Dwayne Johnson’s ‘Black Adam’ Delivers a ‘Mortal Kombat’-Fashion Fatality in First Take a look at DC Film [Video]

Fresh from DC FanDome this afternoon, a brand new trailer for Director Matt ReevesThe Batman fled a year after we received the first footage from last year’s event.

The Batman will hit theaters on March 4, 2022, and you can check out today’s fresh new trailer below. It’s full of new footage from Robert PattinsonBatman’s ass kicks and names himself, allies with Zoe Kravitz‘s Catwoman, defending Gotham City from a handful of threats, including Paul Dano‘s Riddler, and Colin Farrell‘s penguin.

Check out the trailer below and Experience it here in 4K!

The film has faced both production stops and delays in its release date due to the ongoing pandemic and was originally scheduled to hit theaters on June 25, 2021.

Robert Pattinson plays Batman / Bruce Wayne for this particular version of the character, of course Paul Dano as Riddler, Jeffrey Wright as Commissioner Gordon, Zoe Kravitz as Selina Kyle / Catwoman, Andy Serkis as Alfred Pennyworth, Colin Farrell as a penguin, and John Turturro as Carmine Falcone. Jayme Lawson and Peter Sarsgaard will also play along.

‘We Do not Wish to Lose Cash’ – Pep Guardiola Delivers Robust Response to Man Metropolis Spending Critics

The Premier League champions expect a sensational fall for Tottenham striker Harry Kane after securing the arrival of Aston Villa’s Jack Grealish for a club record £ 100m in early August.

Ahead of the Manchester team’s league opener against Tottenham on Sunday, the Catalan coach was asked about the Liverpool manager’s remarks on the way several top English clubs invested in their squads during the summer transfer window.

Chelsea broke their own record transfer amount by signing Inter Milan’s Romelu Lukaku for £ 97.5m, while Manchester United spent more than £ 110m to win Jadon Sancho and Raphaël Varane ahead of the new season.

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“I don’t judge other clubs by what they do; they do what they believe. Some owners want to profit, our owners don’t,” Guardiola said in his pre-game press conference, quoted by Manchester evening news.

“You want to reinvest in the team. We invest what we can invest. We could spend £ 100m on Jack Grealish because we sold for £ 60m. In the end we spent £ 40m (net) the club said to me. I don’t know what will happen in the future. “

City’s antics in the transfer market have come under heavy scrutiny over the years, but Guardiola insisted that the Premier League champions abide by Financial Fair Play (FFP) rules.

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The 50-year-old added, “We have limits to financial fair play. If you (the city’s transfer critics) disagree, you can file a statement in court and we will defend ourselves. Financial fair play is the rule.” for us, and we absolutely obey the rules, what happened in the end was that we were innocent in 2014, I believe, and we are now in 2021.

“Every season we (City) pass the FFP. I say the same thing, there are owners who want the advantage for themselves. Our club, of course, they don’t want to lose any money, if they can spend money we can do that.” A few years ago other clubs would always spend a lot of money for a lot on multiple players.

“We (the city) spend because we can, we don’t spend if we can’t. In the end, we have to present the balance sheet and say that is who we are, what we have and what we can do . “

Follow us on Twitter for live updates: @City_Xtra

Youngsters and Cash: Teen delivers cash messages on ‘Cash Ed’ podcast [Column] | Cash

Whitman Ochiai likes to tackle tough questions as the host of Money Ed, a podcast series he created two years ago.

Some of the topics it covers include: student loan debt relief, the value of college education, resource allocation for community college education, and how behavioral economics is playing out in the aisles of supermarkets? “

All topics are relevant to the primary teenage and young adult audience in Money Ed. The same goes for Ochiai, an 18-year-old senior at Thomas Jefferson High School for Science and Technology in Fairfax County, northern Virginia.

Ochiai became interested in money and finance from a young age, checking books in the library and paying attention to what his parents taught him.

However, he giggles when asked if he considers himself a financial expert. “I still learn about money every day,” he said.

It appears that Ochiai’s natural curiosity and thirst for learning about financial and economic problems served him well over 45 episodes and counts. He’s one of more and more young podcasters across the country who have a following.

The teenager started his podcasting career in his sophomore year from his family dining room, which he turned into a small soundproof recording studio.

The podcasts usually last around three minutes and are free. The bi-monthly programs are available in Apple Podcasts, Google Play, Amazon Music, Spotify, and SoundCloud.

Ochiai, who is also president of his school’s financial literacy club, started Money Ed after seeing the financial impact of the federal government’s shutdown on his community. Salaries have been frozen, savings tapped, and families worried about the future.

“I was thinking, how could I contribute to a solution that would help my community,” Ochiai said. “I brainstormed with some financial professionals and decided to create a financial literacy podcast for teens and young adults.”

