As she made her rounds, she took inquiries from residents and strangers, and delivered much-needed supplies of medicines and disinfectants to groceries. Sleep was scarce as deliveries sometimes lasted until the early hours of the morning.
Her first work of art after the pandemic, “Reception”, arose from the experience of accompanying mother and daughter to a hospital at the beginning of February. The two had developed COVID-19 symptoms after the father died of the disease at home and desperately asked for help on social media.
Yang saw the mail and found a hospital willing to accept the couple, but was told that no ambulances were available.
With public transportation closed, the only solution was to ride a bike to the hospital, with Yang taking the lead.
At the front desk she saw instructions for new patients randomly taped on the window, some hand-scrawled. When they reached their limits, the hospital staff pointed at the window instead of answering questions.
“It gave me a kind of oppression, a kind of fear,” said Yang. “Everyone, especially the doctors, spends time just saving patients.”
She meticulously reproduced the scene in an oil painting, right down to the torn papers and scribbled notes.
A second oil painting followed, based on a photo of a worker disinfecting a hospital corridor and rendered in shaded colors of deep blues and blacks.
Hailey Kadolph is a junior at Valpo with a major in art and an emphasis in the studio. Her passions include photography, painting and, more recently, ceramics. Kadolph has achieved a lot since coming to Valpo. Her accomplishments include exhibiting a piece of her work at the Christopher Center and making many contributions to the lighter.
Before coming to Valpo, she had thought a lot about who she wanted to be. During her time at Valpo, Kadolph learned to hugtheir individuality independent of social norms.
Kadolph first decided to major in chemistry because friends and society told her that studying art was socially unacceptable.
“Towards the end of my high school career, I basically subscribed to social norms that said, ‘Art is not a valid major. ‘Then I chose chemistry because I really loved chemistry. I was really, really bad at it and my first semester here was terrible, ”said Kadolph.
After a difficult first semester, she decided to do something for herself. She decided to go against social norms and study what she was passionate about.
“I’ve come to realize that art is valid. After I was in college for a year, I saw that college really accepted that and I said to myself, “I’m going to study art and if people want to get mad about it, well. It’s something I love and I don’t want to waste my time doing something I hate, ”said Kadolph.
Kadolph switched to art studies in the spring semester of her first year. In the same semester, however, she had to finish the course associated with her chemistry major. In her sophomore year, she officially began her journey as an art major.
“After I started my art studies, my grades were just A. My quality of life and state of mind have improved insanely. I loved my life because I was an art major, ”said Kadolph.
She created a piece that is now on display at the Christopher Center. It’s a photo piece with a special meaning behind it.
“I really enjoy thinking about perspective and my personal perspective and how differently it differs from that of other people. This piece is more about the physical perception of how I see things. There are two separate photos next to each other. One is in flawless clarity and the other is completely blurred. It’s an explanation of how we take our vision for granted, ”said Kadolph.
Kadolph advised budding artists.
“It’s definitely a life advice thing. Do what you want. Trying people – please is something that revolves around life so much. When planning your career, you shouldn’t have to think about pleasing others. A career isn’t meant for that, ”said Kadolph. “It is for you and I would like to think that you are doing what you love most, and even if it seems crazy or unimportant, it is not. If it’s your passion, it matters. ”
If you would like to nominate someone for an Artist Spotlight feature on The Torch, please send an email email@example.com.
By Chantz Visse Updated March 16, 2021 at 10:02 p.m. CT Posted March 17, 2021 at 10:00 a.m. CT
Chicago-based singer-songwriter Briana Brock, better known by her stage name Queen Mars, sat down with The Phoenix on Zoom to discuss her musical roots, rise to success, and the upcoming Trust Issues project on April 9th debut.
Similar to many childhood wishes, Queen Mars fixed herself on dreams of becoming a singer from the age of eight.
“I feel like it all came out of this idea, that I want to be a singer and that all singers write their own music,” said Queen Mars. “When I was around 12 my grandma gave me one of her old keyboards and then I started tapping the keys to find out what sounded good and writing a song about it.”
Look forward to Queen Mars’ 2018 outbreak into the world of streaming and flawless pen play with her single, “Love Me?”
“That was my introduction to what I write in my bedroom and blew it up into a full artistic vision,” recalled Queen Mars. “This was the first time I planned a music video, showed it, and got all of these details down.”
Courtesy Danielle Spiegel Queen Mars will present her upcoming project on April 9th.
Playing over heavy drums and a Latin-inspired guitar melody, Queen Mars seamlessly shapes her unique storytelling skills and vocal skills into a rhythmic pop track.
The experienced and motivated release of her first single on streaming sites catapulted the singer-songwriter into an impressive 2019 and the release of three more tracks.
Queen Mars confessed that it took her almost a year to create three tracks and an explanation of why this goes without saying when you first listen to it. Starting with hip-hop and trap with “B! Tch ”to electronic and hyperpop on“ Devil on My Shoulder ”to R&B on“ Queen of Hearts ”shows Queen Mars the versatility of her ability to sing in a variety of production styles.
