‘Assist a Hero’ occasion to lift cash for Highway Residence Program, which helps veterans, households with PTSD

CHICAGO (WLS) – A mother from Chicago who lost her son, a soldier in Afghanistan, works to help veterans and their families with post-traumatic stress disorder.

Corporal Conner Lowry was killed abroad in 2012. Modie Lavin used her grief to help other soldiers and their families, and now she has support from a local aldermen.

Modie Lavin is the Outreach Coordinator for the Road Home Program in Rush and the 19th Ward Alderman Matt O’Shea is starting the “Help a Hero” fundraiser this month to help. They joined ABC7 to talk about the program and fundraiser.

You can find more information about the fundraiser at www.the19thward.com For more information on the Road Home program, please visit roadhomeprogram.org.

Copyright © 2021 WLS-TV. All rights reserved.

Saturday leisure for Store the ‘Dale – Canceled resulting from climate | Occasion Calendar

Scarsdale-based Pamela Sklar and her band Intuition Quartet will play for Shop the ‘Dale weekend entertainment on Saturday May 29th at 12:00 noon.

The Intuition Quartet presents improvised solos from gentle to fearless from flute and harmonica and plays vocals and instrumentals from originals, blues, bossa nova, light jazz, R&B and pop.

Intuition members are Sklar, Flute; Hope Berkeley, harmonica; Irene Maher, guitar / lead vocals and Joan Indig, bass / lead vocals, combine their different styles of Chicago blues, rock, classical, jazz, pop and folk into a dynamic and inspired collaboration.

Previously recorded and known as The Blues Mothers, individual members have won an Original Song Award from Billboard Magazine, featured original music in the top ten on Women of Substance Radio, performed with many well-known artists and toured internationally and named “Best of 2012 Indie Artist” from WOS Radio.

Nonprofit plans disc golf occasion to lift cash for youth suicide prevention

ROCKFORD (WREX) – Would you like to help children in our region and have fun at the same time? A disc golf fundraiser plans to raise money for youth suicide prevention.

Marshmallow’s Hope will hold its first fundraiser on June 5th at Anna Page Park in Rockford. It’s called Disc Golf for Youth Suicide Prevention.

Marshmallow’s Hope was founded by Laura Kane after she lost her 14-year-old son, Zachary Ryan Birkholz, to suicide. HOPE in Marshmallows Hope stands for holding on, pain ends.

The money from the fundraiser goes to the group’s hero mentoring program, where volunteers advise children on the importance of mental health.

“My biggest hope is that we can help break the stigma,” said Kane. “We let people know that they are not alone, that mental health affects everyone.”

The fundraiser takes place from 9 a.m. to 4 p.m. in Anna Page Park. “You don’t have to have any experience with disc golf to be able to play. There is something for everyone,” said the invitation to the fundraiser. Players can participate in three different divisions: Beginner, Intermediate, and Expert.

The group is also looking for sponsors for business events.

“Tats for Ta Ta’s” occasion in Harrisburg helps elevate cash for breast most cancers survivors

Members of the community came out to get new body art for charity.

HARRISBURG, PA. – The Capital Tattoo Company in Harrisburg held their annual Tats for Ta-Ta’s fundraiser on Saturday to help raise awareness about breast cancer. A portion of the money raised through the tattoos will go to Ta-Ta Rebels, a non-profit organization that helps breast cancer survivors post treatment and surgery expenses. The group helps with co-pays, deductibles, mastectomy bras, compression sleeves and therapies.

The organizers say they are inspired by how much members of the community want to help. “I’m overwhelmed with the support we’re getting. We posted the registration form for this two weeks ago and within five days it was completely filled. I mean, we definitely have the support and it makes us aware of that. You know that there is hope after you are diagnosed with breast cancer. It is no longer a death sentence, “said Kim Ramirez, president and founder of Ta-Ta Rebels Inc.”

The Ta-Ta Rebels have raised more than $ 20,000 since 2017 and helped more than four dozen women in Pennsylvania.

Is Spotlight Occasion and Leisure AG’s (VTX:HLEE) Inventory’s Current Efficiency Being Led By Its Enticing Monetary Prospects?

Highlight Event and Entertainment (VTX: HLEE) has had a good run on the stock market. The stock rose a whopping 9.0% last month. Given the company’s impressive performance, we decided to take a closer look at its financial indicators, as a company’s long-term financial health usually determines market results. In this article, we’ve decided to focus on Highlight event and entertainment ROE.

