Four French Fries Makers To Make Restaurant-Model French Fries At House

Potatoes are versatile through and through. From breakfast to lunch and dinner, potatoes can be used to prepare a range of dishes in a variety of ways. French fries or potato chips is one such recipe that is popular among all age groups. Thinly sliced ​​potatoes that are deep fried and generously seasoned with herbs and spices make a great appetizer or on-the-go snack. So we all love to make it at home. However, what hinders the entire process of making chips is cutting. Exact size and shape are pretty hard to get with a knife; Is not it? To solve this problem, here are 4 french fries makers that can help you to make restaurant style french fries at home. So what are you waiting for? Let’s start with the list.

Here is a list of 4 french fries makers to choose from:

1. HEYCANDY Stainless Steel Potato Fries Maker

Made of high quality stainless steel, this french fries maker slices potatoes perfectly in one smooth motion. All you have to do is place a potato in the hopper and depress the handle and your fries are ready.

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2. HAPPI Potato Chips Maker Slicer

We have also found this multifunctional vegetable slicer for you. Made of food grade ABS material, this product ensures quality and better performance. In addition to slicing potatoes, you can chop a range of vegetables such as carrots, cucumbers, onions and more.

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3. AAA STORE stainless steel potato fries cutter

Here we introduce another versatile slicer option. This tool is great for making snacks by slicing potatoes, zucchini, carrots, cucumbers, sweet potatoes, apples and more. Plus, all parts can be removed and swapped out, making it dishwasher safe and easy to clean and store.

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4. Mforall Stainless Steel Potato Fries Maker

This strong and sturdy french fries maker has a sturdy base that provides more stability while the cutter mounts on any flat surface. Besides, it is made of rust-proof, high-quality stainless steel, which ensures a long service life.

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Disclaimer: This is promoted content with links from our affiliate partnerships. We get a share of the revenue from your purchase.

Jean-Jacques Beineix: the French auteur who introduced type and substance | Films

During Margaret Thatcher’s reign in the 1980s, British cinema was largely dejected, scathing, political and oppositional. But across the English Channel with François Mitterrand France, the films were glitzy and flashy, with a sexy if superficial neon glow: the so-called cinéma du look. No director was more responsible for this than Jean-Jacques Beineix.

He became both famous and ridiculed for that smashing 1986 hit that launched the smoldering career of its star, Beatrice Dalle: Betty Blue, a steamy drama in which an aspiring author embarks on a passionate, destructive affair with Dalle’s boisterous siren, Betty. It has been nominated for Best Foreign Film at the Oscars, the Globes and the Baftas, and has received nine Cesar nominations. But Betty Blue actually won only one César: the awfully reasonable Best Poster award (a prize that was discontinued a few years later), the iconic image of young Dalle towering beautifully in the blue of the deepening sunset sky, with the heavily picked beach shack below on a glowing horizon. It was a poster that adorned the walls of millions of college dormitories, and soon the film, and Beinix itself, were considered the immature taste of the 1980s: the gauntlets of French cinema.

But that doesn’t do justice to its boldness, energy and exuberance and the film that made it famous in 1981: Diva, a film with a residual New Wave ethos but with a little less politics. A young postman, speeding through Paris on a moped (that key New Wave vehicle) is obsessed with an opera singer, played by Wilhelmina Wiggins Fernandez; he accidentally comes into possession of a tape of a confession incriminating a top cop being mistaken for his own pirated tape of the diva singing the impassioned soprano aria from Alfredo Catalani’s opera La Wally, Ebben? No andrò lontana, with its window-breaking high note.

Beatrice Dalle in Betty Blue. Photo: Moviestore/Rex/Shutterstock

Legix single-handedly made this breathtakingly dramatic aria as popular among non-opera fans (to the annoyance of hardcore opera fans) as a hit single from an otherwise little-known album. No doubt Diva inspired the 1987 portmanteau film Aria, in which directors such as Jean-Luc Godard, Robert Altman, Derek Jarman, Julien Temple and Nicolas Roeg each created a short piece to accompany a famous aria. Aria was garish and sassy, ​​but some felt it was a glorified art-house take on the pop videos popularized by MTV at the same time. However, Beineix was not involved.