This has been a tough year financially for many families, and the aftermath of the pandemic keeps coming back. But Ochiai believes that his work helped make a difference by teaching fellow students how to be responsible with money during difficult times.

Money wisely can be difficult at any age, but Ochiai believes there are some concepts that every teenager should know:

  • “Understand the notion of delayed gratification and the potential harm of impulsive financial decisions,” he said. “Stand back and look at the pros and cons.”
  • Understand value versus cost. For example, weigh the cost of going to college – everything from tuition, room and board, to the time and energy it takes to perform well – versus what you get in earning power with a degree.
  • “Make a spending plan – a budget, if you will – so you always know where your money is going,” he said.

Ochiai will be attending Cornell University this fall and plans to focus on economics and data science.

When asked about his future podcasting. Ochiai didn’t hesitate and said he would keep “Money Ed” going. After all, he will have a whole new audience of young viewers who have questions about their own financial future.

‘The Father’ delivers must-see performances, enhancing abilities | Leisure

Of all the recent plays that have been turned into feature films, “The Father” is considered the most impressive.

Just as impressive is Florian Zeller’s directorial debut, who, in contrast to other first-time directors this season, shows natural cinematic talents.

“The Father” is a mind-boggling puzzle about a man with dementia / Alzheimer’s disease – or does it? In a sensational performance that is considered to be one of his best work, Sir Anthony Hopkins delivers a performance that tests his abilities on all levels. The role requires the Oscar winner to use an abundance of emotions, often within the same scene. Hopkins was a key part of the best actor race for his performance that year, as was co-star Olivia Colman, who returned after winning Best Actress in 2019 for “The Favorite.”

“Everything is fine, Anne,” says Anthony (Hopkins) to his daughter (Colman). The wealthy gentleman lives in a very nice apartment in London, where he understands that his only daughter Anne is suddenly moving to Paris for a man.

Moments later, Anthony is shocked by a conversation with his daughter’s husband, who claims they have been married for 10 years. “Nonsense,” he exclaims, convinced that someone is playing a joke or “boiling something up”.

Some of Anthony’s possessions and money are gradually disappearing, bedrooms and furniture change from day to day, strangers come and go in and out of his apartment without his daughter explaining this.

Anne hires someone to help calm her father down, and at first young Laura (Imogen Poots) and Anthony hit it off, but it gets dark quickly.

“The father” is much more than a conspiracy “is he or isn’t he insane?”. It has a subtle genius embedded in the filmmaking that could be lost to the passive viewer. Careful attention to detail has to be considered as small things like paintings, furniture, wall paint, carpets, sometimes all of them change within a scene or setting.

Think M. Night Shyamalan, but without all that genre stuff. Curiosity is what brings the viewer forward in “The Father,” and regardless of how lost you are in what is actually happening, the ending explains it all thoroughly.

“The Father” could easily have been just a performance vehicle for Hopkins and Colman, but Zeller’s interest in using the camera in an unconventional way for a drama of this kind reinforces everything about it.

Depending on your age or your experience with aging, “The Father” affects you differently. While “Still Alice” has long been the epitome of dementia, “The Father” brings a unique approach to the conversation. Zeller’s enigmatic unraveling uses editing in a special way to convey confusion and disorder.

It could be argued that the editing is just as important in this film as the acting. Zeller wrote the script especially for Hopkins, which is why the character is called Anthony. He admitted that the film likely would not have worked, or even would have been shot, had the legendary 83-year-old actor turned down the role.

Final thought: “The Father” – its accomplishments and superior editing skills – make it one of the most impressive films in the prize race and a must see.

Dustin Chase is a film critic and associate editor for Texas Art & Film, based in Galveston. visit texasartfilm.com.

Chelsea boss Thomas Tuchel delivers verdict on Jorginho’s penalty model

Thomas Tuchel has no preference for how Jorginho takes his penalties after the Chelsea midfielder has scored two goals in as many games.

The 29-year-old Jorginho scored in the game on Sunday Chelsea’s 2-1 win over Sheffield United gave Tuchel his third straight win to blame for the blues.

Chelsea are unbeaten in all four of Tuchel’s opening games, and a penalty has been the deciding goal in their last two games.

It was Jorginho’s responsibility to put it on the web, and he did it – against Tottenham and most recently Sheffield United.

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At Spurs, he opted for a direct shot past Hugo Lloris before reverting to his usual “hop, skip and a jump” technique that sent Aaron Ramsdale the wrong way.

When asked about his preference for style, Tuchel doesn’t mind as long as it’s in the back of the network.

“I like them both because they are both online. I will never tell a player how to score a penalty. I will never give this advice because I played football at a lower level and you can feel the pressure, when the ball is. ” lie on the spot.

“No advice to me, Jorgi can take the punishments, but helps him score. I was glad he took them because both were crucial.”

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