Household of Chris Cornell settles with physician over his demise | Ap-entertainment

LOS ANGELES (AP) – Chris Cornell’s family and a doctor they alleged prescribed medication before he died have agreed to settle a lawsuit.

Court documents filed by attorneys for the rock singer’s widow, Vicky Cornell, and her children, Toni and Christopher Nicholas Cornell, stated that a confidential settlement had been reached. The documents were filed in April but went unnoticed before the City News Service reported on Thursday.

The Cornell family alleged in their 2018 lawsuit filed with the Los Angeles Supreme Court that drugs, particularly that of Dr. Robert Koblin prescribed the anti-anxiety drug Lorazepam, which would have caused erratic behavior from the Soundgarden frontman prior to his death in Detroit in 2017 at age 52.

Coroner’s Michigan investigators ruled that Cornell’s death by hanging was suicide. Tests showed the presence of lorazepam, better known under the brand name Ativan, in Cornell’s system along with barbiturates and the anti-opioid drug naloxone, but did not name them as a factor in his death.

The lawsuit alleged that Koblin and his Beverly Hills, California office had “negligently and repeatedly” prescribed “dangerous mind-altering controlled substances” to Chris Cornell that impaired Mr. Cornell’s cognition, impaired judgment, and induced him to do so to engage in dangerous impulsive behaviors that he could not control and cost him his life. “

The lawsuit said the doctor did so because he knew Cornell had a serious history of substance abuse.

In court documents responding to the lawsuit, Koblin and his attorney denied any wrongdoing or responsibility for Cornell’s death.

Emails with comments sent to lawyers on both sides Thursday night were not immediately returned.

“After years of litigation and settlement negotiations, the plaintiffs and defendants … entered into a confidential settlement agreement to resolve all claims,” ​​the Cornell family lawyers said on the April 2 file.

The key document for the compromise was the agreement to minimize publicity and keep the terms confidential.

The case has received “significant media coverage and attention from fans of Mr. Cornell and allies of the plaintiffs,” the court record said. “Unfortunately, as in many celebrity cases, this action has drawn the attention of those who have molested plaintiffs, including threats to the life and safety of plaintiffs Toni Cornell and Christopher Nicholas Cornell.”

A judge has yet to approve the parts of the settlement that involve the children, who are both minors, and the documents state that if it doesn’t, the lawsuit will go to court.

Cornell’s plaintive voice and his long-haired, shirtless stage presence made him an indispensable figure in grunge rock of the 1990s. Soundgarden was among the first groups to gain national attention in a wave that later became Nirvana, Pearl Jam and Alice in Chains.

Follow AP Entertainment Writer Andrew Dalton on Twitter: https://twitter.com/andyjamesdalton

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Olympia Dukakis, Oscar-winning ‘Moonstruck’ star, dies at 89 | Ap-entertainment

MAPLEWOOD, NJ (AP) – Olympia Dukakis, the veteran stage and film actress whose flair for maternal roles helped her win an Oscar as Cher’s mother in the romantic comedy Moonstruck, has died. She was 89 years old.

Dukakis died at her home in New York City on Saturday morning, according to Allison Levy, her agent at Innovative Artists. One cause of death was not released immediately, but her family said in a statement that she has not been healthy for months.

Dukakis won her Oscar through a surprising chain of circumstances, beginning with author Nora Ephron’s recommendation to play Meryl Streep’s mother in the film version of Ephron’s book Heartburn. Dukakis got the role, but her scenes were cut from the film. To make amends, director Mike Nichols cast them in his hit “Social Security”. Director Norman Jewison saw her in this role and cast her in “Moonstruck”.

Dukakis won the Oscar for Best Supporting Actress and Cher took home the trophy for Best Actress.

She referred to her victory in 1988 as “the year of the Dukakii” because it was also the year that Massachusetts Governor Michael Dukakis, her cousin, was the Democratic Party’s presidential candidate. At the ceremony, she held her Oscar high above her head and shouted, “OK, Michael, let’s go!”