Return on equity, or ROE, is a key measure used to assess how efficiently a company’s management is using the company’s capital. In short, the ROE shows the profit each dollar makes on its shareholder investment.

Check out our latest analysis for Highlight Event and Entertainment

How do you calculate the return on equity?

The ROE can be calculated using the following formula:

Return on Equity = Net Income (from continuing operations) ÷ Equity

Based on the above formula, the ROE for Highlight Event and Entertainment is:

8.8% = CHF 32 million ÷ CHF 358 million (based on the last twelve months up to December 2020).

The “return” is the annual profit. This means that the company made a profit of CHF 0.09 for every equity worth CHF 1.

What does ROE have to do with earnings growth?

So far we have learned that ROE is a measure of a company’s profitability. Depending on how much of those profits the company reinvests or “retains” and how effectively this is done, we can then assess a company’s earnings growth potential. Assuming that everything else stays the same, the higher the ROE and profit retention, the higher the growth rate of a company compared to companies that do not necessarily have these characteristics.

A side-by-side comparison of the profit growth of Highlight Event and Entertainment and the ROE of 8.8%

First of all, the ROE from Highlight Event and Entertainment looks acceptable. When compared to the industry, we found that the average ROE for the industry is similar at 8.0%. As a result, this likely laid the foundation for the decent 8.9% growth that Highlight Event and Entertainment has seen over the past five years.

As a next step, we compared the net profit growth of Highlight Event and Entertainment with the industry and happily found that the company’s growth is higher than the average industry growth of 4.0%.

SWX: HLEE Past Earnings Growth May 14, 2021

Earnings growth is an important metric to consider when valuing a stock. It is important for an investor to know if the market has priced in the company’s expected earnings growth (or decline). This then helps them determine whether the stock is placed for a bright or bleak future. A good indicator of expected earnings growth is P / E, which determines the price the market is willing to pay for a stock based on its earnings outlook. You might want to too Check if Highlight Event and Entertainment is trading at a high or low P / E ratioin relation to its branch.

Does Highlight Event and Entertainment use the retained earnings effectively?

Given that Highlight Event and Entertainment does not pay its shareholders a dividend, we conclude that the company has reinvested all profits to grow its business.


Overall, we are of the opinion that Highlight Event and Entertainment performed quite well. We particularly like that the company is reinvesting heavily in its business with high returns. Unsurprisingly, this has resulted in impressive earnings growth. If the company continues to grow earnings the way it has, it could have a positive impact on its share price, as earnings per share affect long-term share prices. Remember that the price of a stock also depends on the perceived risk. Therefore, investors need to be aware of the risks involved before investing in a company. Our risk dashboard would have the 3 risks that we identified for Highlight Event and Entertainment.

When you choose to trade Highlight Event and Entertainment, you are using the lowest cost * platform ranked # 1 overall by Barron’s. Interactive broker. Trade stocks, options, futures, forex, bonds and funds in 135 markets from a single integrated account.

This article from Simply Wall St is of a general nature. It is not a recommendation to buy or sell stocks and does not take into account your goals or your financial situation. We want to provide you with a long-term, focused analysis based on fundamental data. Note that our analysis may not take into account the latest price sensitive company announcements or quality materials. Simply Wall St has no position in the stocks mentioned.
* Interactive brokers have been rated as Lowest Cost Brokers by StockBrokers.com. Annual online review 2020

Do you have any feedback on this article? Concerned about the content? Get in touch directly with us. Alternatively, you can also send an email to the editorial team (at) simplywallst.com.

Want meals, drink, and leisure ideas for this spring? Be part of FOOD & WINE’s digital occasion Might 1 |

(Meredith) – Who’s ready for patio season? Start with fun ideas and advice from some of FOOD & WINE’s favorite outdoor chefs and beverage experts!

In a free virtual event about food, drink and fun trends, you can discover all the tips and tricks you need for a fantastic evening on the terrace.

The virtual event will take place on May 1 at 5 p.m. ET and will be hosted by FOOD & WINE’s culinary director at the Large Justin Chapple.

More and more wineries are banking on the “green wine” trend, which is about the production of environmentally friendly wines. Here are some to check out. FOOD & WINE is produced by this news broadcaster’s parent company, The Meredith Corporation.