After Diva, Beineix made what both admirers and critics considered his seminal authorial play, The Moon in the Gutter, in which Nastassja Kinski plays a wealthy, predatory woman whose fate collides with a smoldering dockworker, played by Gérard Depardieu. His fans adamantly insisted that this was Beineix’s brilliantly playful, colourful, visually creative French spin on the American noir genre. The naysayers said it was unbearably presumptuous and absurd; Legix was deeply hurt to be booed at its Cannes premiere.

But last year in Cannes I was thinking of The Moon in the Gutter as festival-goers adored Leos Carax’s film Annette, his indulgent, madly ambitious musical fantasy composed by Sparks and starring Adam Driver and Marion Cotillard . Who can doubt that Bergeix’s anti-puritan swing has influenced Carax? Both Carax and Luc Besson owed Bergeix a great deal, although it was Bergeix’s sad fate to have neither Besson’s lasting commercial influence nor Carax’s high-profile reputation.

In the ’90s, Beineix’s star waned, perhaps due to his characteristically heartfelt but unfavorable film IP5, which was coldly received by critics and in which its iconic star, Yves Montand, sadly died immediately after filming his character died.

Beinix has often been said to be style over substance. But is that fair? He had about as much substance as any working director of his time, but a lot more style, and a sensuous love of style at that. His Diva and Betty Blue deserve not only to be known as fashion accessories: they were living, living filmmakers. And amazing when you think of Altman, Godard, Jarman and others effectively bending the knee to Beinix in this aria collection.

Cerberus-backed My Cash to purchase HSBC’s French retail financial institution

LONDON / PARIS, June 18 (Reuters) – HSBC (HSBA.L) has agreed to sell its French retail business to My Money Group, backed by private equity group Cerberus, ending a long effort to divest the troubled business as the UK bank moves to Asia.

My Money announced the agreement in a statement on Friday.

HSBC has tried to reduce its presence in some European and North American markets, where it is struggling with larger domestic players, while Cerberus already holds shares in Deutsche Bank (DBKGn.DE) and Commerzbank (CBKG.DE). Continue reading

“With the support of funds managed by Cerberus Capital Management, My Money Group can support the growth of HSBC Continental Europe’s French retail network by leveraging our market knowledge and digital transformation expertise,” said their CEO Eric Shehadeh.

The transaction provides for My Money to take over the 244 branches of HSBC, around 3900 employees and 24 billion euros in assets and create a new challenger bank in France’s overcrowded retail banking landscape in one fell swoop.

My Money said it will revive the Credit Commercial de France (CCF) brand, which bank HSBC bought for around € 11 billion 21 years ago as it tried to break into one of Europe’s largest banking markets.

Under French law, the two parties are required to consult employees on the transaction, and if HSBC and My Money decide to proceed, it could be signed in the third or fourth quarter of this year.

My Money wants to invest 200 million euros in the technology infrastructure of the HSBC unit.

Reporting by Lawrence White and Gwenaelle Barzic; Editing by Sudip Kar-Gupta

Our standards: The Thomson Reuters Trust Principles.

French Open prize cash: How a lot will the winners make in 2021? Purse, breakdown for area

As the temperatures rise, so does the action at the second tennis grand slam of the year. Roland Garros goes into week two with some of the biggest names still targeting the La Coupe des Mousquetaires (men) or the Suzanne Lenglen Cup (women).

In addition to winning two of the sport’s greatest trophies, the winner will also receive prize money. After a reduction in the prize money for the 2020 edition (when the tournament was held in the fall due to the pandemic), the 2021 wallet for Paris was also reduced by 10.53 percent.

What is the French Open wallet for 2021?

In 2020 the purse was $ 45.69 million and in 2021 it is fixed at $ 41.95 million. It’s a drop of $ 6,977,070 from last year’s wallet.

How much money does the winner get?

The masters in men’s and women’s singles will earn roughly $ 1.69 million everyone. Last year, Iga Swiatek became Poland’s first individual Grand Slam champion. In the men’s category, Rafael Nadal added his 13th win at Roland Garros and the 20th Grand Slam title of his career to his trophy case. The couple won $ 1.9 million each

The men’s and women’s doubles champions win $ 289,235 while the mixed doubles champions win $ 148,523

Breakdown of the prize money for the 2021 French Open

Although the total has shifted, if a player loses in qualifying or the first two rounds, they will receive the same amount as in last year’s tournament.

