Hungarian touring circus stays match for post-COVID opening | Leisure




Kevin Richter and his sister Angelina practice as Kevin Richter’s jumping group rehearses on April 20, 2021 in the Capital Circus in Budapest, Hungary. A state of emergency was declared in Hungary just one day before the troop’s spring season began last year. and pandemic restrictions that curb events and public gatherings have resulted in the circus not generating any income since then.




A small dog looks out of a car at the home base of the Florian Richter Circus in Szada, Hungary, April 20, 2021. Human and four-legged performers are preparing to bring Hungary’s largest traveling circus back onto the streets after the COVID-. 19 pandemic stopped their shows for more than a year.




The Hungarian traveling circus remains fit for the opening after COVID

Kevin Richter and his girlfriend Brigitta Sibrak sit in the door of their caravan after the rehearsals of Kevin Richter’s jumping group at the Capital Circus in Budapest, Hungary, on April 20, 2021. A state of emergency was declared in Hungary just a day before the troupe began last year’s spring season and pandemic restrictions restricting events and public gatherings have resulted in the circus running out of revenue since then.




The Hungarian traveling circus remains fit for the opening after COVID

Kevin Richter’s jumping group will rehearse on April 20, 2021 in the capital circus in Budapest, Hungary. A state of emergency was declared in Hungary just a day before the troupe’s spring season began last year, and pandemic restrictions are restricting events and public gatherings.I have suggested the circus has stopped generating income since then.




The Hungarian traveling circus remains fit for the opening after COVID

Florian Richter trains a horse at the home base of his circus in Szada, Hungary on April 20, 2021. Human and four-legged artists are preparing to bring Hungary’s largest traveling circus back on the streets after the COVID-19 pandemic suspended their shows for more than a year.




The Hungarian traveling circus remains fit for the opening after COVID

Florian Richter checks the feet of Sandra, a 43-year-old Indian elephant, on April 20, 2021 at the home base of his circus in Szada, Hungary. Human and four-legged performers are preparing to bring Hungary’s largest traveling circus back to the circus street after the COVID-19 pandemic halted their shows for more than a year.




The Hungarian traveling circus remains fit for the opening after COVID

A horse stands in an enclosure at the home base of the Florian Richter Circus in Szada, Hungary, April 20, 2021. Human and four-legged artists are preparing to bring Hungary’s largest traveling circus back onto the streets after the COVID-19 pandemic stopped its Shows for over a year.




The Hungarian traveling circus remains fit for the opening after COVID

An employee walks a horse at the home base of the Florian Richter Circus in Szada, Hungary, on April 20, 2021. People and four-legged artists prepare to get Hungary’s largest traveling circus back on the streets after the end of the COVID-19 pandemic have been doing his shows for more than a year.




The Hungarian traveling circus remains fit for the opening after COVID

Florian Richter checks the feet of Sandra, a 43-year-old Indian elephant, on April 20, 2021 at the home base of his circus in Szada, Hungary. Human and four-legged performers are preparing to bring Hungary’s largest traveling circus back to the circus street after the COVID-19 pandemic halted their shows for more than a year.




The Hungarian traveling circus remains fit for the opening after COVID

An employee jumps from hay bales before feeding horses on April 20, 2021 at the home base of the Florian Richter Circus in Szada, Hungary. Humans and four-legged friends are preparing to bring Hungary’s largest traveling circus back onto the streets after the COVID-19 pandemic stopped their shows for more than a year.




The Hungarian traveling circus remains fit for the opening after COVID

Kevin Richter’s jumping group will rehearse on April 20, 2021 in the capital circus in Budapest, Hungary. A state of emergency was declared in Hungary just a day before the troupe’s spring season began last year, and pandemic restrictions are restricting events and public gatherings.I have suggested the circus has stopped generating income since then.




The Hungarian traveling circus remains fit for the opening after COVID

Kevin Richter’s jumping group will rehearse on April 20, 2021 in the capital circus in Budapest, Hungary. A state of emergency was declared in Hungary just a day before the troupe’s spring season began last year, and pandemic restrictions are restricting events and public gatherings.I have suggested the circus has stopped generating income since then.