It contains:

  • A cooking demo with Maneet Chauhan, owner of Chauhan Ale and Masala House and judge at Food Network’s Chopped
  • A cooking demo with Kwame Onwuachi, the James Beard Award winning Chef, Author & FOOD & WINE Executive Producer
  • A cooking demo with Claudette Zepeda, Head Chef at Alila Marea Beach Resort Encinitas in San Diego
  • A wine and cocktail seminar with Ray Isle, Executive Wine Editor of FOOD & WINE
  • A wine and cocktail seminar with Alba Huerta, owner of JulepHOU

To register for the free event on May 1st, Click here.

FOOD & WINE is owned by the parent company of this station, The Meredith Corporation.

FOOD & WINE Classics at home

Copyright 2021 Meredith Corporation. All rights reserved.

Sporting clays charity occasion raises cash for service, remedy canines

MIDWAY, Ga. (WSAV) – More than 100 shooters and 20 volunteers attended a sporting event to raise money for service and therapy dogs.

Athletic clay is a type of clay pigeon shooting designed to mimic shooting from living quarries. Attendees also participated in a live auction, two shotgun raffles, and watched working dog demonstrations.

Britnee Kinard, founder and CEO of the nonprofit SD Gunner Fund, said she and her husband saw a “great” need for service animals after her husband was catastrophically injured from military service.

Kinard said around $ 10,000 was raised at the event.

“We started our organization to help members who had service animals, and over the past few years it has grown into training and providing and delivering much more to the community,” Kinard said.

According to Kinard, the non-profit association has had 75 service animals and 5 therapy dogs since it was founded in 2014. Last year, the SD Gunner Fund helped more than 33,000 people, Kinard added.

One of the service dogs named Norbert showed his tricks and training at the event. Norbert is a gluten-alarm allergic dog who is carrying his owner’s medicine and EpiPen.

“Every time our veteran goes out in public, she lets Norbert smell her food or products to see if that product contains gluten,” said Kinard. “If this product contains gluten, he’ll either sit and poke her or poke her to let her know and then she won’t eat this product.”

Kinard said it costs the nonprofit $ 8,000 on average to train their service animals. According to Kinard, the service animals help veterans and autistic children.

The animals are taught how to deal with owners who suffer from PTSD, brain injuries, mobility problems, trauma from sexual assault, anxiety, allergies and much more.

Leisure and occasion venues allowed to reopen within the Golden State

Entertainment and event venues are allowed to reopen in the Golden State

As of Thursday, many concert and event venues in California are allowed to reopen. You are only restricted by the animal color of the county where the venue is located. However, don’t expect to be free to everyone right away.

Starting Thursday, many California concerts, theaters, convention and other venues can open for business with a number of restrictions before they fully open in June.

Venue opening is now legal and only limited by the animal color restrictions of the county where the venue is located.

“If you are safe, hygienic, and healthy, why not be outside doing all the things you can normally do?” said Cayvion Ventura from Vallejo.

Right now, most of the people we’ve talked to still seem cautious.

“I still hope people proceed with caution because not everyone is on the same vaccination level,” said Anthony Grant of Emeryville.

“As long as everyone is safe and wearing their masks as they should, it should be fine,” said Serina Trujillo of San Leandro.

“Be patient and let science guide you in what we do,” said James Su of Emeryville.

As of June 15, the venues are essentially wide open provided there are no surges or vaccine shortages.

“It’s not exactly a jack-of-all-trades. We can open 100%, but there may still be mask and vaccination requirements,” said wedding planner Amy Ulkutekin, who is also president of the California Association for Private Events.

“The first day of weddings, birthday parties, graduation ceremonies, bar mitzvahs, baby showers. All of these events are technically allowed in the state. This is a huge win for our industry as it helps us get back to work and us to reach.” I’m going into the summer, “said Ms. Ulkutekin.

It’s also about general trust. Now the couples who get married, the people who plan the galas, fundraisers, and everything under the sun have confidence that they won’t have to cancel or postpone the future, “Ulkutekin said.

Matt Altman, owner of the Headline Booking Group, is a New York City-based major international tour operator for corporations and high net worth clients.

“The most important thing is to see what the localized environment is like. It really becomes a state-to-state matter,” Altman said.

So we asked him: are the days of big crowds at huge venues back?

“Confidence at that level? We’re not there yet. They watch the big tours of the big headliners. They don’t announce things that go into stadiums,” Altman said.

He expects to build up gradually for the remainder of this year.

“Then next year’s spring comes around this time next year, it’s going to be full and there’s going to be this mass opening we’re talking about,” Altman said.

But the days when nothing works quickly fade behind us.