Men’s and women’s singles

place Prize money
winner $ 1.69 million
runner up $ 907,880
Semi-finalists $ 453,940
Quarter finalists $ 308,679
Round 4 $ 205,786
Round 3 $ 136,787
round 2 $ 101,683
Round 1 $ 72,630
Round 3 qualification $ 30,989
Round 2 qualification 2 $ 19,368
Round 1 qualification 1 $ 12,105

Men’s and women’s doubles

The prize money of the double winners has also suffered a blow this year, but again there is an increase in pay for those eliminated in the first rounds.

place Prize money
winner $ 289,235
Runner-up $ 170,577
Semi-finalists $ 100,339
Quarter finalists $ 59,024
Round 3 $ 34,720
round 2 $ 20,423
Round 1 $ 13,616

mixed double

In 2021, the winning couple will take home $ 148,523. First round to quarter finalists stagnated from year to year.

place Prize money Yes
winner $ 148,523
Runner-up $ 74,261
Semi-finalists $ 37,739
Quarter finalists $ 21,305
Round 16 $ 12,174

This is how it is broken down at every major tournament.

All figures in USD.

Australian Open prize money

Total: $ 61.95 million

Winner: $ 2.13 million
Runner-up: $ 1.16 million
Semi-finalist: $ 656,854.50
Quarter final game: $ 405,704.25
First round: $ 77,290

Wimbledon prize money

The championships were canceled in 2020 due to the pandemic, but here are the numbers for 2019.

Total: $ 51.88 million

Winner: $ 3.2 million
Runner-up: $ 1.6 million
Semi-finalist: $ 813,114.53
Quarter final game: $ 405,782.87
First round: $ 61,951.58

US Open Prize Money Open

Total: $ 53.4 million

Winner: $ 3 million
Runner-up: $ 1.5 million
Semi-finalists: $ 800,000
Quarter Finalists: $ 425,000
First round: $ 61,000

The Newest: Serena, Federer roll again years at French Open | Leisure

PARIS (AP) – The latest on the French Open (all local):

11:00 o’clock

Evergreen 39-year-olds Serena Williams and Roger Federer will try to push back the years on the second day of the French Open, where the first-round game takes place on the sun-drenched clay courts and Iga Swiatek starts defending the title.

Federer, the oldest player in men’s singles this year, is slated for the third game on Court Philippe Chatrier. It’s the first Grand Slam game since the 2020 Australian Open for the 20 major title holder to make a comeback Double operation on his right knee.

Federer plays Denis Istomin from Uzbekistan. Istomin reached the main draw via the qualifying competition. He has not exceeded the second round in 10 previous Roland Garros appearances. Federer is eighth this year.

Williams will play after Federer against Istomin in the last game on Philippe Chatrier, which should not start before 9 p.m. The games of last year’s tournament, which was held exceptionally in autumn, also lasted late into the night on newly lit courts. But scheduled night sessions are a novelty at Roland Garros this year.

Williams. Irina-Camelia Begu from Romania is chasing a record-breaking 24th Grand Slam individual title. Begu’s best result in nine previous appearances in Paris reached the fourth round in 2016.

Swiatek opened their title defense against Kaja Juvan from Slovenia in the first game on Chatrier. Swiatek, who turned 20 on Monday, didn’t drop a sentence on her way to victory last year.

More AP Tennis: https://apnews.com/hub/tennis and https://twitter.com/AP_Sports

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed in any way without permission.

Fernandez claims French Moto2 win in commanding type as Lowes retires – Motorsport Week

Raul Fernandez dominated the French Grand Prix, taking his second Moto2 win of 2021 when title contender Sam Lowes was out.

Pole Fernandez fell behind Marco Bezzecchi from the start but managed to stay in second place at the end of the opening tour despite soon coming under pressure from an accusing Joe Roberts.

The American relieved Fernandez from second place in the encounter before turning his attention to leading Bezzecchi, although his chances of victory would be ruined if he braked too late at Turn 9 and lost the front of his Italtrans-led Kalex trying to evade the leader and eliminated him from the race.

Fernandez soon hit the back of Bezzecchi as he tried to regain the lead. The rookie took a strong step on the Italian to snatch the initiative at Turn 11. The Ajo racer quickly began to move forward only with fresh air.