“I like to make music that reflects my musical tastes,” said Queen Mars of her diverse discography. “I don’t have the need and I don’t feel that an artist should feel the need to interfere because most people have diverse tastes in music.”
Despite her extensive production, a style she coined as “Kaleidoscope Pop”, Queen Mars combines her musical endeavors with a foundation – an unmatched lyrical confidence. And with a year-long stint on concerts and touring, Queen Mars found she was re-channeling childhood aspirations and past relationships as lyrical inspirations for her upcoming expanded piece, Trust Issues (EP).
“I put it together right after the quarantine started, and when you have all the time to yourself, you start to regrow those parts of you. You didn’t even realize you made sacrifices for years,” explained Queen Mars when asked about the creative process behind her debut EP. “I came into a room where I felt like I was going back to my childhood.”
After a year of desocialization and focusing on her story, Queen Mars was able to construct tracks with an enhanced portrayal of herself as an artist: ambitious, evil and vulnerable.
In the lead single “Boys Like You”, Queen Mars found written texts four years ago that describe their first relationship. Queen Mars uses a vicious, distorted R&B instrumental to convey a combination of cold-blooded high spirits and emotional chaos.
“This song is pretty aggressive and assertive, it’s still pretty vulnerable because it’s very much about that person,” she admitted. “I had to give people the background why I am who I am.”
Accompanying the publication is a Music video where Queen Mars puts her cinematic performance on the same track as pop stars like Rihanna.
“theyThe artist finds the second single of the upcoming project in an intimate headspace while she sings about another relationship in the past. The track changes gears completely as a warm acoustic guitar melody, playful layered vocals, and vivid imagery of the changing seasons merge into a soft pop song that is suitable for any summer afternoon.
With the project released on April 9th, Queen Mars hopes to continue developing her own voice and expressing her identity without compromise by immersing herself in the realm of production.
“I’ve always produced with the people I work with, but I’ve never really learned how it all works myself,” said Queen Mars. “I’m very excited because I could develop my sounds a bit more, because I can be a lot more experimental. I can play around with noises for 10 hours and not waste time. “
In addition to the self-produced tracks, fans should expect more music videos to appear after the release of “Trust Issues”, including a video that accompanies the final track of the EP “Lonely”.
“Trust Issues” will be available for streaming on Apple Music and Spotify on April 9th.
A New Jersey appeals court ruled Thursday against famous pop artist Peter Max in a dispute over his million dollar works that were damaged in a warehouse during Superstorm Sandy.
German-born Max, whose signature psychedelic drawings have largely been reproduced on posters and postage stamps and exhibited in museums since the 1960s, has claimed that an arbitrator’s insurance price of $ 48 million is too low.
Thousands of his paintings, posters, and other works were damaged in a warehouse in Lyndhurst, northern New Jersey, when Superstorm Sandy entered the area in late October 2012.
When Max and his insurers, Great American Security and Lloyds, couldn’t agree on the cost of the damage, a former New Jersey Supreme Court Justice was hired to settle the dispute.
Max and his affiliates claim that the judiciary miscalculated the value of the damaged works by offering a discount on some entire categories, including posters.
A lower court judge had ruled that the ratings were reasonable and that Max’s approach “overlooked the possibility that many of the items had not been sold in the past and that the entire work was likely not to be sold at those prices in the future” on Thursday’s judgment.
The appellate court also wrote in its decision that it did not have jurisdiction and left the decision of the lower court undisturbed.
NASHVILLE, Tenn. (WKRN) – A surveillance video posted online by a Hermitage company using counterfeit cash led police to identify the scammer responsible for several similar scams.
Rashida Groomster, 22, was arrested on Wednesday on five criminal simulation cases.
An arrest warrant states that a woman walked into the Rusty Nail on Andrew Jackson Parkway in September 2020 and used a fake $ 100 bill to pay for a meal, get change, and get the business out of money.
The Rusty Nail posted a surveillance video of the woman and was contacted by several people on Facebook, with the scammer identified as a groomster, according to court documents.
Another warrant states that Groomster used a fake $ 50 bill at Ruby Sunshine on 21st Avenue South in December 2020.
Details of the other incidents that Groomster allegedly participated in were not immediately released.
Groomster was admitted to Metro Prison Wednesday evening for criminal simulation, theft, resisting arrest and circumventing arrest. Their bond issue was set at $ 113,500.
A booking photo for groomster was not provided by the Metro police.
Meet up with an artist you can relate to this weekend on Facebook Live.
The Grand Rapids Public Museum has a free live interactive program with artist Sean Kenney, who created Imagine Exhibitions’ award-winning touring exhibition, Sean Kenney’s Wild Lego Links, on display at the museum.
Workers will complete the construction of a giant dragonfly on the Sean Kenney’s Wild Connections exhibit starting Saturday, November 7th at the Grand Rapids Public Museum. (Courtesy GRPM.org)
Kenney will share his experiences as a professional artist working with Lego bricks, take a behind-the-scenes tour of his studio space, and answer questions from viewers.
