right away After Chauncey Boothby was hired to beautify a toddler’s room in Chappaqua, NY, the designer came across a lithograph by the writer and illustrator Ludwig Bemelmans. In the playful and at the same time urban style of an artist, his exciting heroine Madeline confronts a tiger in a tent cage.
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The resulting en-suite bedroom is one of the hilarious refreshments Boothby of Rowayton, Connecticut has been looking for in the past 16 months to shake off young and old. .. Above all, the home work area was “veiled with horror,” she said.
Boothby has made the leap from Bemelman’s palette to Ottolyn’s sporty striped fabric. It was used to decorate bed canopies and desks and seats by the window. “If you bring some of the dark greens with you, you won’t get completely childish,” she said. The most recent elements, such as modern tea sets, cute animals and wall-mounted, puffy cord stars, can easily be swapped out by Maddy as she gets older.
Here are Dead, Tween, and, frankly, Boothby’s other strategies for bridging adult tastes.
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The end of the rainbow
Bemelmann’s lithograph, which ignited the striped pattern in the room, hangs on Japanese paper woven in muted shades of gray. The customer wanted the room not to be too girly. In addition, the wall coverings inherited from the life of the suite as guest quarters served as a neutral background. The colors of the artwork and striped textiles include the pale pink found in accessories. Pear green (desk); and orange (metal lampshade). Limited decorations like scalloped lampshades and grooved cups help maintain a serious saccharin balance. Boothby gave many animals in the room, such as zebra lamps and tiny felt lions, a little moment as if they were “on display at the zoo”.
In the bathroom, Boothby has a contrasting blush finish with a green closet in the woods and an emerald green fringed towel embroidered with an orange tiger that blends in with the bedroom palette. “It doesn’t have to be a stereotypical little cute pink moment, or as you know, a little boy doesn’t just have to be a little boy’s blue,” Boothby said of the design for kids. I did. Shower candy-striped tiles continue a light mix of pink and dark green. The shades of the wall sconces reflect the scallops of the desk lamp, and the fancy tassel drawer handle that comes with the Oomph vanity is one of the concessions to the gender of the suite’s residents. “A green vanity with boring hardware might not be enough to read as a little girl’s bathroom,” says Boothby. “The tassel was perfect.”
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Inspired by the “old-fashioned zoo tent” printed by Ludwig Bemelmann that hangs on his desk, a fabric canopy is inspired by Mr. Boothby’s furniture maker for a 4-year-old tenant in bed. Boothby was responsible for creating a space that could evolve with younger residents and create a haven where “tweens and teenagers can definitely be seen relaxing”. All other age factors include a mid-century style tulip side table and clear brass lighting in simple, sleek hues, as well as the Richard Lightman walnut chair that the customer already owns. “It doesn’t scream for kids,” Boothby said, but its olive leather and safari style are tied to both color schemes and animal themes.
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