The Hungarian traveling circus remains fit for the opening after COVID

Horses wait in front of a training session at the home base of the Florian Richter Circus in Szada, Hungary, on April 20, 2021. From its off-season home in Szada, a small village outside the capital of Budapest, the Florian Richter Circus holds rehearsals in cautious anticipation, when the performances could start again.

From JUSTIN SPIKE Associated Press

BUDAPEST, Hungary (AP) – Human and four-legged artists are preparing to bring Hungary’s largest traveling circus back on the streets after the COVID-19 pandemic suspended their shows for more than a year.

The Florian Richter Circus is holding rehearsals from its off-season home in Sada, a small village outside the capital Budapest, in cautious anticipation of when the performances could start again.

The state of emergency was declared in Hungary just one day before the start of the troop’s spring season last year. The circus has not generated any income since then due to pandemic restrictions restricting events and public gatherings.

“It’s been almost a year and a half now, without anything. Of course I have to think as a businessman, as an artist and as a father at the same time, ”said Florian Richter, the owner of the circus. “I’m the engine of this circus, so I can’t give up, I can’t get emotional.”

In addition to human actors, almost 50 different animals, including the Indian elephant Sandra, eight camels, five zebras, three ponies and 32 horses, make up the members of the troop. Feeding the animals and paying their dog handlers has used up almost all of the circus’ financial reserves, and Richter said he still doesn’t know when the pandemic rules would allow performances to resume.

“It’s all money, money, money. A lot of money has to be spent because it costs a lot to maintain a ranch this size, “he said.

Cowl that purple nostril! Circus pageant adapts to virus guidelines | Leisure




The dancers from left to right, Joaquin Medina Caligari from Uruguay, Tasha Petersen from Argentina, Valentino Martinetti from Argentina, Marius Fouilland from France and Lucille Chalopin from Paris from the Eolienne company play “Le Lac des Cygnes” by Florence Caillon, based on Tchaikovsky’s Swan Lake during BIAC, International Circus Arts Biennale, in Marseille, South of France, Thursday February 4, 2021. The fourth edition of the Global Circus Biennale shows how the performing arts can flourish between the cracks, celebrating the death defying and spine-stretching arts who are behind the legendary spectacle.




The French tightrope walker Tatiana-Mosio Bongoga presents her documentary about her performance on a 400-meter tightrope walker, which was hung at a height of 40 meters without protection over the Vltava River in Prague in 2019 during the BIAC, International Circus Art Biennale, in Marseille, southern France, Wednesday February 3, 2021.




Cover that red nose!  The circus festival adapts to the virus rules

The actors Pauline Barboux and Jeanne Ragu from the Libertivore Company present their show “Ether” directed by Fanny Soriano during the BIAC, International Circus Arts Biennale, in Marseille, south of France, Wednesday 3rd February 2021. It was a tough year for the performing arts in most countries, with virus bans canceling shows and formwork locations. But the world’s best circus festival has found a way to thrive between the cracks of the rules – even without the large crowds that would normally have been around.




Cover that red nose!  The circus festival adapts to the virus rules

Dancers play “Parallèle 26”, a creation by the French choreographer Sylvie Guillermin with the circus company Archaos, which shows student acrobats and dancers in the Theater de La Criee during the BIAC, International Circus Arts Biennale, in Marseille, southern France, on Friday, February 5th , 2021. The fourth edition of the Global Circus Biennale shows how the performing arts thrive among the cracks, celebrating the death defying and spine-stretching arts that are behind the legendary spectacle.




Cover that red nose!  The circus festival adapts to the virus rules

Sylvie Guillermin, choreographer of “Parallèle 26”, a creation by the Archaos circus company with student acrobats and dancers, prepares the stage in the Theater de La Criee during the BIAC, International Circus Arts Biennale, in Marseille, southern France, Friday February. 5, 2021. The fourth edition of the Global Circus Biennale shows how the performing arts thrive between the cracks, celebrating the death defying and spine stretching arts that are behind the legendary spectacle.




