Cruella Stars Would Love a Godfather II-Model Sequel With Glenn Shut

Disney’s Cruella stars Emma Stone and Emma Thompson want to do a sequel with Glenn Close of 101 Dalmatians in the style of The Godfather Part II.

Cruella Stars Emma Stone and Emma Thompson vie for a sequel with Glenn Close in the style of The Godfather Part II. Disney’s original Cruella de Vil film hit theaters and Disney + on May 28. In the cutthroat fashion world of 1970s London, Stone envisions the fashionable villain in the epic fairy tale101 Dalmatians. Thompson appears with her on-screen as the antagonist Baroness Von Hellman. Directed by me, Tonyas Craig GillespieThe film is based on a rich material heritage.

It all started in 1956 with Dodie Smith’s novel The Hundred and One Dalmatians. The story was filmed as Disney’s 17th animated film by Disney in 1961 and quickly became a family favorite. Close caused a stir with her unforgettable portrayal of Cruella de Vil in the 1996 live-action remake 101 Dalmatians, which, due to its massive success, spawned a sequel. Over two decades later, Stone was lauded for putting the villain’s story front and center. Of course, the buzz of a Cruella sequel has already started spinning.

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CONNECTED: Emma Stone vs Glenn Close: who is the better Cruella?

Both Stone and Thompson want to return to the delicious world on a second installment. While chatting with Rotten tomatoesIt has been suggested that the Oscar-winning couple do a Godfather II-style sequel with Close. They immediately agreed, with Thompson even saying she would write the film and Stone saying she would be on board. Thompson replied cheerfully:

“I’m writing the letter now. Does anyone actually have any paper?” Dear Mr. Disney … “Oh, is he still there? I don’t even know. Please, can we do exactly what was just suggested in the interview? Me send it. Oh my god … this is really good – ok! “

Emma Stone versus Glenn Close Cruella

The two leading Emmas lit up at the prospect, and Stone said she signed up for everything Thompson wrote. In the meantime, Close had previously offered her own idea for one Continued with her Cruella. Ahead of the new blockbuster’s release, the acclaimed actress said she wanted to roam the streets of NYC in her trusty black and white wig. While keeping the concept a secret, she mentioned that Cruella was hiding underground in the sewers.

Regardless, hungry Disney fans are already longing for more evil fashion designers. Cruella ends with Estella finally transforming into Cruella de Vil and consequently teeing off 101 Dalmatians. While Disney hasn’t announced a sequel, given the largely positive review and audience reception, it’s likely that Big Mouse will take another opportunity to rule the box office. However, the property could take different routes.

While enough time has passed that Disney could recreate 101 Dalmatians with theirs Cruella Cast it would be difficult to top the live-action original. On the flip side, the Godfather II approach would basically be a mashup of a prequel and a sequel that show up both Stone and Close in the role. This could be an epic way to bring together viewers from every corner of the Dalmatian fandom and even give Close the Oscar she deserved to win the role in the first place.

NEXT: What to Expect from Cruella 2

Source: Rotten tomatoes

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Robert Peterpaul
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Robert Peterpaul is a film / TV news writer for Screen Rant. He has been a professional writer / editor for over eight years, writing for high profile publications such as HuffPost, Backstage, and HOLA! USA, where he has been a weekend editor since 2016. Robert has also worked on various television shows and films including: NBC’s “America’s Got Talent” and “Access Hollywood”. When he’s not writing about entertainment, he’s entertaining. Robert has appeared in films like James Franco’s “King Cobra”, television series like “New Dogs, Old Tricks” from Amazon Prime, and advertising campaigns for brands like T-Mobile. He also has a long career in the theater, starting off off Broadway as a kid. Speaking of childhood: Robert’s second home was Blockbuster, where he rented “The Goonies” more often than any other customer (always with a page from Sour Patch Kids, of course). His undying passion for entertainment and storytelling lives on. He thanks you for reading and hopes you will follow your bliss. You can follow him on Instagram / Twitter @robpeterpaul and at www.robertpeterpaul.com.