In 1989, her Oscar statuette was stolen from Dukakis’ home in New Jersey.

“We’re not demanding,” said her husband, actor Louis Zorich, at the time. “We kept the Oscar in the kitchen.”

Dukakis, who was born in Lowell, Massachusetts, had longed to be an actor at an early age and hoped to go to college to study theater. Her immigrant Greek parents insisted that she get a more hands-on education, so she studied physiotherapy at Boston University on a grant from the National Foundation for Infantile Paralysis.

After graduating with a bachelor’s degree, she worked at an understaffed hospital in Marmet, West Virginia, and the Infectious Disease Hospital in Boston.

But the lure of theater eventually led her to study drama at Boston University.

It was a shocking change, she told an interviewer in 1988, noting that she had moved from the quiet world of science to a world where students routinely yelled at teachers.

“I thought they were all crazy,” she said. “It was wonderful.”

Her first school performance, however, was a disaster as she sat on stage without a word.

After a teacher cured her stage fright, she started working in summer theaters. In 1960 she made her off-Broadway debut and two years later she played a small role in “The Aspern Papers” on Broadway.

After three years with a regional theater in Boston, Dukakis moved to New York and married Zorich.

There were few acting jobs in the early years of their marriage, and Dukakis worked as a bartender, waitress, and other jobs.

She and Zorich had three children – Christina, Peter and Stefan. Deciding that raising children in New York on limited incomes was too difficult, they moved the family to a centuries-old home in Montclair, a suburb of New York, New York.

Her Oscar win kept the maternal film roles upright. She was Kirstie Alley’s mother in Look Who’s Talking and its sequel Look Who’s Talking Too, the sardonic widow in Steel Magnolias and the arrogant wife of Jack Lemmon (and mother of Ted Danson) in Dad.

Her most recent projects included the 2019 TV miniseries “Tales of the City” and the upcoming film “Not to Forgot”.

But the stage was her first love.

“It wasn’t my goal to win the Oscar,” she commented after her “Moonstruck” victory. “It was the big part to play.”

She achieved this in New York productions such as Bertolt Brecht’s “Mother Courage and Her Children”, Eugene O’Neill’s “Long Day’s Journey into Night” and Tennessee Williams “The Rose Tattoo”.

In 2000 she was on Broadway in Martin Sherman’s one-actor play “Rose” and received a nomination for the Drama Desk Award for the role of an 80-year-old survivor of the Warsaw Ghetto during World War II.

For two decades she directed the Whole Theater Company in Montclair, New Jersey, specializing in classical drama.

Zorich died in January 2018 at the age of 93.

Dukakis is survived by her children Christina, Stefan and Peter; her brother Apollo Dukakis; and four grandchildren.

The late Associated Press writer Bob Thomas in Los Angeles was the lead author of this obituary.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed in any way without permission.

Decide tosses lawsuit of man who alleged Jackson molestation | Ap-entertainment

LOS ANGELES (AP) – A judge on Monday dismissed a man’s lawsuit alleging Michael Jackson sexually abused him as a boy.

Los Angeles District Supreme Court Justice Mark A. Young granted the Jackson estate’s motion to dismiss Wade Robson’s 2013 lawsuit. The judge said two Jackson entertainment companies affected by the lawsuit had no legal obligation to protect Robson from Jackson.

“There is no evidence to support the plaintiff’s allegation that the defendants exercised control over Jackson,” the judge wrote. “The evidence further shows that defendants had no legal capacity to control Jackson because Jackson had complete and complete ownership of the company’s defendants.”

The dismissal came after the judge dismissed a similar lawsuit by James Safechuck in October. Both men made their allegations in the HBO documentary “Leaving Neverland”.

Vince Finaldi, attorney for Robson and Safechuck, said the verdict had “fatal flaws” and was being challenged.

“If the decision persists, it would set a dangerous precedent that would leave thousands of children working in the entertainment industry vulnerable to sexual abuse by people in places of power,” Finaldi said in a statement.