Cover that red nose!  The circus festival adapts to the virus rules

Sylvie Guillermin, choreographer of “Parallèle 26”, a creation by the Archaos circus company with student acrobats and dancers, prepares the stage in the Theater de La Criee during the BIAC, International Circus Arts Biennale, in Marseille, southern France, Friday February. 5, 2021. It’s been a tough year for the performing arts in most countries. Virus locks have canceled shows and shuttering locations. But the world’s best circus festival has found a way to thrive between the cracks of the rules – even without the large crowds that would normally have been around.




Cover that red nose!  The circus festival adapts to the virus rules

The dancers from left to right, Tasha Petersen from Argentina, Lucille Chalopin from Paris, Marius Fouilland from France and Joaquin Medina Caligari from Uruguay from the Eolienne company play “Le Lac des Cygnes” by Florence Caillon on the basis of Tchaikovsky’s Swan Lake the BIAC, International circus arts biennial, in Marseille, south of France, Thursday 4th February 2021.




Cover that red nose!  The circus festival adapts to the virus rules

The dancers Tasha Petersen from Argentina (above) and Joaquin Medina Caligari from Uruguay from the Eolienne company prepare for the performance of “Le Lac des Cygnes” by Florence Caillon based on Tchaikovsky’s Swan Lake during the BIAC, International Circus Arts Biennale, in Marseille, before. South of France, Thursday February 4, 2021.




Cover that red nose!  The circus festival adapts to the virus rules

The dancer Marius Fouilland from France of the Eolienne company prepares before the presentation of “Le Lac des Cygnes” by Florence Caillon on Tchaikovsky’s Swan Lake during the BIAC, International Circus Arts Biennale, in Marseille, southern France, on Thursday, February 4th , based on 2021.




Cover that red nose!  The circus festival adapts to the virus rules

The backstage room at The Docks Des Suds is empty with a plaque reading “Emergency Exit” during the BIAC, International Circus Art Biennale, in Marseille, southern France, Thursday, February 4, 2021. The fourth edition of the Global Die Circus Biennale demonstrates how the performing arts can thrive between the rifts, and celebrates the death defying and spine-stretching arts that are behind the legendary spectacle.




Cover that red nose!  The circus festival adapts to the virus rules

The Brazilian performer Alice Rende prepares for the performance of “Passages”, a contortionism creation in a space delimited by a Plexiglas box during the BIAC, International Circus Arts Biennale, in Marseille, southern France, Thursday, February 4, 2021. The Die fourth edition of the global Circus Biennale shows how the performing arts thrive among the cracks, celebrating the death defying and spine-stretching arts that are behind the legendary spectacle.




Cover that red nose!  The circus festival adapts to the virus rules

A banner announces the BIAC, International Circus Arts Biennale, which will take place behind closed doors at the Archaos Circus Compagnie Theater in Marseille, southern France, on Thursday, February 4th, 2021. The fourth edition of the global Circus Biennale shows how the performing arts have a way of thriving between the cracks and celebrating the death defying and spine-stretching arts that are behind the legendary spectacle.




Cover that red nose!  The circus festival adapts to the virus rules

The Brazilian performer Alice Rende prepares for the performance of “Passages”, a contortionism creation in a space delimited by a Plexiglas box during the BIAC, International Circus Arts Biennale, in Marseille, southern France, Thursday, February 4, 2021. The Die fourth edition of the global Circus Biennale shows how the performing arts thrive among the cracks, celebrating the death defying and spine-stretching arts that are behind the legendary spectacle.




Cover that red nose!  The circus festival adapts to the virus rules

The Brazilian performer Alice Rende stretches before the performance of “Passages”, a contortionism creation in a room delimited by a Plexiglas box during the BIAC, International Circus Arts Biennale, in Marseille, southern France, Thursday, February 4, 2021.