The live program will take place on Sunday, March 14th at 1pm bit.ly/3l29Pwl. Tickets for the exhibition, which runs through May 2, are $ 12 and $ 7 for children grpm.org or 616-929-1700.
A Venus Flytrap will capture a meal at Sean Kenney’s Wild Connections starting Saturday, November 7th at the Grand Rapids Public Museum. (Courtesy GRPM.org)
In June, our atrocity investigator picked up a thin, furless dog. We can’t imagine poor Lily in pain for so long. Just touching her skin made her bleed. It was crusted, light pink, and had lots of infected skin. While having very little energy, Lily was a survivor and has worked hard on her health for the past 7 months. She is finally ready to find her eternal family and break away from the difficult first years of her life.
Currently at a nursing home that reports Lily is “a great source of joy and amusement”, this shy but sweet girl is thriving. She is well on her way to potty and crate training. She hasn’t had an accident at her nursing home in weeks and walks easily into her box but barks a few minutes before settling down. Lily enjoys cuddling, chewing hard bones, and now has the energy to take long walks.
Lily has played with other dogs and really enjoys wrestling and rumbling hard, making it difficult for her to stop playing when other dogs are around! She would do well in a home with only dogs, or in a home with other dogs who are having a good time and people who could proactively reinforce calm behavior when everyone is together.
Lily is around 3 years old, weighs 65 pounds, is heartworm positive and has not yet been neutered. As a tall girl who can occasionally get nervous when excited, she is looking for a home with no children under the age of 12. Having an intact pet in your home is an additional responsibility that potential adopters should consider. She has been vaccinated, microchipped and is currently involved in parasite prevention.
Because of the long road to recovery that Lily is still on, she is offered a caregiver to adopt a candidate. This brings many benefits, such as access to our dog trainer and our clinic for Lily’s needs! The Tulsa SPCA will continue to medicate Lily until she is healthy enough to be neutered. After that, the adoption will be completed. We will also start treating your heartworms soon at no cost to your adopters.
Let us know when you’re happy with Lily’s!
LIKE TO ADOPT LILY
The Tulsa SPCA is currently only operational by appointment.
• Visit tulsaspca.org/adoptable-dogs. Click on their profile and use the orange “Interested in this animal? Click here!” Apply button to apply.
• If approved, we will contact you to finalize the paperwork, collect payment, and schedule an appointment for your drive-through adoption.
• Please stay home if you feel unwell, especially if you have symptoms of fever, cough or sore throat.
If you’ve been in downtown Bozeman for an extended period of time, you’ve likely seen Buzzard’s work.
Just passing Buzzard, Buzzard paints the windows of downtown shops and cuts ice off the sidewalks for wheelchair users or walkers to maneuver onto the sidewalks. He’s usually paid for the window art, but chopping the ice is something he does for free so people with mobility issues like him can use the sidewalks year round.
Over 100 people have now donated to a GoFundMe organized by downtown business owner Billy McWilliams to pay off some old Buzzard debts and prepare his apartment for recovery after a recent bicycle accident resulted in hip replacement for the artist.
“Everyone knows his art in the windows,” said McWilliams, who owns the adult boutique Erotique and is friends with Buzzard. “There’s a lot of love for Buzzard in downtown Bozeman. It felt like we had to help him after his accident. “
The fundraiser raised just over $ 5,000, which McWilliams said was spent on things like new, safer furnishings for Buzzard’s apartment and a new bike after the last one was destroyed in the accident. Some old debts were also paid off.
“He’s just part of the downtown fabric, he’s so positive and funny and wonderfully weird,” said McWilliams. “Everything just to make his life more comfortable and better. He brings people together in a unique way, through his art and his cheers. “
And art is really what Buzzard is all about.
Buzzard has lived in Bozeman for about seven years. Most of the time, he was homeless, although in recent years he has said the Human Resources Development Council helped him get into an apartment, which changed his life.
“I could go in and go barefoot and stick my toes and use my walker,” he said. That was a big deal for him, and he said it helped him a lot with his mobility and mental health issues, although they can still be problems at times.
After moving here, he started painting windows for free or for grocery and employee discounts. But as he honed his craft, he got paid more regularly, even though it was never about the money for him.
“I wasn’t trying to make money from it, even though people would give me money,” said Buzzard.
Because Buzzard basically always makes art, he always improves.
“I’m always practicing and learning and improving in real time,” he said. “I used to use duct tape to draw a straight line, you know, but now I can just write freehand and balance it out while visually walking.”
He has painted huge murals on Owenhouse Ace Hardware’s Main Street windows, symbols showing support for the LGBTQ + and BIPOC communities, and recently artistic reminders that masks are required for customers to shop in stores.
“There are some people who have to make art, right? That’s him. He’s unhappy when he’s not doing art, he lives for it, ”McWilliams said of Buzzard. “It’s great to see the community come together out of love, because that’s what he has, that’s what he is, that’s what he radiates.”
Buzzard said that he says “almost everyone” he speaks to that he loves her. It’s got so much of it that he can’t hold onto it, he said.
“I get so happy that sometimes I can’t take it,” said Buzzard. “Everyone helped me, I can’t thank you enough.”
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