How SpottedRisk and TigerRisk Tamed ‘Stay Cat’ COVID Occasion for Leisure Insureds

In the early months of the pandemic last year, brokers just couldn’t place insurance for the entertainment industry. In late February 2020, underwriters began excluding communicable disease from all of the underlying production insurance policies. No insurer wanted to touch the risk.

In stepped SpottedRisk, the Boston-based managing general agent, which saw an opportunity in the midst of this major market disruption to offer pandemic cover for film production companies.

“In the wake of a catastrophe or amidst changing market dynamics, the insurance industry will often just recede and exclude coverage, or limit the coverage and dramatically increase rates,” said Janet Comenos, co-founder and chief executive officer of SpottedRisk, in an interview with Insurance Journal.

One big attraction for capacity providers is that the policy has a short duration, said TigerRisk CEO Rod Fox. “It could be 30 days, or it could be 60 days – but it’s still short term. As a result, you can recycle your capital, and you know immediately if you have had a loss, so the potential return on capital is exciting.”

In mid-March, Comenos and her team decided to build a product and fill this market need – to create what she calls “a live cat product.”

“I had a feeling that we could do it because we specialize in spotting insurance opportunities around emerging risks. When everyone else is running out of the burning building, we tend to be running in.” She then corrected herself, with a laugh: “Actually, it’s more like entering a smoldering building after a fire.”

“So we started on a four or five month development process. We worked 18 hours a day, six days a week. We only gave our company off Sundays until we finished the development of the product,” she recalled.

The Spotted Risk team determined that the product needed to cover two areas: sickness and death of any cast and crew, and the actions of a civil authority, if the production is shut down by a local, state or federal public health or government official.

The civil authority side of the policy would pay for the extra expenses incurred, or the delay, if the protection company has to move locations, or wait out the lockdown.

It took five months and the product, dubbed “SpottedRisk Coronavirus Production Insurance,” was launched in late August 2020. Limits range from $1 million to $20 million, on a per production basis. “Actually, we just came off risk on a policy [for a production] with a $52 million gross budget. We extended $20 million in COVID coverage. The rate online was about 9%, and it ran clean with a policy duration of only 55 days.”

Janet Comenos
Photo credit: Diana Levine

By the fall of 2020, Comenos said, there was unbelievable demand for the product, and there still is.”

The product is mainly designed for mid-sized, independent production companies that are in most need of the coverage, she said.

Comenos explained that the largest production companies are able to self-insure, and even the smallest production companies tend to self-insure, or finance the COVID risk through their equity investors.

She recalled a conversation in March 2020 with the general counsel of a large bank in Los Angeles, who said: “We’d rather shut down our entertainment lending practice than lend with COVID uninsured.”

“Given that more than 90% of the lending in the space comes from the commercial banks, we knew there was going to be a great demand for the product.”

“We offer 16 specialty products to the film and TV industry – and for many, we’re the only provider of the coverage,” Comenos continued. “We’re also looking to take advantage of the dislocation in the event cancellation space as well, because most of the markets have had to exit or reduce their line size.”

Model Development

An essential part of the product development was developing a model to help underwrite and price the pandemic product. The problem was the lack of historical data. “We had to find a way to close the gap that had been left by the exclusions placed in the underlying film production policies by all of the film production insurers” Comenos stressed.

Rod Fox

She said she worked closely with Rod Fox, CEO of TigerRisk Partners, the Stamford, Conn.-based brokerage. “In strategizing with Rod, I think we expected to get push back on both sides of the policy because sickness and death was very difficult to model back in March, April, May [2020] when we didn’t have much information on the virus and how it can spread and how severe the symptoms were.”

The civil authority side of the policy was also a challenge because no underwriter likes to underwrite around the decision making of a local public official “who could wake up one day and decide to shut down your production.”

SpottedRisk began the process to understand the risk by examining every international filming location from the last five years. “We looked at dozens of factors. We looked at shutdown history from the very beginning of the pandemic, and we started to see trends in [various geographic areas] and across various production types.”

The company modeled hundreds of film locations from most to least likely to shut down. “In the early days of the program, we were very careful about the locations that were eligible for coverage, which were only the top 15% to 20% of the safest locations globally.”

However, SpottedRisk has relaxed that requirement, now providing coverage for nearly 100% of the locations for which it gets submissions, mainly because of the strict risk management required and the majority of productions in 2021 being filmed in COVID-safe areas around the world.