Cover that red nose!  The circus festival adapts to the virus rules

The acrobats Gioia Zanaboni from Italy (above) and Anja Eberhart from Switzerland from the Zania company practice outside in a public park because their training room is closed before they present their acrobatic show “Never Retiring” during the BIAC, International Circus Arts Biennale. in Marseille, southern France, Thursday February 4, 2021.




Cover that red nose!  The circus festival adapts to the virus rules

Performers present “Periple 2021”, a six-month non-stop circus performance organized by the six jugglers that make up the Protocole collective, during an event only for professionals, during the BIAC, International Circus Arts Biennale, on Friday in Marseille, southern France , insists, February 5, 2021. It’s been a tough year for the performing arts in most countries. Virus locks have canceled shows and shuttering locations. But the world’s best circus festival has found a way to thrive among the cracks of the rules – even without the large crowds that would normally have been there.




Cover that red nose!  The circus festival adapts to the virus rules

Yoann Bourgeois, French choreographer and co-director of the National Choreographic Center of Grenoble, takes part in interviews during the BIAC, International Circus Arts Biennale, in Marseille, southern France, on Wednesday February 3, 2021.




Cover that red nose!  The circus festival adapts to the virus rules

The cultural concert hall at Docks Des Suds, which was closed for a year with a badge that reads “Emergency Exit” during the BIAC, International Circus Arts Biennale, in Marseille, South of France, Thursday February 4, 2021 A tough year for the performing Arts in most countries where virus bans cancel shows and shuttering locations. But the world’s best circus festival, the Circus Biennale, has found a way to thrive between the cracks of the rules – even without the large crowds that would normally have been there.




Cover that red nose!  The circus festival adapts to the virus rules

Brazilian performer Alice Rende warms up before performing “Passages”, a contortionism creation in a space delimited by a Plexiglas box during the BIAC, International Circus Arts Biennale, in Marseille, southern France, Thursday February 4, 2021. The fourth Edition of the global Circus Biennale shows how the performing arts thrive among the cracks, celebrating the death defying and spine-stretching arts that are behind the legendary spectacle.




Cover that red nose!  The circus festival adapts to the virus rules

The dancer Lucille Chalopin from Paris from the Eolienne company stretches before the performance of “Le Lac des Cygnes” by Florence Caillon, based on Tchaikovsky’s Swan Lake, during the BIAC, International Circus Arts Biennale, in Marseille, southern France, Thursday, February. 4, 2021. The fourth edition of the Global Circus Biennale shows how the performing arts thrive among the cracks, celebrating the death defying and spine stretching arts that are behind the legendary spectacle.




Cover that red nose!  The circus festival adapts to the virus rules

The actors Pauline Barboux and Jeanne Ragu from the company Libertivore present their show “Ether” directed by Fanny Soriano during the BIAC, International Circus Arts Biennale, in Marseille, southern France, on Wednesday, February 3, 2021.

BY THOMAS ADAMSON and DANIEL COLE

MARSEILLE, France (AP) – It’s been a tough year for the performing arts in most countries. Virus locks have canceled shows and shuttering locations.

But the world’s best circus festival has found a way to thrive between the cracks of the rules – even without the large crowds that would normally have been around.

The fourth edition of the Circus Biennale (BIAC), which takes place every two years in the south of France and ends on Saturday in the Mediterranean port city of Marseille, celebrates the anti-injury and spine-stretching arts that fuel the famous spectacle.

More than 110,000 people attended the last BIAC in 2019. This year it had up to 2,000 visitors, all professionals who work in the circus or want to buy shows.

This, too, is proof of the determination and determination of the organizers who have skilfully adapted their festival to the rules and regulations of the French authorities.

“We started with a plan A, then with plan B, then with plan C, then with plan D, and finally we decided on plan E, which was a biennial for professionals. That was possible, we were allowed to do it, ”said BIAC organizer Raquel Rache de Andrade.

The dozen of performances included upside down tutus, acrobatic bikes, brightly colored parachutes, and enough contortionism to shock a chiropractor.