He managed a lead of just over a second for the majority of the remaining tours, despite coming under pressure from teammate Remy Gardner in the final laps after the series leader managed to push Bezzecchi back to third after having his tires consistently good had cared for.

He reduced Fernandez’s lead to just under 1.5 seconds, and there were barely half a dozen editions left, although the former reacted calmly and was clearly able to withdraw as the race neared its climax, allowing him to roll over the last lap Checkered flag 1,490 in front of Gardner.

Fernandez’s second success in just his fifth start in the intermediate class puts him just one point behind Gardner in the championship standings, while Bezzecchi, who completed the podium after leaving the leading duo in the final stages, was 17 points behind the leader in third place overall Aussie is 17 points behind Gardner.

Tony Arbolino and Bo Bensneyder showed strong performances to get their best Moto2 placements in fourth and fifth. The pair were more than 16 seconds behind in the close battle for sixth place.

Marcel Schrotter ultimately prevailed as the winner of the war when he narrowly held back rookie Ai Ogura from Honda Team Asia, while Fabio Di Gianantonio finished eighth for long laps despite a double penalty.

The Gresini racer forced Hector Garzo into early retirement when he was fighting for sixth place early on at Turn 11. Di Gianantonio received a long round for his part in the incident.

The Italian crossed the white line on the inside of the penalty loop as he entered, but forced him to serve another soon after, leaving him a low 14th place at that point.

Simoni Corsi had a positive appearance for MV Agusta when he finished ninth ahead of Jorge Navarro. The speed up ace Somkiat Chantra denied a top ten result when he died.

Lowes seemed to have had strong pace from the start, despite a sluggish start that dropped him from 10th to 12th place. The Brit pursued Xavi Vierge for sixth place in a couple of laps.

He attempted an overly ambitious move on the Petronas SRT rider at Turn 8 and lost the front of his Marc VDS machine, getting both of them out of the contest Lowes, which is now 22 points away from leading the series.

Cameron Beaubier was another player to lose a great result after fighting from 24th on the grid to sixth. The American Racing driver crashed at Turn 3 with only a handful of circulations left.

Scandinavian Fashion and French Antiques Fill Michelle Adams’ Charming 1950s Dwelling

Scandinavian style and French antiques fill Michelle Adams’ charming 1950s house, Better Homes & Gardens

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French Quarter safety patrols run out of cash

The French Quarter Task Force, which offers additional, off-duty police patrols in the French Quarter, ran out of funds and ceased operations on Sunday. Now, New Orleans Mayor LaToya Cantrell and the agency that runs the task force are fingering who is to blame.

Joshua Cox, Director of Strategic Initiatives at Cantrell, appeared at a press conference on Monday accusing the French Quarter Management District, which has been running the Task Force program since 2016, of poorly managing its funds.

“To make all of this easier, the FQMD made a promise to voters and said they would fund something,” Cox said Monday. “Because of incompetence or mismanagement, that wasn’t true. And then they issued a press release asking for public funds. “

The press conference took place one day after the FQMD was published Press release The city accused the city of “withholding” $ 327,000 in funds previously used to pay for Louisiana State Police patrols in the French Quarter.

Cantrell, the City Council, and FQMD are currently working on a short term fix to restart patrols. The city and FQMD both appear to support a plan to use a portion of that $ 327,000 to keep the program going temporarily. However, deep disagreements persist over who is to blame, whether money has really been “withheld” by the city, and what the long-term solution should be.

The debate has an impact on one upcoming election In April, residents of the French Quarter will vote on whether to pass a quarter-cent sales tax that will bring the FQMD an estimated $ 2.5 million a year for the next five years, mainly to fund patrols of the Task force. Cantrell’s office was strongly opposed to this plan. There was a quarter-cent tax from 2016 until last year when voters rejected an extension.

“The mayor’s office was against the electoral language from the start,” said Cox. “It is a core principle of good governance that the people who administer taxpayers’ money must be directly elected and accountable to those very taxpayers. That is not the case with the proposals. “

The recent dust generation is part of a months of debate between Cantrell’s office and the FQMD on the future of additional security patrols in the French Quarter. From 2016 to last year, US $ 6.7 million in public funding was available to conduct additional patrols by the French Quarter Task Force and a separate agreement with the Louisiana State Police.