She explained that high COVID-19 infection rates don’t necessarily mean a high civil authority exposure, which makes parts of civil authority modeling seem almost counterintuitive.

“There are several other factors that are actually much more predictive of a county or a state being shut down, including the hospital-bed-to-population ratios, the political environment, etc.,” she said.

“In certain areas of the world, you can have very high infection rates, but there’s still a very low likelihood that the civil authority will shut down a film production,” Comenos added.

Since the product was launched in August of 2020, SpottedRisk has backtested its models and found they are about 94% accurate.

“For example, we look at how important the film industry is to that local geography and what the tax credits and incentives are, because if there is a really significant tax credit and incentive program in that area, the civil authority is less likely to shut the production down. They may deem film and TV production as essential.”

Conversely, there are some areas around the world that can be very safe from an infection standpoint, and have close to zero infections, but the civil authority will shut a production down, if there’s one or two COVID infections on the set. For example, she said this was a problem in the early days of the pandemic in Australia, which had lower infection rates.

Since the product was launched in August of 2020, SpottedRisk has backtested its models and found they are about 94% accurate.

Risk Management

In August, SpottedRisk acquired one of the leading completion bond companies in the film and TV space – a managing general underwriter, called Media Guarantors, based in Los Angles. (Generally required by the lenders, completion bonds guarantee that the production will be completed on time and within budget).

Media Guarantors helped SpottedRisk design a strict set of protocols for film productions to ward against COVID infections as well as a number of contingency strategies in case there is an infection on set or in case there is a civil authority shutdown, she explained.

“They were critically involved in the policy drafting and the risk mitigation strategies if there would be a COVID outbreak or a civil authority shutdown.”

Further, the Screen Actors Guild – American Federation of Television and Radio Artists, or SAG-AFTRA, last year developed rigorous safety guidelines, which, in part, require production companies to submit a separate set of safety protocols for approval for any film or TV scene that lasts longer than five seconds. In addition, she said, cast and crew also must be separated into distinct and isolated zones and PPE is required.

“All these rules dramatically reduce the infection rate on set versus the general population,” she emphasized.

“We conservatively assumed in our models that the infection rate on set, due to the strict nature of the protocols, would be about 90% lower than the average infection rate,” she said, noting that the Alliance of Motion Picture and Television Producers (AMPTP) published a report at the beginning of 2021, which showed the average infection rate on production sets were roughly 97% lower than the general population, even in three hot-spot areas for COVID: New York City, Los Angeles and Atlanta.

Indeed, of the 15 productions that SpottedRisk has covered, only one has filed a claim as of this writing in early April 2021.

This particular claim involved a cast member who contracted the virus. The production was shut down for five days before resuming filming.

Another notice of potential claim came as the result of an on-site infection but it ended up avoiding a claims scenario due to the required modular filming schedule, which enabled them to film around the cast member, she said. “They only had to shut down a small part of the production because they performed contract tracing, isolated the infection individuals, replaced them and resumed almost immediately,” she added. “The program is designed to really limit the likelihood of a significant loss.”

Capacity Providers

Of course, no pandemic product was going to move forward without insurance capacity providers who needed to understand that the risk could be underwritten – and at a profit. Remember, in the beginning of the pandemic, underwriters were turning away from this market.

For that job, Comenos enlisted the help of TigerRisk. The broker’s CEO Rod Fox admitted it was initially a bit difficult to get insurers on board. Fox and his team found that when they began talking about a COVID product for the entertainment industry, some underwriters “just froze up and stopped talking to you.”

“There were lots of people that just wanted nothing to do with COVID cover. But as we started to break down that initial barrier and have a rational conversation about what the real exposure was and how well it was being managed – with SpottedRisk’s analytics and risk management techniques – we were able to make some traction. It’s not for the faint of heart though,” said Fox with a chuckle.

Comenos confirmed that the process of gathering capacity was “pretty grueling.” “I think one of the most interesting things that Rod’s team did in pitching the markets was they tried to get the markets to put the word ‘COVID’ out of their heads and focus on breaking down the two parts of the policy: sickness and death, and civil authority exposure.”

One big attraction for capacity providers is that the policy has a short duration, said Fox. “It could be 30 days, or it could be 60 days – but it’s still short term. As a result, you can recycle your capital, and you know immediately if you have had a loss, so the potential return on capital is exciting,” he added.

“From an underwriting standpoint, it’s a very interesting and attractive proposition,” Fox emphasized.