Robson, now a 38-year-old choreographer, met Jackson at the age of 5. He appeared in Jackson music videos and recorded music on his label.

His lawsuit alleged that Jackson molested him for a period of seven years and that, as Jackson’s employees, the two companies Jackson founded had a duty to protect him in the same way that Boy Scouts or a school should protect children from their leaders. However, the judge found that the companies were only legal entities that Jackson controlled, and not organizations that could control him.

Another judge dismissed Robson and Safechuck’s lawsuits in 2017, finding that the statute of limitations had expired. An appeals court revived legal action in 2019 after California Governor Gavin Newsom signed new law giving those accused of childhood sexual abuse more time to file lawsuits.

The allegations took on new life when the two men repeated them extensively in “Leaving Neverland,” a documentary that premiered at Sundance Film Festival and later aired on HBO.

The Jackson estate has relentlessly and repeatedly denied that he molested any of the boys and has filed a lawsuit against HBO that is currently in private arbitration.

“Wade Robson has made frivolous claims in various lawsuits against Michael Jackson’s estate and related companies over the past 8 years,” Jackson estate attorney Jonathan Steinsapir said in a statement following Monday’s judgment on I Have No Merit at All, that no process is necessary. “

The Associated Press does not normally name people who claim to have been victims of sexual abuse. But Robson and Safechuck have come back repeatedly and approved the use of their identities.

Follow AP Entertainment Writer Andrew Dalton on Twitter: https://twitter.com/andyjamesdalton

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‘One other Spherical’ wins greatest worldwide movie on the Oscars | Ap-entertainment

LOS ANGELES (AP) – Raise a glass for “One More Round”.

The film from Denmark, directed by Thomas Vinterberg, won the Oscar for best international feature film.

“This is more than anything I can imagine,” said Vinterberg on Sunday evening from the stage at Union Station in Los Angeles. “Except that’s something I always imagined.”

It is the fourth time that a film from Denmark has won this category. The last one was “In a Better World” in 2010.

In “Another Round” Mads Mikkelson is part of a group of school teachers who try to stay slightly drunk all day in order to break out of their midlife malaise.

Vinterberg is also nominated for the best director on Sunday evening.

He dedicated part of his speech to his daughter, who he said died in a motorway accident four days after filming Another Round.

“In the end we made this film for her as her memorial,” said Vinterberg. “So Ida, this is a miracle that just happened.”

This story has been updated to correct the spelling of Thomas Vinterberg’s last name.

For full coverage of this year’s Oscars, please visit: https://apnews.com/hub/academy-awards

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Jim Steinman, hitmaker for Meat Loaf and Celine Dion, dies | Ap-entertainment

NEW YORK (AP) – Jim Steinman, the Grammy-winning composer who wrote Meat Loaf’s best-selling debut album “Bat Out Of Hell,” and hits for Celine Dion, Air Supply and Bonnie Tyler, has died, his brother said. He was 73 years old.

Bill Steinman told The Associated Press that his brother died of kidney failure on Monday and was ill for some time. He said Jim Steinman died in Connecticut near his home in Ridgefield.

“I miss him a lot,” said Bill Steinman on Tuesday by phone.

Jim Steinman was born on November 1, 1947 in New York City.

He was inducted into the Songwriters Hall of Fame in 2012 and won Album of the Year at the 1997 Grammy Awards for producing songs on Celine Dion’s “Falling Into You,” which celebrated its 25th anniversary last month and Steinman’s composed power ballad. Now everything comes back to me. “

Steinman wrote the music for Meat Loaf’s classic album “Bat Out of Hell,” which was released in 1977 and is one of the best-selling albums of all time. It has reached 14 times platinum status from the RIAA, equivalent to sales of 14 million albums in the US alone.