But all the money stopped flowing last year. The task force was funded by annual contributions of $ 1.2 million from New Orleans and Co. – a private, publicly funded marketing agency for the city’s tourism industry. However, New Orleans and Co. have cut this agreement as revenue has plummeted as a result of the coronavirus crisis.

The presence of the state police was more expensive. It was funded in part by contributions from New Orleans and Co., the Ernest N. Morial Convention Center. These posts were too cut off last year. However, the main source of funding for the State Police was quarter-cent sales tax, sometimes referred to as “quarter for quarter”.

This tax was approved by residents of the French Quarter for a five-year period in 2015 and expired in late 2020. However, the city attempted to renew the tax through an electoral measure in December, however it was refused with 595 no votes and 297 yes votes. The FQMD was instrumental in the failure of the election measure by voting formally decline the move and the urging of the small number of French Quarter residents who had a say in the election to vote no.

The debate was about how the money should be spent. For the past five years, the money has only been used to pay the state police. But neither the FQMD nor the city wanted to continue this agreement.

The FQMD wanted the money to fund the French Quarter Task Force to replenish funds lost by New Orleans and Co. She also wanted the city to sign an agreement giving them full authority over the funds before voting on the electoral measure.

Cantrell had a different plan in mind. Her office wanted to use the money to fund citizen patrols in the French Quarter through the newly created Grounds Patrol Division at the city’s Homeland Security and Emergency Preparedness Office.

Cantrell’s office argued that it was simply bad governance to turn public money into an unelected, unaccountable body. The FQMD argued that civilian patrols did not have the same authority or could not accomplish nearly as much as off-duty NOPD officers.

Cantrell eventually put her own plan on the ballot by refusing to sign an agreement to hand over the funds to the FQMD. When voters turned down this polling measure in December, the FQMD immediately began working with the city council to offer a new polling measure that matches their original plan and gives them full control over the funds.

The city council, which acted under its jurisdiction as the economic development district of the French quarter, voted for a new renovation measure for the vote on April 24th to restore the “quarter for the quarter”. Unlike the 2015 election that gave the Economic Development District control of the money, this would give the FQMD the authority to administer the funds. The Council voted to include the measure in the April vote of severe objections from the Cantrell administration.

$ 327,000 “withheld”

At Monday’s press conference, Cox pointed out the suspension of the French Quarter Task Force to prove that the FQMD should not be trusted in managing public funds.

“One of the reasons we’re out here is to correct the record. The FQMD is an organization that is not selected as number one. Number two, they are not directly accountable to voters. And number three, they showed voters in their actions yesterday that they couldn’t even manage private funds. So it’s foolish to think we should hand over money to [the FQMD]. ”

He said when the FQMD battled the December election, they said their reserves would allow them to continue funding the program until at least March.

“They told people,” Hey, there is no need to extend the quarter to the December quarter because we promise you that we will keep this task force going until the next vote, “said Cox.” It just wasn’t true.”

In an interview, FQMD chairman and Brennan’s general manager Christian Pendleton said that Cox’s statements grossly misrepresented what FQMD had promised. He said the FQMD had only promised to keep the program going as long as reserve funds were available, and estimated that it would come in March.

“I find it regrettable that the government continues to mislead New Orleans residents and citizens by providing inaccurate information,” he said. “Yes, we missed our goal, but we missed our goal by two weeks. We didn’t miss it for six months. “

Pendleton said the estimates were short in large part due to the resignation of the task force volunteer coordinator Robert Simms. Simms, who helped develop the task force with entrepreneur Sideney Torres, has been running the program for years as a volunteer. However, he resigned from this position at the end of 2020.

“Since he left as a volunteer, we’ve had to spend more money getting NOPD supervisors and OPSE to do things [Simms] to do earlier. That’s why our money has shrunk faster than we expected. When we spoke to voters in November and early December, we didn’t know Bob was going, and we didn’t know what the cost would be if he did. “

The FQMD also made allegations against the city this week. On Sunday, the day the task force was suspended, the FQMD sent out the press release claiming the city “withheld” $ 327,000 for additional patrols in the French Quarter. On Monday, Cox said that was just not true.

“I think it’s an attempt to mislead, unfortunately,” he said.

