla vs. Kong” surpassed the entire previous international gross of the blockbuster release of “Wonder Woman 1984” in December, which is currently estimated from measurements at 120 million US dollars overseas (and a further 45.9 million US dollars. Dollar domestically) is the Comscore company. The previous benchmark for an overseas opening in the pandemic was the launch of the studio’s “tenet” in August 2020, valued at $ 53 million.

While American theaters are slowly reopening en masse after a roller coaster year of reopening and closing, movie houses like Regal and smaller chains (like ArcLight in LA) have not yet returned. Despite the limited capacity of the cinemas, Universal’s R-rated action film “Nobody” debuted this weekend on 2,460 North American screens at $ 6.7 million. LA and New York City, both recently reopened, were the two highest-revenue markets.

With an A-CinemaScore and 79% “Certified Fresh” rating for Rotten Tomatoes, Bob Odenkirk’s revenge thriller topped recent adult releases including “The Little Things,” “Let Him Go,” and the Liam Neeson vehicles, “Honest Thief “” and “Sagittarius. “

The family movies “Tom & Jerry,” “The Croods: A New Age,” and “Raya and the Last Dragon,” as well as the tentpole titles “Tenet” and “Wonder Woman 1984” had the strongest theatrical performances among the pandemic releases, The Solid Performance of a Relative less noticeable titles like “Nobody” is a potentially upbeat sign for the coming weeks. The film is expected to be released as PVOD rental on April 16, in accordance with Universal’s strategy for exclusive cinema windows.

Elsewhere at the box office, A24’s Oscar nominee “Minari” was the only nominee for best picture to make it into the top 10. The film, now released on its seventh weekend release, added $ 275,000 for a total of $ 1.8 million. Focus Features’ “Promising Young Woman” remains the nominee for best-grossing picture. All eight of the Oscar nominees for Best Picture in 2021 also had the chance to watch them at home.

(c) 2021 the Los Angeles Times

Distributed by Tribune Content Agency, LLC.

Copyright 2021 Tribune Content Agency.

Fan Trailer Recuts Freddy Vs. Jason In The Fashion Of Godzilla Vs. Kong

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The trailer for Godzilla versus Kong the audience was more than a little enthusiastic about the big budget pairing between the two monster monarchs. It also inspired the creativity of some viewers, with an editor re-cutting the trailer for Freddy versus Jason in the same style.

Unlike other efforts with a similar concept, there is no intent to match the footage of the trailers with the events shown, but the slasher crossover is still previewed in a similar manner to the kaiju punchout with the same music, with the tension going through Each antagonist is elevated to display in vague and unfocused settings before revealing them in their full glory and demonstrating how insignificant normal people are when confronted with them.

The clearest parallel arises from the two titans, be it figuratively or literally, facing each other. This is the point where Chris Classic begins “Here We Go” and traces the following fight with heavy kinetic energy as each participant is severely beaten by the other.

Interestingly, this isn’t the only time recently The two franchise mashups have drawn comparisons with each other. However, unlike Godzilla vs. Kong, in which Mechagodzilla will likely turn out to be the Titan’s main antagonist, Freddy vs. Jason didn’t have a third party that the two could team up against and formed when the enemies of the same name came in for physical blows this is the climax of the film.

Freddy versus Jason Fans of both franchises don’t fondly remember that both characters are poorly served by a script that doesn’t do either justice, while Godzilla vs. Kong is awaited with far greater gusto. This fan trailer shows that, despite the overall quality of creative work, with enough imagination and skill, anything can be designed to look far better than it actually is.

Warner Bros. Godzilla vs. Kong Trailer: Our Cash’s On Kong

As you would think at first Godzilla would be the clear winner based on its size and ability to cut through ships with its gnarled spine. King Kong brings a lot into the ring Warner bros.‘s first full trailer for Godzilla Vs. King. Not only does Kong have some kind of handcrafted weapon that can block Godzilla’s atom, he apparently has a longstanding legendary grudge that fuels his anger. “The myths are real,” explains Ilene Andrews of Rebecca Hall. “There was a war and they are the last to stand.”

The trailer is full of classic ominous monster movies like this one that hint at a huge battle led by Godzilla and the greatest great ape. “We need Kong,” warns Alexander Skarsgard’s geologist Nathan Lind. “The world needs him to stop what’s coming.” Dr. Chand Russell of Kyle Chandler worries, “Godzilla is out there hurting people and we don’t know why.”

Hopefully, they can team up with Millie Bobbie Brown, Brian Tyree Henry, Julian Dennison, and probably the rest of the planet’s scientists, to find a solution before all of the world’s capitals tumble apart like so many Lego buildings. At least on the human side is Kong’s relationship with the tiny human child Jia (Kaylee Hottle), who hopefully can communicate with the gigantic ape from a safe distance during this entire escapade. Maybe you can get Kong a large bluetooth headset? Find out who is ahead on March 26th when Godzilla Vs. Kong hits theaters and HBO Max at the same time; The film will be displayed on the platform for 31 days.