Steinman also wrote Meat Loaf’s “Bat Out of Hell II: Back to Hell” album in 1993, another commercial and multi-platinum hit with the international hit “I Would Do Anything for Love (but I won’t do that.” ). “” He also worked on the 2006 “Bat from Hell III: The Monster is Going”, which concluded the “Bat from Hell” trilogy.

He also composed the rock musical “Bat Out of Hell: The Musical”, which premiered in 2017 at the Manchester Opera House in Manchester, England.

Steinman was responsible for Tyler’s “Total Eclipse of the Heart,” which topped the Billboard charts in 1983 and earned Tyler a Grammy nomination. When Tyler’s song was number 1, another Steinman production – Air Supply’s “Making Love Out of Nothing at All” – reached number 2, giving Steinman the top 2 spots on the table.

“There’s no other songwriter like him,” said an emotional Meat Loaf with tears in his eyes at Steinman’s induction into the Songwriters Hall of Fame. “Here I get emotional …

“I can never pay it back,” he continued. “He was such an influence, the greatest influence on my life, and I learned so much from him that I could never repay Mr. Jim Steinman. ”

Meat Loaf and Steinman have teamed up again for Meat Loaf’s latest album, Braver Than We Are. The songs were written over a period of 50 years and contain several that were originally intended for “Bat Out of Hell”.

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NY Philharmonic provides 1st live performance with viewers in 13 months | Ap-entertainment

NEW YORK (AP) – Esa-Pekka Salonen took the stage to join the New York Philharmonic, which hadn’t gathered in front of an audience in exactly 400 days.

“On behalf of all of us on stage, welcome back,” the conductor told the crowd on Wednesday night. “We dreamed of this moment for a long time.”

The Philharmonic gave its first public performance after a historic hiatus of more than 13 months caused by the coronavirus pandemic. She played at the Shed on Brookfield Place, about two miles from the under-refurbished Geffen Hall in the Lincoln Center for the Performing Arts.

“I’m currently at a euphoric climax because I missed it more than I realized,” said concertmaster Frank Huang afterwards.

There was a reduced strength of 23 strings – all masked – and no brass or woodwinds for a program that lasted an hour: Caroline Shaw’s “Entr’acte”, Jean Silbelius ‘”Rakastava (The Lover)” and Richard Strauss’ ” Metamorphoses “. ”

The cavernous shed, which opened in April 2019, had a masked audience of 150 people spread out in groups of one and two folding chairs with about 10 feet of space between each set in a venue typically seating about 1,200.

There were electronic tickets with timed entry, and temperatures were measured upon entry. Each person had to provide proof of a negative COVID-19 test or proof that the vaccination had been completed at least 14 days before.

Many musicians taught during the gap. They had the benefit of continued but reduced salaries, unlike their Lincoln Center neighbor, the Metropolitan Opera, which long stopped paying their unionized employees.

The last time the Philharmonic gathered in front of an audience was on March 10th last year for a night of Claude Debussy compositions with mezzo-soprano Isabel Leonard and conductor Louis Langree.

Since then, at most a handful of the Philharmonic Orchestra had played together in public, with “bandwagon” performances moving around the New York City area and as a quartet in Florida, where COVID-19 regulations were less stringent. There were also digital release programs on NYPhil + recorded at St. Bart’s Church and Alice Tully Hall in Lincoln Center with music director Jaap van Zweden.

The Philharmonic hope to resume their regular subscription concerts in September, which will be relocated to Tully and the Rose Theater at Lincoln Center Jazz until the Geffen reopens in September 2022. Her musicians will open the summer series of picnic performances in New York’s Bryant Park with four nights beginning June 9th and hope to play in Vail, Colorado as well. The limited return is ahead of the Broadway shows, which have been talking about a possible resumption in September, and the Met, which opens on September 27, if new working arrangements can be made.

Salonen, the 62-year-old music director of the San Francisco Symphony Orchestra and chief conductor of the London Philharmonia Orchestra, appeared as a guest conductor and will repeat the program on Thursday evening.