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REEL TALK: ‘Cruella’ cannot discover target market | Arts & Leisure

We have seen more than a dozen Disney live-action remakes in the past 10 years, including Beauty and the Beast, Vicious, Mary Poppins, Dumbo, The Lion King, and “Mulan”.

“Cruella” is the latest live-action version, but this dark origins story isn’t your typical Disney tariff.

Rated PG-13 and with a running time of 2 hours and 14 minutes, this is not the one that makes the small tikes see, especially on the big screen. In fact, I’m not sure who the target audience for this is, with its traumatic and tragic beginnings and twisted finale to play out for the subsequent stories in the film.

We meet Estella (Tipper Seifert-Cleveland, plays the young version of the character) – who later transforms into Cruella (Emma Stone) – as a teenager who shows even on the day of her birth that she is not like everyone else.

With hair evenly split on each side, light and dark, similar to the personality of this character, little Estella and her mother live a humble life. Estella proves that behavior cannot be taken for granted as she tries to follow her cute mother’s advice to be kind and get along with others.

She is lively, refutes all the rules and does not hesitate to throw the first blow. But after witnessing the death of her mother, Estella – now an orphan – has to develop street arts and educate herself thanks to the Baroness (Emma Thompson) indictment against the Dalmatians … with a little help from her new found friends Jasper (Ziggy) Gardner) and Horace (Joseph MacDonald).

After a very drawn out childhood story, we are finally catapulted into the 1970s when Estella, an aspiring seamstress, accidentally finds her way into the baroness’s couture clothing company. She stands out from her competition and works her way from coffee runner to ball gown designer.

But when Estella learns more about the dirty story between the baroness and her mother, she discovers that an internal switch has been thrown and that her goal in life is to kill the baroness. With smart planning and two lackeys ready to obey any instruction, Estella becomes Cruella in search of sweet revenge.

“Cruella” has so many flaws in the story design, despite its beautiful costume and production design that has established itself as the forerunner of all other Cruella stories known to us, that it is nothing more than a bundle of rags sewn together.

The young Estella, who is smart, stands up for the little guy and is tougher than any other boy, will no longer be recognized as the adult version of Estella. She is initially scared, insecure, and meek.

This contradicts the entire makeup of Estella’s intrinsic traits and makes us question the character in general. She gets nasty, but spending so much time on childhood backstory seems such a waste now that it turns out to be irrelevant.

Time and tempo are another theme in this film as art trumps history. Director Craig Gillespie, who gave us such masterful films as “I, Tonya” and “The Finest Hours,” loses track of his story because he spends so much time on unnecessary close-ups and looking for shots that lack emotion and those who can’t. Tell a fable succinctly.

With the exception of Emma Thompson, the story fails in terms of pace, but also in terms of casting. Stone can’t shed her embarrassingly adorable sweetness despite her threatening dialogue.

Oscillating between her low self-esteem Estella and the cunning Cruella, Stone has two cogs to portray these characters, and we always see through the veneer – she’s still the bubbly girl next door. Fry and Hauser try as hard as they can to channel their inner morons as Jasper and Horace, but there is no laugh between them.

Mark Strong, as best he could, is completely untapped as a key character in John the Valet. Unfortunately, even Thompson’s killer performance can’t revive this Disney classic.

As the story stutters and falters, the harrowing, but somehow funny, musical score wakes you up to get back into the story. The soundtrack, a uniquely curated soundtrack that is perfectly tailored to the situations and scenes, is a highlight of “Cruella”. This will be fun for rock fans of the 1970s, but that aspect will go way over the head for the little ones.

Disney’s attempt to give us a backstory to explain Cruella’s beginnings falls flat like a pancake. With the wrong cast, an incredibly dark and disturbing beginning, an inconsistent character development and an urgent need for massive editing, “Cruella” fidgets both when telling the story and when it comes to knowing the target group.

Reel Talk Rating: 2 stars (great production, costume and musical design)