The $ 327,000 is what is left of the now-expired sales tax. The city stopped paying for these patrols last year. The money ever went straight to the FQMD, said Cox. In addition, the funds are controlled by the City Council in its capacity as the economic development district of the French Quarter.

“I mean, there is no way for the mayor’s office to withhold that money because it is not the mayor’s money,” said Cox.

Notwithstanding these disagreements, Cantrell appears willing to release at least some of this money to temporarily support the program.

“Right now we’re in the middle of a crisis,” said Cox. “Let’s do what needs to be done to get these patrols up and running tomorrow or the next day.”

VIDEO: French Agency Launches James Bond-Model Highway Boat On Wheels

PERROS GUIREC, France – It is a huge hassle for vacationers to carry a boat to a beach and then push it into the water. It’s a time consuming exercise.

A French company solved this problem by making an amphibious boat.

“Boat enthusiasts no longer have to spend up to two hours getting their ship into the water. You can now just take your amphibious boat to a beach and start boating right away, said Christophe Le Bitoux, sales manager. TRINGAboat, the French manufacturer of amphibious boats.

The images released by the company show the first street-compliant amphibious boat that can go in and out of the ocean in less than a minute, and it has been compared to something made of one James Bond Movie.

Bitoux said the patented amphibious boat was the first in the world to be driven on roads.

Countless people have compared the boat to something that ‘007’ would sail, Le Bitoux said, adding, “This boat would be pretty much at home in a James Bond movie, which has to do with being in no time and can walk out of the water. Park your boat in front of a casino and go in before you get out and head straight into the water – no one else can! “

He said their order book was full and that customers from around the world had shown interest.

Although the boat passed all safety tests for driving on the roads in France, it was another six years before the authorities granted approval.

Certificates of Conformity from the European Union requested, he said, adding that Brexit would in no way affect their ability to do business in the UK.

The invention can also be driven and used in the United States, such as Florida, where, according to Le Bitoux, there is often a line of boats waiting to get into the water.

In France, “the average time it takes to put a normal boat in the water is between an hour and an hour and a half.”Using his hydraulic wheel system, he said it takes less than a minute to get the boat into the water and only about two minutes after the wheel hatches close to drain the water from them.

The order book for the boat is full as customers from all over the world have shown interest. (TRINGAboat / Real Press)

Once in the water, various models of their boat, including the TRINGA T650, can travel at speeds of over 30 knots, the company’s managing director claimed.

The current wait time from order to delivery is about three months as all boats are assembled in-house and hand-top-down, Le Bitoux said.

TRINGAboat products come with indicator lights, front and rear cameras that also have night vision, windshield wipers and numerous other conveniences that one would expect from the latest models of modern cars, he said.

There are three models of the boat, all of which are very customizable. You can also interact with smartphones and connect to the internet, which makes the invention a “smartboat”.

The TRINGA T650 Armoric costs 124,900 EUR (152,193.15 USD), the TRINGA T650 Premium costs 139,900 EUR (170,470.95 USD) and the top model TRINGA T650 Exclusive costs 159,900 EUR (194,841.35 USD).

Returning to James Bond, the hero used a number of vehicles to fight his enemies. Bond’s vehicles are equipped with novel devices that enable him not only to maneuver city streets, but also harsh landscapes, seas and skies. They are armed with firearms and anti-tracking systems, etc.

An example of an amphibious bond vehicle is Lotus Esprit S1which was used by him in “The Spy Who Loved Me” (1977). His nickname is “Wet Nellie” and is loaded with weapons like cannons that spray the vehicles with wet cement as they pursue them. It also has a rocket launcher.

(Edited by Shirish Vishnu Shinde and Megha Virendra Choudhary.)

‘In Paris, we’re afraid of vulgarity’: classes in French type from Name My Agent! | Style

In France, the hit Netflix series Call My Agent! is called Dix Pour Cent in relation to the fee charged by French cinema agents. For those in the know, the name says it all. For others, like me, the reference was opaque at first, but it sent the message that – unlike others who have a clichéd view of French life like Emily in Paris – this is a show that claims to be inside Positioned view of the capital and its film business.

The many cameos of A-List actors playing themselves – with Charlotte Gainsbourg and Sigourney Weaver slated to appear in season four; Weaver called the series “a love letter to the business” – similarly underlines the closeness of the show to the authentic professional world, which is also subtly reflected in her clothing.