Noting that the average time on risk for this coverage is around 70 days, Comenos said the underwriter knows immediately at the end of principal photography “whether there is a claim because the triggers are very clear. Either there’s a positive infection or the civil authorities have shut you down. Those are the triggers. There’s no gray area.”

While Comenos and Fox wouldn’t reveal their capacity providers, a press report recently revealed one of them as Vantage Risk, the new company co-founded by Greg Hendrick, the former CEO of AXA XL, and Dinos Iordanou, retired president and CEO of Arch Capital Group.

SpottedRisk is the only AM Best-rated provider of pandemic coverage in the entertainment space, although there is one small captive, which provides lower limits, Comenos noted.

SpottedRisk has its roots as a predictive analytics company, called Spotted, which originally matched companies with celebrities for endorsements and advertising. In late 2019, Spotted launched its MGA subsidiary, SpottedRisk, and began offering so-called “disgrace insurance.” This product covers famous people who have experienced reputational damage, which forces business partners to cancel contracts or stop production of a film or a TV show. The company is moving its Boston headquarters to New York within the next few months.

SpottedRisk also provides event cancellation cover but plans to expand its product offering beyond the entertainment sector in the coming months, including professional lines and personal accident.

“The entertainment industry is a relatively niche industry, and so, while we plan to take advantage of the market dislocation right now in the entertainment space – for film, TV and event cancellation, we are going to use this kind of rigorous underwriting approach to develop other products that don’t exist in several other sectors…,” said Comenos.



Corwin Legislation Agency Recordsdata Class Motion Lawsuit towards Occasion Leisure Group, Metropolis of Miami over COVID Cancellation of the 2020 Extremely Music Pageant

MIAMI, April 1, 2021 / PRNewswire / – Corwin Law, a consumer rights law firm based in Boca Ratonhas filed a class action lawsuit against Event Entertainment Group and the City of Miami on behalf of Florida Residents who bought tickets for the 2020 Ultra Music Festival that was supposed to take place March, 20th – 22, 2020 at Bayfront Park in Miami Beach.

Lawyer Marcus W. Corwin stated that the 2020 festival cancellation was disguised as a postponement due to the COVID-19 pandemic, with the promise of an expanded package of benefits for the 2021 festival for ticket buyers in lieu of refunds. After the 2021 event was canceled, the event organizers reached out to ticket holders again to make further promises but still no refund.

“It is completely irresponsible for the organizers to withhold refunds for more than two years, and for the City of Miami with no guarantee that this event can take place in 2022 or 2023, “Corwin said.

“This is an abuse of fairness and accepted and proper trading practice,” Corwin continued. “Nobody argues that the festival should have continued, but if it didn’t, the organizers should have refunded the money. If ticket holders want to attend the festival, they can choose and pay on their own terms.” “

After the class action lawsuit with eight counts filed in the Eleventh Judicial District in Miami-Dade County, “Ultra engages in intangible, unfair, and / or misleading trading practices by promoting, offering, and promoting the festival, taking the money from individuals to attend the advertised festival, canceling the festival, and then not allowing ticket buyers to receive it a refund, effectively shifting all of the risks and costs of Ultra’s decision to cancel the event to consumers. “

Gabriella PetrokaThe class representative stated, “As a longtime loyal participant, I am grateful to Ultra for making many amazing memories possible, and I hope Ultra will last for many years to come. However, I also hope Ultra will do the same.” Please consumers by giving us the choice of getting refunds and our own choice of how to use that money and whether or not to attend future events as I believe that, given the indescribable duration, that is the only thing fair result is this ‘shift’. “

Corwin, who has been practicing since 1986, has successfully fought Madonna, Live Nation, AT&T, Comcast, HBO and others, validating the offer to replace old tickets with new tickets for dates that were not confirmed as “totally unacceptable” .

The Corwin lawsuit is filing # 124094995 with the Miami-Dade County, Florida Circuit Civil Division.

This is not a solicitation of an invitation to members of the class to join the litigation. NO CLASS HAS BEEN CERTIFIED IN THE ABOVE PROMOTION. Until a class is certified, you will not be represented by an attorney unless you keep one. YOU MAY ALSO REMAIN AN ABSENT CLASS MEMBER AND DO NOTHING AT THIS POINT.

For further information please contact CORWIN LAW AT [email protected]

Marcus Corwin
Corwin Law
[email protected]

This version was published via WebWire®. For more information, visit https://www.webwire.com.

SOURCE Corwin Law