“If there’s one thing we musicians have loved in these 14 months or so, it’s that nothing – absolutely nothing – can replace the plot and ritual of a live concert,” he told the audience. “Music, of course, exists on many different levels: in written form using the complex system of symbols we call notation; as recordings on various media; or perhaps most importantly in our memories and dreams. However, music can really fulfill its original. I dare to say the biological function as a powerful tool to convey deepest emotions and feelings only when it is performed here and now at this point in time of the union, when musicians and audience become one in a perfect symbiosis. “

Acoustics are difficult for an orchestra in The Shed because the high ceiling creates the need for reinforcement. The players grinned as they saw the crowd, and some in the audience responded with standing ovations.

“The three works we picked tonight all share a sense of moan, nostalgia and loss that is elevated to something deeply and essentially human by sheer beauty,” said Salonen. “Of course, after these months, not a single program can begin to sum up our feelings and emotions. Instead, we should see today’s concert as a new beginning, a signal for happier times, filled with music and other things that give meaning to our existence in this troubled world. “

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Helen Mirren finds shiny facet throughout the pandemic | Ap-entertainment

LONDON (AP) – Helen Mirren has found the good side of the pandemic.

To work from home? “Much more convenient,” she said. She bought a ring light for zooms and balanced her laptop on two dictionaries. “I love it … I hope elements of our quarantine lockdown will stay with us.”

She enjoys slow dinners with her husband, director Taylor Hackford. They have lived together in the mountains near Lake Tahoe, California for much of last year.

“It gave me the opportunity to be with my husband in a completely normal way, which was fantastic. It’s actually the first time in all of our 30 years together that we have sat at the table every night and.” had dinner together. Usually we get on planes and fly here, there. So it was fabulous just to be a normal person. “

The 75-year-old British star is a sponsor of the documentary My Beautiful Stutter, which focuses on the work of the New York City-based nonprofit group SAY: The stuttering association for the youth.

The Discovery + film follows five children who have been bullied for the way they speak, and shows how the charity helps them with their confidence. The kids meet others who stutter, and much of the documentary explores their time at Camp SAY.

Mirren was introduced to the charity by friend Kelli O’Hara and has been an attorney and ambassador for the SAY fundraising gala in New York for years.

“I’ve known people who, as we say in England, stammer or stutter, actor friends of mine, who stutter pretty badly outside of the stage and can walk on stage and play Shakespeare absolutely fluently. And I’ve always been pretty surprised, or moved, or affected by it, ”said Mirren.

SAY founder Taro Alexander called the film, directed by Ryan Gielen, a “beautiful representation” of the group’s work.

Mirren has since started acting under the COVID-19 protocols again, but said social distancing and face-covering film productions “just aren’t as fun” as they used to be.

“You have a focus puller, if you met him on the street you wouldn’t recognize him, even though this is someone you worked with every day,” she said. “So this sense of community, I’m really looking forward to getting back into my job.”

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed in any way without permission.

Man sentenced for live performance funding scheme | Ap-entertainment

ORLANDO, Florida (AP) – A Florida man was sentenced to four years and nine months in prison Monday for participating in a multi-million dollar concert investment program.

Edison Denizard, 41, from Orlando, was convicted in federal court in Orlando, according to court records. He pleaded guilty to conspiracy to commit wire fraud in October. In addition to jail time, Denizard must lose his lakefront home and repay nearly $ 1.7 million.

According to court documents, Denizard and co-conspirator Andres Fernandez raised millions of dollars from dozens of victims between March 2016 and June 2017. The victims believed they were investing in events by top artists such as Drake, Garth Brooks, Pitbull and The Weeknd and Maná. But Denizard and Fernandez were not involved in most of the events, officials said.

Denizard used most of the funds he received from investors to pay fraudulent investment returns to previous investors and for his own personal use, investigators said. The victims lost at least $ 7.4 million, according to prosecutors.

Fernandez was sentenced to 10 years in prison last year after pleading guilty to 12 wire fraud cases.

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