Epitome of the Parisian … Andrea (Camille Cottin) in the fourth season. Photo: Christophe Brachet

Instead of berets and Breton tops, the show’s costume designer, Anne Schotte, took inspiration from agents she knew and whose style she describes as “professional yet well known”. Based on the Parisian chic and the unmistakable office clothes of the city, she began to put together outfits according to an eternal rule in the city: from Dior to Zara, Zadig & Voltaire to vintage, she mixed “high” and “low”. modern and retro.

She then built characters after a range of fashion personalities who are well entrenched in French – and especially Parisian – culture. The epitome of Parisian Andrea Martel (played by Camille Cottin) embodies a sense of chic that is synonymous with “effortlessness as well as do-it-yourself style,” said Schotte. “She’s stylish enough to represent actors, but her clothes never speak louder than her.” Her wardrobe consists of muted but elegant, timeless pieces and items inspired by men’s fashion: turtlenecks, suit jackets and shirts, streamlined wool coats, ankle boots and subtle jewelry with their wavy curls.

For Scots – and Vogue, and much of the internet too – Martel is generally the chicest. “She makes everything look feminine and noble and can wear a wide variety of items, from Saint Laurent blazers to casual XXL sweaters.” At home with her friend and her baby she – shock! – Slip into a pair of soft sweatpants, albeit with a cashmere sweater. In this fiction of an increasingly distant pre-Covid world where one can still enjoy a maskless social life, Martel takes dressing seriously. At parties, she wears short silver body-con dresses or a glittery waistcoat and bow tie (which, surprisingly, doesn’t look cheesy) that easily juggles between couture and homewear. “Your physique and your posture make everything a statement,” says Schotte.

Ultimate ‘Bobo’ … Gabriel (Grégory Montel) in the fourth season. Photo: Shanna Besson

Andrea wasn’t the only character whose style is defined for a T. Agent Gabriel Sarda (played by Grégory Montel) embodies the ultimate “bobo” (bourgeois bohemian, the country’s intellectual answer to boho fashion) with stubble and blazers with zip-up hoodies, suede blousons, a combination of casual classics and formal work clothes; a contact point for Generation Y and Z in offices.

His style was structured in stark contrast to the company’s top agent, Mathias Barneville (Thibault de Montalembert), whose clothing reveals a multitude of signifiers of the upper class: tailored suits, matching waistcoats and ties, long-cut coats, not to mention one recurring selection of courtesy scarves.

Significants of the upper class… Mathias Barneville (Thibault de Montalembert).

Significants of the upper class… Mathias Barneville (Thibault de Montalembert). Photo: Netflix

Amid this new old-school dialectic, the assistant – and friend of Barneville – Noémie Leclerc (Laure Calamy) could be viewed as subtly codified as such. Her wardrobe contrasted radically with Andrea’s and revolved around a sexualized, almost pin-up chic, with figure-hugging high-waisted skirts, bright shirts with plunging necklines and floral dresses à la 50s.

During these looks, a bourgeois rule of thumb seems to run like a golden thread, reflecting a deeply ingrained French fear in offices as well as in real life. “We are afraid of vulgarity here, which leads to little experimentation. The general idea is to build a wardrobe based on proven fundamentals: a trench coat, a simple black sweater, a masculine coat and a simple white t-shirt, ”says Schotte.

Noémie (Laure Calamy) and Hervé (Nicolas Maury) in the second season.

Noémie (Laure Calamy) and Hervé (Nicolas Maury) in the second season. Photo: Netflix

She applied several styling tricks to this series of classics. “In Paris, it is important to show a discreet but impeccable combination of colors that matches your jacket with your shoes and scarves, for example. The general rule I follow is no more than three shades including the background. “Should you be craving the Parisian work clothes – when, hopefully, office life is restored in some way – she recommends limiting each outfit to a single fashion statement. “If you go for skinny jeans, they can usually be paired with a blazer and Louboutin heels – both of which are foolproof items.” In the world of Parisian style, “the statement is you – not the garment”. In the meantime, the pre-covid world of Call My Agent! presents a very Parisian – and for the time being decidedly fleeting – takeover of the office, which can make viewers want to wear something bold and clever for Zoom, even if it is decidedly unpaired with Martel pajama bottoms for the moment.